Mentre Sidney e le sue amiche visitano il set hollywoodiano di Stab 3, basato sugli omicidi di Woodsboro, un nuovo killer si alza per terrorizzarli.Mentre Sidney e le sue amiche visitano il set hollywoodiano di Stab 3, basato sugli omicidi di Woodsboro, un nuovo killer si alza per terrorizzarli.Mentre Sidney e le sue amiche visitano il set hollywoodiano di Stab 3, basato sugli omicidi di Woodsboro, un nuovo killer si alza per terrorizzarli.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 5 candidature totali
Courteney Cox
- Gale Weathers
- (as Courteney Cox Arquette)
Roger Jackson
- The Voice
- (voce)
- (as Roger L. Jackson)
Recensioni in evidenza
Director Wes Craven and writer Ethen Krueger (taking over for Kevin Williamson) helped make this film happen. This time we're taken to Hollywood, California where Cotton Weary (Liev Schreiber) is now a talk show host, Gale Weathers (Courteney Cox Arquette)is a t. v journalist, Dewey Riley (David Arquette) is a technical advisor for the Stab 3 movie, and Sydney Prescott (Neve Campbell) is under a different name in order to protect herself. This time however there is a new killer(s) trying to get to Sydney, but it someone from her mother's past can Sydney survive another blood-bath as it seems the killer(s) is killing the cast members of the Stab 3 movie and won;t stop until Sydney is dead! My thoughts a great ending to the trilogy it definately has a few good scares and fills a lot of plot holes of why Maureen was killed. I won't give anything away but the killer(s) was a big surprise.RECOMMENDED! ***1/2 out of *****
Scream 3 has some major problems but I didn't think it was that bad. The production values are great, the score and sound are still effective and the direction and performances are credible. Not to mention GhostFace returns and is still as iconic and creepy as ever. However, the story is unoriginal and rather pedestrian, and the script is weak with too many unfunny and clichéd lines. When it comes to the scares, there were moments but too many weren't as strong or as genuine. The ending is also silly and predictable, and apart from GhostFace the characters are not as interesting. All in all, not bad but disappointing. 5/10 Bethany Cox
"Scream 3" takes us to the Northern California hills, where Sidney Prescott (Neve Campbell) is living in seclusion and immense fear due to the traumatic events that she survived in Woodsboro and at Windsor College. Meanwhile, a Hollywood movie studio is producing a film called "Stab 3", the third installment in a movie series based on the events that Sidney has survived. But when cast and crew members begin to die off one by one, it seems another killer has returned, and goes after the fragile Sidney (who is having terrifying visions of her dead mother). Sidney teams up with Gale Weathers (Courteney Cox) and policeman Dewey (David Arquette), two people who survived the massacres with Sidney, and try to uncover the new killers identity, which may be linked to Sidney's past.
The last installment in a very popular horror series, "Scream 3" brings this trilogy to end on an entertaining but rather weak note. The script for this film is nowhere near as good as the other two, which is unfortunate considering this film was the "finale" of the series. It would have been nice to end the series with a better film - not that this sequel is unbearably bad, but it could have been better. I will admit there are some decent scare moments and a handful of suspenseful scenes, but it seems to me that there's almost too much going on in this sequel for it's own good. The script juggles the Sidney character, Sidney's past, the Dewey/Gail relationship, the cast members of the "Stab 3" movie, and more, and the jumping around hurt the film a little. It didn't seem to have a central point within it, and that was a problem, for me at least.
Besides the problems that it has, I still have to say that I enjoyed this movie, mostly because of the entertainment factor. The writing wasn't amazing, but it did manage to continue to have some nice plot developments and a few good twists, plus some decent scares and more slight mocking of the genre and it's rules. The setting is mainly Hollywood, so this film has a completely different atmosphere than the second or the first film. I'm not sure if it necessarily hurt the film, but it seemed a little too "Hollywood" for me. The cast is good here, with more returning characters and some new ones as well, mainly added for body count, while the others do develop somewhat during the movie. The twist-ending (which is the revelation of the killer's identity) made sense in terms of the story, but I found it to be a little unsatisfying.
