Un uomo allevato dai gorilla deve decidere a che posto appartiene veramente quando scopre di essere umano.Un uomo allevato dai gorilla deve decidere a che posto appartiene veramente quando scopre di essere umano.Un uomo allevato dai gorilla deve decidere a che posto appartiene veramente quando scopre di essere umano.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 11 vittorie e 23 candidature totali
Tony Goldwyn
- Tarzan
- (voce)
Minnie Driver
- Jane
- (voce)
Brian Blessed
- Clayton
- (voce)
Glenn Close
- Kala
- (voce)
Lance Henriksen
- Kerchak
- (voce)
Wayne Knight
- Tantor
- (voce)
Alex D. Linz
- Young Tarzan
- (voce)
Rosie O'Donnell
- Terk
- (voce)
Jack Angel
- Monkey
- (voce)
Joseph Ashton
- Ape Boy
- (voce)
Bob Bergen
- Vincent Snipes
- (voce)
- (as Robert Bergen)
Billy Bodine
- Baby Ape
- (voce)
- (as Billy Warden Bodine)
Rodger Bumpass
- Elephant
- (voce)
- (as Roger Bumpass)
Lily Collins
- Baby Ape
- (voce)
Recensioni in evidenza
Imagine six 50-something and 60-something men and women watching this version of "Tarzan" (Disney, animated)on DVD and at the end, some of them saying "that is the best movie I have ever seen." Well, I can't personally say it was *the best* I've ever seen, but for sheer entertainment there haven't been many better.
The story is very familiar to most of us, and this version sticks to the tried and true (!) very well. The novelty are in the eye-popping Disney animation, the humorous script, and the "delivery" of the lines by the various celebrity voices. I bought the DVD because I want to watch it periodically, and also with my grandchildren as they grow up.
The "extras" on the DVD are really fine. Recording of the "Trashing the Camp" music is featured, plus a few other equally interesting features. The best being a film "short" of the animated Disney feature "Dinosaur" slated for release in May 2000. I'm going to buy that one too!
I gave this movie a solid "9" of "10" for sheer enjoyment.
The story is very familiar to most of us, and this version sticks to the tried and true (!) very well. The novelty are in the eye-popping Disney animation, the humorous script, and the "delivery" of the lines by the various celebrity voices. I bought the DVD because I want to watch it periodically, and also with my grandchildren as they grow up.
The "extras" on the DVD are really fine. Recording of the "Trashing the Camp" music is featured, plus a few other equally interesting features. The best being a film "short" of the animated Disney feature "Dinosaur" slated for release in May 2000. I'm going to buy that one too!
I gave this movie a solid "9" of "10" for sheer enjoyment.
Okay. They rewrote the whole legend. But Disney has an unerring way of doing that. Anyone remember Pocahontas? They even changed Cinderella, Snow White, and every other Disney Masterpiece sitting on your shelves, so why does it matter that this, too, was changed?
It matters on several different levels, but the most important reason it matters is because Disney, in their positioning among the children's entertainment market, is in the unique position to actually teach these legends, these snippets of history, these morals and ethics, to the children of their audiences, rather than proffering sugar-coated, merchandized over-glorifications in exchange for the great American dollar.
That having been said, this is still an entertaining introduction to the legend, but I highly suggest "Greystoke: The Legend of Tarzan, Lord of the Apes," (1984), directed by Hugh Hudson. It is the most faithful adaptation I've ever seen, and a highly enjoyable adventure, which carries a PG rating and is safe for most ages to view.
A lot has been said about the deep canvas effect used throughout the jungle scenes, and I must admit that I found the technique highly effective and extremely well done. I do computer graphics myself, and I was very impressed with the 3D effects throughout, including the water variants and textures used in the ship scenes, the fire effects used in the jungle, and the smoke effects from the guns used by the poachers. The textures and backgrounds were absolutely stunning, and for me, as a graphics artist, that's what I look for when I view a quality animation.
Very good endeavor.
It rates an 8/10 from...
the Fiend :.
It matters on several different levels, but the most important reason it matters is because Disney, in their positioning among the children's entertainment market, is in the unique position to actually teach these legends, these snippets of history, these morals and ethics, to the children of their audiences, rather than proffering sugar-coated, merchandized over-glorifications in exchange for the great American dollar.
That having been said, this is still an entertaining introduction to the legend, but I highly suggest "Greystoke: The Legend of Tarzan, Lord of the Apes," (1984), directed by Hugh Hudson. It is the most faithful adaptation I've ever seen, and a highly enjoyable adventure, which carries a PG rating and is safe for most ages to view.
A lot has been said about the deep canvas effect used throughout the jungle scenes, and I must admit that I found the technique highly effective and extremely well done. I do computer graphics myself, and I was very impressed with the 3D effects throughout, including the water variants and textures used in the ship scenes, the fire effects used in the jungle, and the smoke effects from the guns used by the poachers. The textures and backgrounds were absolutely stunning, and for me, as a graphics artist, that's what I look for when I view a quality animation.
