La classica rivista di notizie investigative televisive in prima serata di lunga data.La classica rivista di notizie investigative televisive in prima serata di lunga data.La classica rivista di notizie investigative televisive in prima serata di lunga data.
- Vincitore di 1 Primetime Emmy
- 133 vittorie e 337 candidature totali
Recensioni in evidenza
However, the show today is tired and boring. There is no gusto. Is it a coincidence that once Lowell Bergman left, the show started to suck? Anyone who saw The Insider knows the story here. 60 Minutes "sold its soul" in the 1990's due to the tobacco scandal. Stock-owning executives from 60 Minutes falsified dangers that 60 Minutes would be the target of billion-dollar lawsuits from tobacco companies that would fell CBS if they aired a controversial public news piece from a former tobacco executive.
A partial result of the fallout was that Lowell Bergman, the main producer of the 60 Minutes tobacco segment, left the show and now works for Frontline, a brilliant PBS documentary news show. Frontline is FAR more interesting and hard-hitting than 60 Minutes has been in years.
Back to 60 Minutes...they seems to "go easy" these days and have one easy to medium news story. They mix that with some other "profile" type story, and throw in a non-threatening interview with some easygoing person. Something a teenager with a camcorder could do (follow around some singer and throw in some good writing).
All very boring for the most part. Too easy, no more edge.
60 Minutes used to the finest show around. Frontline years ago supplanted it as the best investigative journalism show around.
This show combines investigative journalism, celebrity profiles, and features about interesting organizations and events. When it's a serious subject, you feel like they have fairly and objectively reported the story. Even with lighter topics you get the impression 60 Minutes has captured the essence of the story.
Each segment is about 15 minutes long; we get three in every one-hour show. When the subject is something serious, the viewer has the option of following up in detail on other sources.
Sure, it's a formula, but the 60 Minutes people perfected the formula. No one else on commercial television does such good journalism.
Why has this show consistently placed near the top of the ratings for three decades? Because it's damn good. Why do people tune into 60 Minutes every week, despite the fact that during football season it is often delayed due to long-running games? Because they know that 60 Minutes will deliver.
Jack and Shana's debates in the 70s were a little much to take, and I can't stand Andy Rooney's musings, but the core of the show has remained solid.
Lo sapevi?
- QuizVoted #6 on TV Guide's 50 Greatest TV Shows of All Time.
- BlooperIn Andy Rooney's segment of 30 November 2008, the location of his seat in Giants Stadium was digitally blurred at the top of his season ticket - though the blurred region shifted enough to reveal most of the information - but all for naught as the same information was left unobstructed and even pointed to by Mr. Rooney at the bottom of the ticket, as well as the ticket's bar code and accompanying number.
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[commercial promoting "Murphy Brown"]
Steve Kroft: I'm Steve Kroft.
Lesley Stahl: I'm Lesley Stahl.
Scott Pelley: I'm Scott Pelley.
Anderson Cooper: I'm Anderson Cooper.
Bill Whittaker: I'm Bill Whittaker.
Murphy Brown: And I'm Murphy Brown.
Bill Whittaker: Wait; what?
Lesley Stahl: Are you kidding?
Murphy Brown: [shrugs in exasperation]
Anderson Cooper: Wait a minute; did she come before me?
Lesley Stahl: Not on our show.
Steve Kroft: No way.
Bill Whittaker: Not happening.
Anderson Cooper: [getting up with his cellphone] I gotta call my agent.
Murphy Brown: Aw, c'mon guys, I'll play nice!
- ConnessioniEdited into The Preppie Connection (2015)
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