All things considered, "Scream 3" is an enjoyable but problematic ending to an above-average horror trilogy. You'll be entertained undoubtedly, but this movie can't compete with the second or the first films, because it just isn't as good. I enjoyed it for the most part and I have trouble over-criticizing it, but most people will agree when I say that it can't compare with the original film. 6/10.
The last installment in a very popular horror series, "Scream 3" brings this trilogy to end on an entertaining but rather weak note. The script for this film is nowhere near as good as the other two, which is unfortunate considering this film was the "finale" of the series. It would have been nice to end the series with a better film - not that this sequel is unbearably bad, but it could have been better. I will admit there are some decent scare moments and a handful of suspenseful scenes, but it seems to me that there's almost too much going on in this sequel for it's own good. The script juggles the Sidney character, Sidney's past, the Dewey/Gail relationship, the cast members of the "Stab 3" movie, and more, and the jumping around hurt the film a little. It didn't seem to have a central point within it, and that was a problem, for me at least.
Besides the problems that it has, I still have to say that I enjoyed this movie, mostly because of the entertainment factor. The writing wasn't amazing, but it did manage to continue to have some nice plot developments and a few good twists, plus some decent scares and more slight mocking of the genre and it's rules. The setting is mainly Hollywood, so this film has a completely different atmosphere than the second or the first film. I'm not sure if it necessarily hurt the film, but it seemed a little too "Hollywood" for me. The cast is good here, with more returning characters and some new ones as well, mainly added for body count, while the others do develop somewhat during the movie. The twist-ending (which is the revelation of the killer's identity) made sense in terms of the story, but I found it to be a little unsatisfying.
All things considered, "Scream 3" is an enjoyable but problematic ending to an above-average horror trilogy. You'll be entertained undoubtedly, but this movie can't compete with the second or the first films, because it just isn't as good. I enjoyed it for the most part and I have trouble over-criticizing it, but most people will agree when I say that it can't compare with the original film. 6/10.
This is the final piece of the puzzle to the murder mystery surrounding Sidney Prescott (Neve Campbell), who this time is hiding in the woods. But, a string of murders related to the Woodsboro case take place on the set of Stab 3 and it's the return of GhostFace, screams, chases and phone calls once again.
Filmed in a Hollywood setting, on the set of the fictional movie Stab 3, the actors went all out in pulling another dramatic and suspenseful horror film. Like the previous two films, the movie has its corny moments, but is watchable and and will give you several good scares from its creepy and jumpy scenes.
Like his horror films, Director Wes Craven has kept the unknown and whodunit culprits a big mystery, leaving this film unpredictable and full of surprises and twists. Overall, it's another pretty good one for a scare.
Grade B-
Filmed in a Hollywood setting, on the set of the fictional movie Stab 3, the actors went all out in pulling another dramatic and suspenseful horror film. Like the previous two films, the movie has its corny moments, but is watchable and and will give you several good scares from its creepy and jumpy scenes.
Like his horror films, Director Wes Craven has kept the unknown and whodunit culprits a big mystery, leaving this film unpredictable and full of surprises and twists. Overall, it's another pretty good one for a scare.
Grade B-
WARNING: PLOT POINTS ARE GIVEN AWAY, SO IF YOU HAVEN'T SEEN THE MOVIE OR DON'T WANT TO KNOW, PLEASE DO NOT CONTINUE READING
As I've said before, I have little use for sequels, which was I was surprised to find myself going to SCREAM 2, and even more surprised that I enjoyed it. Like the first one, it was fast, scary, funny, and took some nice satiric jibes. Even the much debated identity of the killer in the second one made sense as a satiric swipe at horror movies, so it didn't bother me. I didn't know if they'd be able to keep it going for a third movie, especially when hearing Kevin Williamson's involvement was going to be minimal(he's a producer, and he wrote an outline which eventual writer Ehren Kruger worked from), but I liked the first two, I was especially pleased to see Scott Foley(from FELICITY) and Parker Posey in the cast, and I was intrigued to see what happened. In retrospect, I probably should have waited for video.
