Parting Shots

Just watched the film on tape and to be honest I quite liked it. I enjoyed all the cameo performances from many many good British actors and actresses. I don't really see what all the negative comments are coming from.OK its not Fawlty Towers or Rising Damp but as a black comedy film with no great pretensions it is perfectly watchable and enjoyable. Some VERY nice looking girls in it too,especially Nicola Bryant in all too small a role. Why this film is never seen on TV I have no idea.There is no swearing in it,a modest amount of bra and panties and little if any gratuitous over the top violence.In fact unless you have cancer the film is just a bit of fun with a 'happy' ending.

Foremost in my mind when approaching Parting Shots was the fact that I had never seen a Michael Winner film before. Nope, not even Death Wish. I was aware of his reputation, though. Tory, tabloid columnist, worst director ever, restaurant critic (most pointless occupation ever). Bearing all this in mind, I was confidently expecting to begin this review with the words, "Michael Winner must die."

But... no can do. It's not that Parting Shots is any good - it's certainly pretty weak stuff, by any standards. It's just that it's nowhere near as unwatchably awful as so many have insisted. I've seen any number of films this year alone that are far worse than this, and the film's dated, 70's cheesiness has a certain naive appeal. Besides, any director who can get John Cleese, Bob Hoskins, Joanna Lumley, Oliver Reed and Diana Rigg, to name but a few, to appear in material of this (sub)standard must have something going for him, surely?

Parting Shots isn't the worst film ever. It's not even the worst film ever to star Bob Hoskins. It's just an utterly harmless instance of a bunch of ageing luvvies getting together, having a few laughs, and making a little film to show the grandkids. Not a menace, just an irrelevance, so ignore it and it'll soon go away.

More power to the genius that is Michael Winner. He is so far ahead of the game it is incredible. In `Shots' he has managed to create the first cult film of the next millennium. No one likes this film at all, but there is a huge enjoyment to be had by anyone who views it with an open mind. I for one look forward to his next movie.

I thought that actors like John Cleese, Oliver Reed, Diana Rigg would be a recommendation for this piece. Unfortunately it's not. Only Rigg (perhaps better known as Emma Peel) is shown longer than some others. And her performance is stifled at best. It's a pity. Chris Rea is not an actor and judging from this he should refrain from an actor career. But maybe it is the sole fault of the director why this thing fails so miserably. While the story shows promise, the implementation is so shoddy that it actually hurts seeing this. Best summarized at the end of the scene where John Cleese's character closes the door after he had a painful talk with Rea. He bends over, holds his head with his hands and cries out loud: "Oh my God!" Apparently with great pain. That was really convincing and the best performance throughout the whole movie. Apart from that John Cleese is just John Cleese -- nothing more, which is good enough. The man can just withdraw himself and don't act at all and still makes himself at least bearable. The same goes for Oliver Reed. His character is a stoic killer. Reed did not even have to draw a face to deliver his part, which is good, because you can study him in one of his last roles. This movie only has these good points: you can watch the actors while they don't act at all or only give excuses for acting and see the people behind the masks. My conclusion: never watch a movie by Winner again.

This really is quite an entertaining romp. The cast is 'all-star' from a British perspective and generally put to good use. It's not laugh out loud funny but it is fun. The general idea of bumping off those who've upset you in life when you know you're going to die is a nice one. It got me thinking about my 'list' anyhow! I guess as a Micael Winner film it could be seen as a kind of comedy 'Death Wish'!. Oliver Reed is particularly good fun as a world-weary assassin. Chris Rea in the lead role is not at all bad in a down-beat kind of way and it's a mild surprise that we've not seen him in anything else since (at least I haven't). I don't think you'd be disappointed if you see this film.