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LA TUA VALUTAZIONE
Tarzan torna nella sua terra d'Africa per salvare la sua casa dalla distruzione.Tarzan torna nella sua terra d'Africa per salvare la sua casa dalla distruzione.Tarzan torna nella sua terra d'Africa per salvare la sua casa dalla distruzione.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Steven Waddington
- Ravens
- (as Steve Waddington)
Gys de Villiers
- Schiller
- (as Gys De Villers)
Recensioni in evidenza
Casper Van Dien joins a long list of actors/athletes to essay the part of Edgar Rice Burroughs famous man of the jungle. As far as looks go he certainly fits the role, loincloth and all.
Tarzan is as eternal on the screen in his history as Sherlock Holmes. Both of them if you remember were brought up to date during World War II to aid the Allied effort. And Tarzan had several modern adventures through his many films and television roles right up through the nineties.
But on the cusp of a new millennium the Ape Man is returned to the period in time where Edgar Rice Burroughs set him in, clearly in British colonial Africa. Tarzan in fact has returned home to claim the title of the Earl of Greystoke and he's going to marry Jane March as Jane Porter.
But Van Dien gets one of those instinctive feelings, the kind that Chuck Norris gets when his Cherokee people are in trouble on Walker, Texas Ranger. He postpones the wedding to an exasperated Jane and heads to Africa.
Some of his native friends are indeed in trouble. A scientist who's hired a bunch of what would be called trailer park trash now is on the verge of discovering a lost city with untold wealth. It will make things worse than ever for the natives under colonialism if this archaeological Holy Grail is discovered.
Casper tries to reason with the scientist and then takes the more Tarzan like approach to the problem. But things do get real complicated when Jane follows him to Africa.
Tarzan and the Lost City is an old style adventure story with the benefit of 90s computer graphics. It's also politically sensitive, not portraying the natives as they were in those old Tarzan films from the studio days. And of course it's filmed entirely in Africa, certainly not done by MGM or RKO back in the day.
In the jungle Casper's great to look at and a wonder to behold. But why did he try to adopt that English accent. He sounded silly when he used it. You notice Johnny Weissmuller never even attempted one. Of course they did keep his dialog to a minimum.
Despite the accent, this latest big screen Tarzan is a good film and Casper Van Dien is a worthy successor to Johnny Weissmuller, Lex Barker, Gordon Scott, etc.
Tarzan is as eternal on the screen in his history as Sherlock Holmes. Both of them if you remember were brought up to date during World War II to aid the Allied effort. And Tarzan had several modern adventures through his many films and television roles right up through the nineties.
But on the cusp of a new millennium the Ape Man is returned to the period in time where Edgar Rice Burroughs set him in, clearly in British colonial Africa. Tarzan in fact has returned home to claim the title of the Earl of Greystoke and he's going to marry Jane March as Jane Porter.
But Van Dien gets one of those instinctive feelings, the kind that Chuck Norris gets when his Cherokee people are in trouble on Walker, Texas Ranger. He postpones the wedding to an exasperated Jane and heads to Africa.
Some of his native friends are indeed in trouble. A scientist who's hired a bunch of what would be called trailer park trash now is on the verge of discovering a lost city with untold wealth. It will make things worse than ever for the natives under colonialism if this archaeological Holy Grail is discovered.
Casper tries to reason with the scientist and then takes the more Tarzan like approach to the problem. But things do get real complicated when Jane follows him to Africa.
Tarzan and the Lost City is an old style adventure story with the benefit of 90s computer graphics. It's also politically sensitive, not portraying the natives as they were in those old Tarzan films from the studio days. And of course it's filmed entirely in Africa, certainly not done by MGM or RKO back in the day.
In the jungle Casper's great to look at and a wonder to behold. But why did he try to adopt that English accent. He sounded silly when he used it. You notice Johnny Weissmuller never even attempted one. Of course they did keep his dialog to a minimum.
Despite the accent, this latest big screen Tarzan is a good film and Casper Van Dien is a worthy successor to Johnny Weissmuller, Lex Barker, Gordon Scott, etc.
I enjoyed this film. It was nice to jump PAST the point where Tarzan was discovered, to a point where he had left the jungle and returned to England for socialization. Casper is an intelligent, grunt-free version of Tarzan who returns to the jungle after getting a psychic call "home" from his shaman friend. The movie remained focused on the goal set at the beginning, to save the Lost City from a power hungry treasure hunter. I didn't feel lost or that any of the events were fluff. There is a nice display of magic which was presented well by the special effects team. All of the acting was well done and not overdramatized. I would very much like to see the story continued by this team of creators and actors.
Tarzan and the Lost City was a failed attempt to bring the Lord of the Apes into the 90s. Caspar Van Dien was physically imposing as John Clayton, Lord Greystoke, and his loincloth-clothed alter ego, but he is just not a good enough actor to bring Burroughs' real character to the screen. The special effects were well made, but trite and really not needed, and the villains were never a good match for Tarzan, a man physically capable of doing just about anything. Jane March is attractive, but in a more British sort of way, which really doesn't translate well to American movie-going audiences.
Okay, I'll admit to being an old fart who grew up with Tarzan as a grunting Johnny Weisemuller. But I also read all the books some 40 years ago and should have a fair grasp of the character.
It started okay, with Tarzan being called back to Africa and doing a few cool things to harass the bad guys. Then the downhill slide began and ended in a bottomless pit.
Let's see... Tarzan was needed because a medicine man who can turn himself into a swarm of bees and create warriors out of thin air needed help. Uh, ever consider stinging the bad guys to death? It was nice to hear the old yell again, but not worth sitting through this.
Has anyone mentioned that the gorilla costumes were on a par with the one the Three Stooges used?
It started okay, with Tarzan being called back to Africa and doing a few cool things to harass the bad guys. Then the downhill slide began and ended in a bottomless pit.
Let's see... Tarzan was needed because a medicine man who can turn himself into a swarm of bees and create warriors out of thin air needed help. Uh, ever consider stinging the bad guys to death? It was nice to hear the old yell again, but not worth sitting through this.
Has anyone mentioned that the gorilla costumes were on a par with the one the Three Stooges used?
10solar12
I can't complain at all about this movie. It gave me everything I was hoping for. It's cheesy and fun! I grew up on classic Tarzan flicks and jungle movies. I watched various classic Tarzans including Ron Ely and Johnny Weissmuller. I never missed a chance to catch a Tarzan movie on TV as a kid. Tarzan and the Lost City recaptures that type of childhood magic. It entertained me from start to finish. Its flaws are part of its charm and only add to the fun. All classic Tarzan movies have flaws. So what!? That's part of what makes 'em GREAT FUN! Tarzan and the Lost City is no exception. It provides this classic jungle movie fan with plenty of entertainment value. It's great fun with a big bowl of popcorn and a cold beverage!
Lo sapevi?
- QuizJebba the chimp bit Casper Van Dien on the Chin during a photo shoot. Van Dien had to get tetanus shot but was apparently okay.
- Citazioni
[repeated line]
Nigel Ravens: Welcome to the 20th century!
[last lines]
Nigel Ravens: I see it... the light... so bright
- ConnessioniFeatured in The Blockbuster Buster: Tarzan & the Lost City (2012)
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- Data di uscita
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- Sito ufficiale
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- Celebre anche come
- Tarzan and the Lost City
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.172.941 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.110.564 USD
- 26 apr 1998
- Lordo in tutto il mondo
- 2.172.941 USD
- Tempo di esecuzione1 ora 23 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Tarzan - Il mistero della città perduta (1998) officially released in Canada in English?
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