Certainly the opening shows a little promise; instead of the usual celebrity cameo, we have a spoof of that, with Cotton Weary(Liev Schrieber), who's now a Geraldo-type talk show host, complaining about having to do a cameo in STAB 3(the movie within a movie here), so we know it's spoofing itself. The problem, of course, is we know Cotton's going to get killed, but Craven is able to draw suspense throughout the scene. We also get the stated purpose here during the phone call(which, also a bit clever, starts out with a woman's voice before the familiar tone of Roger L. Jackson as THE voice kicks in); the killer wants to find Sidney.
Sidney, of course, is living in seclusion, under a new name and barely going outside the house(which, of course, is under heavy alarm), so at first, she's almost like an afterthought to the movie. Instead, the center is on Gail Weathers, the tabloid reporter, now an entertainment reporter, who uses her reporter skills to play detective when Cotton is killed, and she decides to assist the police, specifically Detective Kincaid(Patrick Dempsey), in the case. Then there's Dewey, who's a technical advisor to STAB 3, the movie, and they of course worry about what's going to happen.
There's all kinds of potential here, and it's directed well, but it isn't written as well as I think Williamson would have done. There are scares which still work, and while the Dewey/Gail relationship seems a little old hat, the two Arquettes obviously like working with each other, and their familiarity with us helps smooth that over. Also, while Campbell is disconnected, she's still sympathetic, and while she doesn't have the same fun with herself as she did in the first one, I understood that. And there is humor, most of it coming from Posey as the actress playing Gail in STAB 3; few actresses can make contempt funny like she can. There's also the standard satiric bite(the bodyguard who guarded Julia Roberts and Salman Rushdie but ends up toast here).
But as I said, it isn't written as well, and the primary weakness is the killer. In some senses, I guess, having the director(Foley) be the killer makes sense, because he has the technical expertise to handle things. But it seems to come out of nowhere, and perhaps to distract us from that, Kruger gives us the idea of him being a long-lost relative of Sidney's, which is ridiculous. Perhaps because of that too, Foley goes way over the top, which is funny at first, but then becomes tiresome. Also, Kruger cribs not from other horror movies here, but from the first SCREAM(the cloning of the cell phone being a prime example). And while Williamson's red herrings were pretty clever, this one seems not thought out. Emily Mortimer's character(she plays the actress who plays Sidney) is a perfect example; there are two indications she might be the killer(three, if you count the woman's voice to Cotton), and yet she's killed off almost as an afterthought. Finally, as to compensate for all of this, there are a lot more killings to cover up. Which begs the question; if all he wanted was to find Sidney(as stated early on several times), why not just take Dewey, Gail, and Cotton et al hostage? The first two movies mocked the Idiot Plot Rule; this one mostly personifies it.
It's a shame, because there could have been something made from all this(oh, almost forgot; Dempsey, who I normally don't like, is surprisingly good, and also unrecognizable here). But this certainly doesn't break any rules. Even the Jamie Kennedy cameo seems obligatory rather than fresh. This suggest they should have stopped at the second one.
As I've said before, I have little use for sequels, which was I was surprised to find myself going to SCREAM 2, and even more surprised that I enjoyed it. Like the first one, it was fast, scary, funny, and took some nice satiric jibes. Even the much debated identity of the killer in the second one made sense as a satiric swipe at horror movies, so it didn't bother me. I didn't know if they'd be able to keep it going for a third movie, especially when hearing Kevin Williamson's involvement was going to be minimal(he's a producer, and he wrote an outline which eventual writer Ehren Kruger worked from), but I liked the first two, I was especially pleased to see Scott Foley(from FELICITY) and Parker Posey in the cast, and I was intrigued to see what happened. In retrospect, I probably should have waited for video.
