Telling You

Although everyone else who commented detested this movie, I liked it, a lot. I rented it a few months ago, and decided to buy it cheap last week. I think that the slow movement of it was a positive factor, and that it didn't overload or bombard the viewer. It was a lazy, relaxed, detached attitude; the perfect kind of movie to watch on a Sunday afternoon when feeling down on your luck. I think it might be better suited to interpretation as a play, because the action is more verbal than visual. It does make some attempt at developing characters, within its short runtime. The only part I disliked was the ending--unexpectedly abrupt and brief. I will also say, that this movie holds a "spot in my heart" for having perhaps the saddest moment I have ever seen in a movie. After Howard (the weird, smart, and nice guy of the five) spends much time and effort into interacting with a girl at the bar, he is brushed off in a terrible and heartbreaking manner that hit home because I know I'll be hearing the same line someday. . .

"All money hangin' out like a big ol' pimp!" If you've seen this movie, you'll probably remember this line. I love Matthew Lillard. But this movie was really bad! His parts were pretty funny, but the rest of the movie was just kinda thrown together. I didn't like it at all!

This movie is a pathetic waste of time, with a pathetic script, following pathetic characters. The two main characters are recent college graduates who ... are working in a pizza shop? If there was a plot here I didn't see it...basically a bunch of burnouts bumbling through life without a plan. If you're going to see a guilty pleasure high school movie, rent She's all That or Can't Hardly Wait (which, ironically, feature large portions of the cast from this movie). Those are much better done than this drivel.

Films are like fires, they start with a spark, warm up and build up the heat or they splutter out and die. This film is somewhere in between; there is a fire burning but it is just that someone comes along once in a while and throws cold water on it. To begin, the film is not really a comedy, it is a serious drama with light-hearted moments. Without the lighter moments you fear the story would be too heavy. What it really comes down to is whether you can empathise with the perfectly cast Dash Mihok as Dennis Nolan. If you've ever found yourself alone out in the yard at night wondering where life went wrong you will click in with Dennis and enjoy the story. So often Mihok manages to convey his pain and confusion without words, so you either understand him or you don't. The film so neatly sets out his problems and then neatly provides the answers. But like all films, there are the scenes we would like removed; the opening monologue by Peter Facinelli is painful and Jennifer Love Hewitt grossly over acts her minor part. The worst is a scene in a club where glamorous females sit alone at tables awaiting for any male to come up and sort out their life. This scene should be put back in the Male Fantasy file where it belongs, but apart from that it offers an original story and some brilliant acting (especially Jennifer Jostyn) though Facinelli's character is too shallow to show his great ability. I might add the original title 'Telling You' is perfect; I cannot believe that anyone who saw it would name it 'Love Sucks as it is marketed in the UK.

Potentially misleading - Jennifer Love Hewitt's top billing

for a minor character - but, appealing nonetheless. A

pizza store serves as a backdrop for ruminations on life & lost opportunities. Hard to figure whether the film

embraces or condemns the job as measure of success ethos; count this confusion as a strength. Sad to say,

Hewitt annoys as a shrill novice fashion-designer - misses "cute" sliding straight into "grating". The opening dog s*** tale's good (minus the punchline) & "Soccer Ball" is the greatest tune The Offspring never

wrote. What's with the Coleridge reference? Quality Low-Bud effort.