Un ex agente dei servizi segreti statunitensi va alla ricerca di una misteriosa valigetta contesa da russi e irlandesi.Un ex agente dei servizi segreti statunitensi va alla ricerca di una misteriosa valigetta contesa da russi e irlandesi.Un ex agente dei servizi segreti statunitensi va alla ricerca di una misteriosa valigetta contesa da russi e irlandesi.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Amidou
- Man at Exchange
- (as Amidou Ben Messaoud)
Recensioni in evidenza
For its genre, Ronin is a good film. I don't think it's quite fair to criticize it for what it is not, such as saying that it's a poor film because there are movies out there with better car chases.
I saw it at the theatre and thought it was OK, saw it on video expecting to be more disappointed, and actually liked it better the second time.
I don't think the plot is as difficult to understand as some might claim. I had no trouble following it. Whether or not it's credible, well, how many action films are? It's credible enough for me to watch it and not say is this ever stupid. That's about all that I look for in an action film, sorry to say.
I actually enjoyed the dialogue for the most part. DeNiro and Reno in particular were solid. The film did begin to fade towards the end, especially once everyone was in the skating arena. I appreciated Frankenheimer showing as much of France as he did. That was a bonus.
So, yes, I could point to a number of flaws in Ronin. But, perhaps because of my low esteem for action films overall, I would say it's a worthwhile watch if you're an action fan, or a DeNiro fan, as I am.
I saw it at the theatre and thought it was OK, saw it on video expecting to be more disappointed, and actually liked it better the second time.
I don't think the plot is as difficult to understand as some might claim. I had no trouble following it. Whether or not it's credible, well, how many action films are? It's credible enough for me to watch it and not say is this ever stupid. That's about all that I look for in an action film, sorry to say.
I actually enjoyed the dialogue for the most part. DeNiro and Reno in particular were solid. The film did begin to fade towards the end, especially once everyone was in the skating arena. I appreciated Frankenheimer showing as much of France as he did. That was a bonus.
So, yes, I could point to a number of flaws in Ronin. But, perhaps because of my low esteem for action films overall, I would say it's a worthwhile watch if you're an action fan, or a DeNiro fan, as I am.
One of the best action films of the late '90s. A group of mercenaries deals with a job that from the beginning was expected to be difficult. An outstanding cast, with great interpretations by De Niro and Jean Reno. The narrative has the usual plot holes of a spy/conspiracy film, but apart from that, it is a lesson in how to make a good film within the genre, with well-crafted twists and intense and credible dialogues. 'Ronin' continues to have, in my opinion, one of the best car chase scenes ever. If you like the '70s and '80s classics, you will like this one as well.
I picked up this DVD in Asda's a few weeks ago and seeing it had Robert De Niro starring convinced me enough to buy it. Then seeing in the credits it starred Jean Reno, Sean Bean and Jonothan Pryce too made me realise I was watching a winner here.
I wasn't wrong either, this film is brilliant. The beginning is slow and tense; dark, clear colours in the picture sets the mood perfectly. From then on most of it is pretty much action.
Five mysterious men of various backgrounds (ex-CIA, KGB etc) meet in Paris, France for a job headed by a Northern Irish woman. The job is to steal a case from a group and return the case to their as yet unknown employers. Just as things seem to run smoothly, one of them is a double-crosser.
Now for some of the best bits, the car chases. These are shot magnificently as Peugeot's, BMW's and Audi's tear through the streets of Paris. These chases are the most thrilling chases I have ever seen. And when you get chases, you get crashes. Think on-coming traffic chases and you might get the picture.
This is a must see film. 8 out of 10.
I wasn't wrong either, this film is brilliant. The beginning is slow and tense; dark, clear colours in the picture sets the mood perfectly. From then on most of it is pretty much action.
Five mysterious men of various backgrounds (ex-CIA, KGB etc) meet in Paris, France for a job headed by a Northern Irish woman. The job is to steal a case from a group and return the case to their as yet unknown employers. Just as things seem to run smoothly, one of them is a double-crosser.
Now for some of the best bits, the car chases. These are shot magnificently as Peugeot's, BMW's and Audi's tear through the streets of Paris. These chases are the most thrilling chases I have ever seen. And when you get chases, you get crashes. Think on-coming traffic chases and you might get the picture.
This is a must see film. 8 out of 10.
A pretty decent action outing for Robert De Niro and John Frankenheimer. Good photography of some of the seedier neighborhoods of Paris and other French cities. This film is quintessential De Niro, and he gets all the good lines. There is an interesting revelation at the end, which I will not reveal here. The case everyone is after, is a complete McGuffin, what Hitchcock called that plot device, the thing which everyone wants, and it doesn't really matter exactly what that is. I think that Frankenheimer may have been paying homage to Hitchcock on this, as what is in the case is never revealed. Apparently David Mamet was the script doctor on this film, and it ended up OK. I am of two minds on Mamet, having liked "The Untouchables" a lot, and disliked "Glengarry Glen Ross" and loathed "Oleanna". I also liked Natascha McElhone, who I had never heard of. She is a beautiful and accomplished actress. Some people complained about her brogue. OK, she's not Meryl Streep. But then again, who is? A lot of actors won't even try. I look forward to seeing more of her.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
A great movie that you can't just watch with one eye. It starts slow, laying a strong foundation, and if it's on TV, it's easy to get lost by not paying attention at the beginning. However, it's an outstanding film, exploring the characters with a huge action movie in the background.
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
Lo sapevi?
- QuizA total of 80 automobiles were destroyed during filming.
- BlooperJean-Pierre claims that "All 47 of them committed Seppuku," but in fact only 46 did. The 47th Ronin, Terasaka Kichiemon, had a different mission. He was later pardoned. When he died at 87, he was buried along with the other 46.
- ConnessioniEdited into Ronin: Alternative Ending (1999)
- Colonne sonoreTime To Say Goodbye (Con te partirò)
Composed by Francesco Sartori
Lyrics by Lucio Quarantotto
English lyrics by Frank Peterson
Performed by Sarah Brightman featuring Andrea Bocelli
Courtesy of Angel Records
Under license from EMI Music Special Markets
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Sát Thủ Tự Do
- Luoghi delle riprese
- Blue Sky, Rue des Trois-Frères, Paris 18, Parigi, Francia(restaurant in opening sequence)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 41.616.262 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.697.641 USD
- 27 set 1998
- Lordo in tutto il mondo
- 41.616.262 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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