The Rolling Stones Rock and Roll Circus

Filmed live in 1968 as an intended television special but kept from the public eye due to the Rolling Stones' own dissatisfaction with their performance over a span of two nights, "Rock N' Roll Circus" showcases the Stones at the height of their game. Although I admit they have performed better in terms of musical companionship and melody, there is no denying the amount of energy they exude here.

The standout for me is the reggae-infused "Sympathy for the Devil" which sounds like the drunken plea of society's virus. The original came across as a taunt, and this rendition of the song is helpless and a desperate outcry - in a good way, of course.

Mick Jagger's vocals have been better and his voice is a bit off - I guess the guys were totally wasted and stoned out of their minds around this time. But watching them on stage, it's hard to deny they were one of the great rock n' roll bands. They're really not given enough credit for their fusion of blues and mainstream rock - at the time of their emergence, a lot of critics compared them to The Beatles - a comparison both understandable and equally unfair. They did write a few Britpop songs early on, but they always had a bluesy edge that the Beatles - despite their superiority in musical influence and range - never had.

If you're into the Stones, this is a must-see. If you're *really* into the Stones, it's probably a must-own. And if you aren't into the Stones at all, I'd recommend starting off with their double-album Forty Licks (a Greatest Hits compilation).

This was one great special, but it was sad to see the man who was the original visionary of the Stones, Brian Jones, and the pitiful shell he had become. It was pretty much known that it was the end for him as a member of the band and this can be seen as his last hurrah. You also can see the changes the Stones had undergone from their beginnings as a group that covered songs by American blues greats to the juggernaut that was the Jagger/Richards songwriting team. It was also interesting to see The Who as they were in the middle of their transition from being the icons of the mods to the hard rock force they would be a few months later. Roger Daltry hadn't gone all the way with the look he was famous for, the fringed shirt and long curly blonde hair, and Pete Townsend had not yet gotten his white boiler suit. And as many people have commented, The Who blew the Mick and the boys off the stage that night.

I can't totally understand why the Rolling Stones were embarrassed by their performance here in their TV special Rock & Roll Circus. Sure, everything else you've heard about the Who outshining them is not far from the truth (it's definitely one of the Who's finest hours with Keith Moon).

They're no slackers here either (sans Brian Jones, who was on the decline and except for No Exceptions does nothing significant here with the band), and hearing them perform Jumpin Jack Flash and Parachutte Woman- the latter a fantastic blues tune from Beggars Banquet- is a fine delight from late 60s rock & roll. They also make sure to end the special on two high notes: Sympathy for the Devil makes for a powerful punch of music that rocks the socks off everyone in attendance and without Jagger's preening to the camera (only to the camera is it annoying, everything else is a given with him), it's one of the very best performances of that song, and there's a fine little ending with Salt of the Earth. It's nothing to be ashamed of on their end.

Then again, the acts that surround them both outshine and lack the punch of their performances, so maybe at the time of their heights (and the sentimental factor of Brian Jones's departure and death from the band soon after) contributed to the decision to keep it from the public. As mentioned, the Who are in the great 'maximum R&B' tradition with A Quick One (While He's Away), which has as thunderous momentum matched with a wicked sense of humor. Other notable acts are Jethro Tull (featuring a slightly dazed Tony Iommi on guitar), Taj Mahal (a musician I never heard before but was blown away by), and a one-night-only type of grouping with Lennon, Clapton, Richards and Mitch Mitchell doing Yer Blues, which actually comes very close to topping the Who's performance- it's that awesome a rendition of the song.

Marianne Faithful is not my cup of tea, but is a talented singer here. My kryptonite though is the 2nd song by the Lennon group features one plus (violin) and one heavy minus (Yoko Ono's singing, which is like nails on a chalkboard). There's also the creepy sense that the audience looks like it's awaiting the 2nd coming, so to speak.

But it's always a lot of fun, the circus acts look cool in a kitsch kind of way, and there's a truly lively spirit going through all the performances. It's far from perfect, but it's a lot better than I expected, and will have a good place in my collection.