Very good endeavor.
It rates an 8/10 from...
the Fiend :.
The true measure of a family film is to watch a child's reaction. My (normally jumpy) three-year-old sat with enraptured glee through this movie and was able to articulate the plot back to me with amazing detail. That's not a parent's rambling, its a credit to a brilliant movie. Tarzan ranks just below Beauty and the Beast and Little Mermaid in the list of the best of Disney's new films.
Disney formula (rogue orphan, evil villain pretending to be a friend, whacky sidekick, neurotic friend and lots a snappy tunes) has never been more apparent, but it works perfectly. But the real joy of this movie is its breathtaking beauty and the message of living without prejudice.
Don't expect anything new from Disney, and do not expect a detailed retelling of the original novel. But do expect to see their product refined even further and at its best since Beauty and the Beast. This is a kid's movie, but any grown-up can like it. Minnie Driver and Wayne Knight provide the best voice overs.
As my six-year-old daughter told me once, "I like movies with scary beginnings, silly middles and happy endings." Needless to say, she loved Tarzan. **** out of ****.
Disney formula (rogue orphan, evil villain pretending to be a friend, whacky sidekick, neurotic friend and lots a snappy tunes) has never been more apparent, but it works perfectly. But the real joy of this movie is its breathtaking beauty and the message of living without prejudice.
Don't expect anything new from Disney, and do not expect a detailed retelling of the original novel. But do expect to see their product refined even further and at its best since Beauty and the Beast. This is a kid's movie, but any grown-up can like it. Minnie Driver and Wayne Knight provide the best voice overs.
As my six-year-old daughter told me once, "I like movies with scary beginnings, silly middles and happy endings." Needless to say, she loved Tarzan. **** out of ****.
This is a great film, it moves right along fast, has great characters, action, voice, music is just right, great animation, you name it. Lives up to the Tarzan heritage and then some. I highly recommend this one.
Definitely something to jump up and down about.
Definitely something to jump up and down about.
10Aerie-2
... or no, a 15, maybe.
This is right up there with 'The Lion King' and 'Mulan'. I had the treat to see this last night, and through it all, even the toddlers in the theater loved it! People have said this is a breakthrough animation-wise, but story-wise, this is like mind-blowing. Tarzan himself is the first truly deep Disney male character since ... I can't think of a really deep Disney male character, except perhaps Simba from The Lion King. Tarzan has everything that makes you realize that, though he's raised by apes, he's truly human, and even his upbringing can't hide that (C'mon, if you were raised your whole life thinking you were an ape, and then suddenly find out you're really something else, wouldn't you also be disturbed?)
From the first to the last scene was awesome. Tarzan and the ape Kala's backgrounds were told briefly, poignantly, and emotionfully. There's (intelligent) humor and love, which only add to the film, and there's an obvious love between Tarzan and Jane. Someone here said they're not in love, that it's obvious, but I have to strongly disagree. The scenes between them are funny and give you a feeling that there's a strong attraction (and not just because Jane's interested in studying apes). And even Jane's father, though he's a small background character, he helps the plot along, and while you'd describe him as "dithering", he has his own funny bone (When Jane is describing Tarzan to him by drawing a picture on a blackboard, she starts to go on about his 'wonderful eyes', and in the midst of her daydream, her father comments, "Would you like me to give you and the blackboard some private time?" Riot!).
No, Clayton's not a Jafar or a Gaston, but he's not really the enemy here; he's just an antagonist to help along Tarzan's inner conflict. The real enemy would be Tarzan's battling against his 'true' world (the one with humans) and the one he's grown up with (the one with apes). Clayton just resembles a threat to Tarzan's ape family. In the past, villains were a direct challenge to the hero; here, he is a threat, sure, but he's not the whole movie here. I like it better this way. In real life, there's rarely a big evil soul against you, and Clayton seems like a realistic greedy, nasty guy, rather than the cliche megolamincal weirdos of most animated features.
I loved Phil Collins. And while it's great hearing Ariel sing, I think background music was better for this particular movie. I couldn't see Jane or Tarzan singing; it makes the whole thing almost unrealistic.
Tarzan himself was wonderful! Charismatic, emotional, outgoing, and at the same time, goofy and boyish. The scenes between him and his ape mother, Kala, were so tender. I haven't seen such wonderful emotions in live-action movies. And even Kerchak ... let me tell you something about him. Even my mom said he was real. I don't think he was too mean. He felt threatened by Tarzan's presence. It wasn't out of superiority. When Kala first shows baby Tarzan to him, Kerchak is worried about the existence of other humans in the jungle, which might endanger his family of apes. He only worries about his family, too, and I suspect that, while he keeps a stoic face over the death of his own baby ape in the beginning of the movie, he's not ready to adopt another baby (if one of your kids died, would you be so willing to adopt another right away? I know I wouldn't).