Certainly the opening shows a little promise; instead of the usual celebrity cameo, we have a spoof of that, with Cotton Weary(Liev Schrieber), who's now a Geraldo-type talk show host, complaining about having to do a cameo in STAB 3(the movie within a movie here), so we know it's spoofing itself. The problem, of course, is we know Cotton's going to get killed, but Craven is able to draw suspense throughout the scene. We also get the stated purpose here during the phone call(which, also a bit clever, starts out with a woman's voice before the familiar tone of Roger L. Jackson as THE voice kicks in); the killer wants to find Sidney.
Sidney, of course, is living in seclusion, under a new name and barely going outside the house(which, of course, is under heavy alarm), so at first, she's almost like an afterthought to the movie. Instead, the center is on Gail Weathers, the tabloid reporter, now an entertainment reporter, who uses her reporter skills to play detective when Cotton is killed, and she decides to assist the police, specifically Detective Kincaid(Patrick Dempsey), in the case. Then there's Dewey, who's a technical advisor to STAB 3, the movie, and they of course worry about what's going to happen.
There's all kinds of potential here, and it's directed well, but it isn't written as well as I think Williamson would have done. There are scares which still work, and while the Dewey/Gail relationship seems a little old hat, the two Arquettes obviously like working with each other, and their familiarity with us helps smooth that over. Also, while Campbell is disconnected, she's still sympathetic, and while she doesn't have the same fun with herself as she did in the first one, I understood that. And there is humor, most of it coming from Posey as the actress playing Gail in STAB 3; few actresses can make contempt funny like she can. There's also the standard satiric bite(the bodyguard who guarded Julia Roberts and Salman Rushdie but ends up toast here).
But as I said, it isn't written as well, and the primary weakness is the killer. In some senses, I guess, having the director(Foley) be the killer makes sense, because he has the technical expertise to handle things. But it seems to come out of nowhere, and perhaps to distract us from that, Kruger gives us the idea of him being a long-lost relative of Sidney's, which is ridiculous. Perhaps because of that too, Foley goes way over the top, which is funny at first, but then becomes tiresome. Also, Kruger cribs not from other horror movies here, but from the first SCREAM(the cloning of the cell phone being a prime example). And while Williamson's red herrings were pretty clever, this one seems not thought out. Emily Mortimer's character(she plays the actress who plays Sidney) is a perfect example; there are two indications she might be the killer(three, if you count the woman's voice to Cotton), and yet she's killed off almost as an afterthought. Finally, as to compensate for all of this, there are a lot more killings to cover up. Which begs the question; if all he wanted was to find Sidney(as stated early on several times), why not just take Dewey, Gail, and Cotton et al hostage? The first two movies mocked the Idiot Plot Rule; this one mostly personifies it.
It's a shame, because there could have been something made from all this(oh, almost forgot; Dempsey, who I normally don't like, is surprisingly good, and also unrecognizable here). But this certainly doesn't break any rules. Even the Jamie Kennedy cameo seems obligatory rather than fresh. This suggest they should have stopped at the second one.
Lo sapevi?
- QuizPatrick Dempsey was hired the day before shooting began. He had one night to learn three big dialogue-heavy scenes.
- Blooper(at around 6 mins) When Ghostface is after Christine his knife makes a large hole in the door. When Cotton later approaches the door the damage is a series of narrow slits.
- Versioni alternativeA scene between Sidney (Neve Campbell) and Tyson (Deon Richmond) was cut out of the film for pacing. It reportedly involved the two talking about the similarities between an "I Know What You Did Last Summer"-ish flick Tyson was describing out of the pages of the Hollywood Reporter to Stab III.
- ConnessioniEdited into Scream 3: Alternate Ending (2000)
- Colonne sonoreWhat If
Written by Mark Tremonti (as Tremonti) and Scott Stapp (as Stapp)
Performed by Creed
Courtesy of Wind-Up Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Ghostface
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 89.143.175 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.713.342 USD
- 6 feb 2000
- Lordo in tutto il mondo
- 161.834.276 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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