VALUTAZIONE IMDb
7,6/10
2453
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFilmed before a live audience at a North London TV studio.Filmed before a live audience at a North London TV studio.Filmed before a live audience at a North London TV studio.
Ian Anderson
- Self - Jethro Tull
- (filmato d'archivio)
Glenn Cornick
- Self - Jethro Tull
- (filmato d'archivio)
Clive Bunker
- Self - Jethro Tull
- (filmato d'archivio)
Tony Iommi
- Self - Jethro Tull
- (filmato d'archivio)
Pete Townshend
- Self - The Who
- (filmato d'archivio)
Roger Daltrey
- Self - The Who
- (filmato d'archivio)
Keith Moon
- Self - The Who
- (filmato d'archivio)
John Entwistle
- Self - The Who
- (filmato d'archivio)
Jesse Ed Davis
- Self - Taj Mahal's Guitarist
- (filmato d'archivio)
Gary Gilmore
- Self - Taj Mahal's Bassist
- (filmato d'archivio)
Chuck Blackwell
- Self - Taj Mahal's Drummer
- (filmato d'archivio)
Marianne Faithfull
- Self
- (filmato d'archivio)
John Lennon
- Self - The Dirty Mac
- (filmato d'archivio)
Eric Clapton
- Self - The Dirty Mac
- (filmato d'archivio)
Keith Richards
- Self - The Dirty Mac and The Rolling Stones
- (filmato d'archivio)
Mitch Mitchell
- Self - The Dirty Mac
- (filmato d'archivio)
Recensioni in evidenza
Legend has it that The Stones withheld airing and release of this production for many years because they thought that they had been upstaged by The Who. One look at this show and you'll know why: Pete and the boys quite simply stole the show with renditions of such tunes as 'Happy Jack' and--especially--'A Quick One (While He's Been Gone)'.
In my opinion though, The Stones put on quite a show of their own, and its great to see them (and the other bands of that era) in their prime. If you're a fan of rock (especially of the late '60s), you MUST check this one out--you won't regret it.
"You've all been forgiven"--Townsend
In my opinion though, The Stones put on quite a show of their own, and its great to see them (and the other bands of that era) in their prime. If you're a fan of rock (especially of the late '60s), you MUST check this one out--you won't regret it.
"You've all been forgiven"--Townsend
Filmed live in 1968 as an intended television special but kept from the public eye due to the Rolling Stones' own dissatisfaction with their performance over a span of two nights, "Rock N' Roll Circus" showcases the Stones at the height of their game. Although I admit they have performed better in terms of musical companionship and melody, there is no denying the amount of energy they exude here.
The standout for me is the reggae-infused "Sympathy for the Devil" which sounds like the drunken plea of society's virus. The original came across as a taunt, and this rendition of the song is helpless and a desperate outcry - in a good way, of course.
Mick Jagger's vocals have been better and his voice is a bit off - I guess the guys were totally wasted and stoned out of their minds around this time. But watching them on stage, it's hard to deny they were one of the great rock n' roll bands. They're really not given enough credit for their fusion of blues and mainstream rock - at the time of their emergence, a lot of critics compared them to The Beatles - a comparison both understandable and equally unfair. They did write a few Britpop songs early on, but they always had a bluesy edge that the Beatles - despite their superiority in musical influence and range - never had.
If you're into the Stones, this is a must-see. If you're *really* into the Stones, it's probably a must-own. And if you aren't into the Stones at all, I'd recommend starting off with their double-album Forty Licks (a Greatest Hits compilation).
The standout for me is the reggae-infused "Sympathy for the Devil" which sounds like the drunken plea of society's virus. The original came across as a taunt, and this rendition of the song is helpless and a desperate outcry - in a good way, of course.
Mick Jagger's vocals have been better and his voice is a bit off - I guess the guys were totally wasted and stoned out of their minds around this time. But watching them on stage, it's hard to deny they were one of the great rock n' roll bands. They're really not given enough credit for their fusion of blues and mainstream rock - at the time of their emergence, a lot of critics compared them to The Beatles - a comparison both understandable and equally unfair. They did write a few Britpop songs early on, but they always had a bluesy edge that the Beatles - despite their superiority in musical influence and range - never had.
If you're into the Stones, this is a must-see. If you're *really* into the Stones, it's probably a must-own. And if you aren't into the Stones at all, I'd recommend starting off with their double-album Forty Licks (a Greatest Hits compilation).
Rock'n'Roll fans it doesn't get any better than this! This is as close as you're going to get to your 60s rock dream. A Lennon/Keef/Clapton/Mitch Mitchell jam. Early tasty Tull with Sabbath's Tony Iommi on guitar. Marianne Faithfull looking like an angel. The Who destroying the competition with a sensational version of A Quick One. And last, but not least, The Stones with a relaxed but smoking set including classics Sympathy For The Devil and You Can't Always Get What You Want. Unforgettable.
... Mick Jagger says after finshing a set as Keith walks across the stage while Mick graciously accepts the warm applause of the audience. Get a feel for the times as these rock'n'roll icons huddled under a circus tent for a great performance. Being able to see Mick Jagger really get into his performance, interact with the crowd, and even direct his singing to the camera is great and makes this production very unique... not like Gimme Shelter with Hells Angles. No, this is a controled stage performace and everyone is having a great time. If you look around you can even see the camera men lugging around their heavy equipment catching different angles and views of the performers and the crowd. This is a definate must have for fans of real rock n roll music.
This circus-based rock show starts with Jethro Tull and The Who, moves through Dirty Mac (Lennon and Yoko, Clapton, etc.), Taj Mahal, and Marianne Faithful, and ends up with the Rolling Stones themselves. Some acrobats and other acts along the way add to the sense of spaced-out-ness and general oddity.
The performances range from great (the Stones set culminating with 'Sympathy for the Devil'; the Who with 'A Quick One'; Jethro Tull - featuring a young Tony Iommi - with 'Song for Jeffrey') to embarrassing (Yoko's wailing). The mood is chaotic and more than a little amateur, but this gives the show a certain amount of interest and charm.
The only colour footage of the original Stones line-up? Some crazy costumes here and colour clashes but good to see them together in their heyday, even if Brian Jones does seem a bit out of it.
Overall, enjoyable.
The performances range from great (the Stones set culminating with 'Sympathy for the Devil'; the Who with 'A Quick One'; Jethro Tull - featuring a young Tony Iommi - with 'Song for Jeffrey') to embarrassing (Yoko's wailing). The mood is chaotic and more than a little amateur, but this gives the show a certain amount of interest and charm.
The only colour footage of the original Stones line-up? Some crazy costumes here and colour clashes but good to see them together in their heyday, even if Brian Jones does seem a bit out of it.
Overall, enjoyable.
Lo sapevi?
- QuizFor a fortnight in 1968, future Black Sabbath founder Tony Iommi briefly joined Jethro Tull as lead guitarist. This was his only public appearance with the band, but the performance was mimed - he never played live with Jethro Tull.
- Citazioni
Mick Jagger: You've heard of Oxford Circus, you've heard of Piccadilly Circus, and this is the Rolling Stones Rock and Roll Circus, and we've got sights and sounds and marvels to delight your eyes and ears, and you'll be able to see the very first one of those in a few moments.
- Curiosità sui creditiSPECIAL THANKS Everyone's Mum...
- ConnessioniEdited into Uragano Who (1979)
- Colonne sonoreEntry of the Gladiators
Written by Julius Fucík
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Рок-н-ролльный цирк Роллинг Стоунз
- Luoghi delle riprese
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 5min(65 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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