The Lion King, Mulan, and Tarzan all have the same thing in common; they all show true emotion and character, unlike the basic fairy tale fluff like Cinderella and Bambi (nothing against fairy tales, but I like to see true-to-life stuff, you know?).
This is a must-see. If Disney keeps this up, adults may start to change their views of animated stuff. It ain't just for lil' kids anymore! :)
This is right up there with 'The Lion King' and 'Mulan'. I had the treat to see this last night, and through it all, even the toddlers in the theater loved it! People have said this is a breakthrough animation-wise, but story-wise, this is like mind-blowing. Tarzan himself is the first truly deep Disney male character since ... I can't think of a really deep Disney male character, except perhaps Simba from The Lion King. Tarzan has everything that makes you realize that, though he's raised by apes, he's truly human, and even his upbringing can't hide that (C'mon, if you were raised your whole life thinking you were an ape, and then suddenly find out you're really something else, wouldn't you also be disturbed?)
From the first to the last scene was awesome. Tarzan and the ape Kala's backgrounds were told briefly, poignantly, and emotionfully. There's (intelligent) humor and love, which only add to the film, and there's an obvious love between Tarzan and Jane. Someone here said they're not in love, that it's obvious, but I have to strongly disagree. The scenes between them are funny and give you a feeling that there's a strong attraction (and not just because Jane's interested in studying apes). And even Jane's father, though he's a small background character, he helps the plot along, and while you'd describe him as "dithering", he has his own funny bone (When Jane is describing Tarzan to him by drawing a picture on a blackboard, she starts to go on about his 'wonderful eyes', and in the midst of her daydream, her father comments, "Would you like me to give you and the blackboard some private time?" Riot!).
No, Clayton's not a Jafar or a Gaston, but he's not really the enemy here; he's just an antagonist to help along Tarzan's inner conflict. The real enemy would be Tarzan's battling against his 'true' world (the one with humans) and the one he's grown up with (the one with apes). Clayton just resembles a threat to Tarzan's ape family. In the past, villains were a direct challenge to the hero; here, he is a threat, sure, but he's not the whole movie here. I like it better this way. In real life, there's rarely a big evil soul against you, and Clayton seems like a realistic greedy, nasty guy, rather than the cliche megolamincal weirdos of most animated features.
I loved Phil Collins. And while it's great hearing Ariel sing, I think background music was better for this particular movie. I couldn't see Jane or Tarzan singing; it makes the whole thing almost unrealistic.
Tarzan himself was wonderful! Charismatic, emotional, outgoing, and at the same time, goofy and boyish. The scenes between him and his ape mother, Kala, were so tender. I haven't seen such wonderful emotions in live-action movies. And even Kerchak ... let me tell you something about him. Even my mom said he was real. I don't think he was too mean. He felt threatened by Tarzan's presence. It wasn't out of superiority. When Kala first shows baby Tarzan to him, Kerchak is worried about the existence of other humans in the jungle, which might endanger his family of apes. He only worries about his family, too, and I suspect that, while he keeps a stoic face over the death of his own baby ape in the beginning of the movie, he's not ready to adopt another baby (if one of your kids died, would you be so willing to adopt another right away? I know I wouldn't).
The Lion King, Mulan, and Tarzan all have the same thing in common; they all show true emotion and character, unlike the basic fairy tale fluff like Cinderella and Bambi (nothing against fairy tales, but I like to see true-to-life stuff, you know?).
This is a must-see. If Disney keeps this up, adults may start to change their views of animated stuff. It ain't just for lil' kids anymore! :)
Lo sapevi?
- QuizThe signature "Tarzan yell" is provided by Brian Blessed, the voice of this movie's villain Clayton. because after noticing that Tony Goldwyn could not make a convincing scream, Blessed went to one of the producers to tell him that he could do it, the producer refused at first but after he yelled in front of him, he accepted.
- BlooperThe noises the gorillas make are sounds of chimpanzees. Gorillas' vocalizations are mainly roars, growls, and grunts.
- Curiosità sui creditiDuring the Walt Disney Pictures opening logo, the background turns into that of a jungle.
- Versioni alternativeIn most foreign prints of the movie (specifically the European Spanish and German versions), "Son of Man" and "Strangers Like Me" replace "You'll Be In My Heart" and "Two Worlds", respectively, in the credits.
- ConnessioniEdited into Zenimation: Discovery (2020)
- Colonne sonoreTwo Worlds
Music and Lyrics by Phil Collins
Produced and Arranged by Phil Collins and Mark Mancina
Performed by Phil Collins
Orchestra Conducted by Mark Mancina
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Tarzán
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 130.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 171.091.819 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.221.968 USD
- 20 giu 1999
- Lordo in tutto il mondo
- 448.192.603 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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