Originally made back in 1968, The Rolling Stones Rock And Roll Circus remains a product of it's time. Shelved until 1996 because the Stones were disastified with their performance, something I can't understand because (except for Jumpin' Jack Flash and Parachute Woman) they did an amazing job here, more if you consider they played a day after full of rehearsals and exhaution (and drugs). Clearly inpired by the Beatles TV specials, Mick got the idea of do one too for promoting the upcoming Beggars Banquet. Recorded in a sound stage decorated as a classic british circus in front of an invited audience with stellar sideacts, this TV special remains a lost (semi) gem. Presented in a classic circus way, right at the start you know you don't have to take this very seriously. Unfortunately there's 6 minutes of classic circus acts like a flame eater or a trapeze artist...the Stones should've been ashamed of that, not their performance. If you want to skip those you can pick the album, that wisely cuts the cr@p off. Things kick off with Jethro Tull. Though Ian Anderson was the only one that wasn't miming, this rendition of Song for Jeffrey is pure bombastic fun and a great way to start the concert. Fun fact: a then unknown Tony Iommi appears here (he only lasted two weeks in the band). Rumours had circulated that this show wasn't aired because the Who outperformed the Stones in their own game...I mean, they do a great job here but c'mon, that's just not true. I'm not a big fan of them and I don't enjoy A Quick One that much, but I recognize that their performanc here is stellar, and IMO the 3rd best of the Circus. I never heard of Taj Mahal, and that's very weird because of how much of a music sucker I am, but oh boy what a surprise it was to discover this man. Totally blown away by the blues rocker that was Ain't That a Lot of Love. I don't want to hate on Marianne Faithfull, but she's the worst of this special by a long shot. I respect her music career and I know she's a great songwriter but man, I just can't stand her voice. She was brave though, because just a couple of weeks before the filming, she had a miscarriage. Nevertheless she performed, and that's something I applaud, and she's not bad here really, is just unspecial. But something truly special followed. The one time only supergroup The Dirty Mac, conformed by John Lennon, Keith Richards, Eric Clapton and Mitch Mitchell, went on stage and totally blew everyone away. The not only stoled the show, but they also made the best version of Yer Blues, an almost imposible task if you ask me. Then they got joined by Yoko Ono and violinist virtuoso Ivry Gitlis to perform the Ono penned Whole Lotta Yoko. Some people will hate me for this, but I love this jam...yes even with the shrieks of Yoko. And finally, the Stones would hit the stage with 4 songs of the upcoming Beggars Banquet + Jumpin' Jack Flash and an early version of You Can't Always Get What You Want. The first two songs (Jumpin' Jack and Parachute Woman) actually show the band exhauted and playing without that much energy...however, their performance starts to get better with a beautiful rendition of No Expectations, and they totally skyrocked with You Can't Always Get What You Want, don't know what Mick did but he seems to have all the energy and pasion in the world from this song onwards. Jagger turns into a madman in what may be the best live version of Sympathy for the Devil; shirtless and covered with silly tattoes, he goes totally berserk and gives a demonic performance, proving why the Stones were the best band to see live. The concert finish in a both beautiful and orgasmic note with Salt of the Earth, that though the vocals were the only thing live, you can't help but want to dance seing the crowd go nuts. People waited for 28 years to see and hear this, and you know, totally worth it for them, because the Rock and Roll Circus remains one of the best moments in rock history and something every music enthusiast should experience.

This circus-based rock show starts with Jethro Tull and The Who, moves through Dirty Mac (Lennon and Yoko, Clapton, etc.), Taj Mahal, and Marianne Faithful, and ends up with the Rolling Stones themselves. Some acrobats and other acts along the way add to the sense of spaced-out-ness and general oddity.

The performances range from great (the Stones set culminating with 'Sympathy for the Devil'; the Who with 'A Quick One'; Jethro Tull - featuring a young Tony Iommi - with 'Song for Jeffrey') to embarrassing (Yoko's wailing). The mood is chaotic and more than a little amateur, but this gives the show a certain amount of interest and charm.

The only colour footage of the original Stones line-up? Some crazy costumes here and colour clashes but good to see them together in their heyday, even if Brian Jones does seem a bit out of it.

Overall, enjoyable.