Tarzan

... or no, a 15, maybe.

This is right up there with 'The Lion King' and 'Mulan'. I had the treat to see this last night, and through it all, even the toddlers in the theater loved it! People have said this is a breakthrough animation-wise, but story-wise, this is like mind-blowing. Tarzan himself is the first truly deep Disney male character since ... I can't think of a really deep Disney male character, except perhaps Simba from The Lion King. Tarzan has everything that makes you realize that, though he's raised by apes, he's truly human, and even his upbringing can't hide that (C'mon, if you were raised your whole life thinking you were an ape, and then suddenly find out you're really something else, wouldn't you also be disturbed?)

From the first to the last scene was awesome. Tarzan and the ape Kala's backgrounds were told briefly, poignantly, and emotionfully. There's (intelligent) humor and love, which only add to the film, and there's an obvious love between Tarzan and Jane. Someone here said they're not in love, that it's obvious, but I have to strongly disagree. The scenes between them are funny and give you a feeling that there's a strong attraction (and not just because Jane's interested in studying apes). And even Jane's father, though he's a small background character, he helps the plot along, and while you'd describe him as "dithering", he has his own funny bone (When Jane is describing Tarzan to him by drawing a picture on a blackboard, she starts to go on about his 'wonderful eyes', and in the midst of her daydream, her father comments, "Would you like me to give you and the blackboard some private time?" Riot!).

No, Clayton's not a Jafar or a Gaston, but he's not really the enemy here; he's just an antagonist to help along Tarzan's inner conflict. The real enemy would be Tarzan's battling against his 'true' world (the one with humans) and the one he's grown up with (the one with apes). Clayton just resembles a threat to Tarzan's ape family. In the past, villains were a direct challenge to the hero; here, he is a threat, sure, but he's not the whole movie here. I like it better this way. In real life, there's rarely a big evil soul against you, and Clayton seems like a realistic greedy, nasty guy, rather than the cliche megolamincal weirdos of most animated features.

I loved Phil Collins. And while it's great hearing Ariel sing, I think background music was better for this particular movie. I couldn't see Jane or Tarzan singing; it makes the whole thing almost unrealistic.

Tarzan himself was wonderful! Charismatic, emotional, outgoing, and at the same time, goofy and boyish. The scenes between him and his ape mother, Kala, were so tender. I haven't seen such wonderful emotions in live-action movies. And even Kerchak ... let me tell you something about him. Even my mom said he was real. I don't think he was too mean. He felt threatened by Tarzan's presence. It wasn't out of superiority. When Kala first shows baby Tarzan to him, Kerchak is worried about the existence of other humans in the jungle, which might endanger his family of apes. He only worries about his family, too, and I suspect that, while he keeps a stoic face over the death of his own baby ape in the beginning of the movie, he's not ready to adopt another baby (if one of your kids died, would you be so willing to adopt another right away? I know I wouldn't).

The Lion King, Mulan, and Tarzan all have the same thing in common; they all show true emotion and character, unlike the basic fairy tale fluff like Cinderella and Bambi (nothing against fairy tales, but I like to see true-to-life stuff, you know?).

This is a must-see. If Disney keeps this up, adults may start to change their views of animated stuff. It ain't just for lil' kids anymore! :)

From 1989 to 1999, Walt Disney studios created some of the most amazing, mind-blowing animated movies of all time. From the little mermaid to beauty and the beast, from Aladdin to the lion king, from Pocahontas to Hercules, and finally, Mulan to Tarzan, these movies still hold their staying power to today. However, Tarzan was the last of these films, from the period known as the Disney Renaissance. Disney remains a popular animation studio in the public eye, but no one could deny how popular they were throughout the 1990s.

Tarzan itself is based upon the novels by Edgar Rice Burroughs and the movies from the 1930s. Tarzan is a baby who loses his parents, and is adopted by a family of gorillas, who raise him up as their own.

For a Disney film, this one is one of the best. For a renaissance film, It's not the best of them. I still like to say that the first 2 (The Little Mermaid & Beauty and the Beast) were the best. I know that some Disney fans would chew on me for not saying The Lion King, but that's just my personal preference.

I still think it's a great movie, worthy of being part of the collection of Disney's best.

9/10

Okay. They rewrote the whole legend. But Disney has an unerring way of doing that. Anyone remember Pocahontas? They even changed Cinderella, Snow White, and every other Disney Masterpiece sitting on your shelves, so why does it matter that this, too, was changed?

It matters on several different levels, but the most important reason it matters is because Disney, in their positioning among the children's entertainment market, is in the unique position to actually teach these legends, these snippets of history, these morals and ethics, to the children of their audiences, rather than proffering sugar-coated, merchandized over-glorifications in exchange for the great American dollar.

That having been said, this is still an entertaining introduction to the legend, but I highly suggest "Greystoke: The Legend of Tarzan, Lord of the Apes," (1984), directed by Hugh Hudson. It is the most faithful adaptation I've ever seen, and a highly enjoyable adventure, which carries a PG rating and is safe for most ages to view.

A lot has been said about the deep canvas effect used throughout the jungle scenes, and I must admit that I found the technique highly effective and extremely well done. I do computer graphics myself, and I was very impressed with the 3D effects throughout, including the water variants and textures used in the ship scenes, the fire effects used in the jungle, and the smoke effects from the guns used by the poachers. The textures and backgrounds were absolutely stunning, and for me, as a graphics artist, that's what I look for when I view a quality animation.

Very good endeavor.

It rates an 8/10 from...

the Fiend :.

Well, being the big animation fan that I am, I went to see Tarzan this afternoon. Wow.

When I first heard that Disney was doing a version of the Tarzan story, I was hesitant. I mean who wants to hear an ape man spouting out show tunes? Hakuna Matata! The only songs are some of the best work Phil Collins has done in many years. He ventures into the Peter Gabriel territory, but does a great job especially with the rhythms since he IS a drummer. The open number (and sequence) is best albeit Lion King-esque. It seems he was very inspired by the material and has rediscovered his love of music. It's very uplifting. Don't misunderstand me, the characters do sing, but it's more Rosie O'Donnell doing scat with the other apes as they destroy a camp and a very welcome singing cameo by Glenn Close doing the beginning of a lullaby that Phil takes over.

As for the picture itself: wow! This is the most beautiful Disney animation ever: lush, detailed, quick and smooth. Tarzan moves like liquid, filling the screen with gymnastic ease especially the scene where he fights a leopard to save his ape family.

And family is what this film is all about. Disney's Tarzan makes a different decision that Edgar Rice Burroughs' and I think it works better, but it's the decision I would make in the same situation. Some of the situations are a little contrived, but it is mostly Disney sticking with a winning formula. (Tarzan does have nipples unlike Aladdin). :-) What surprised me was the dramatic tilt of the film. Rosie O'Donnell's ape and the elephant are the only comic relief and don't have much of it. The film is very skewed towards adults; HOWEVER, as I was surrounded by a mob of kids there was dead silence right after the main gorillas lose their baby and Tarzan loses his parents to the leopard at the beginning. All the questioning ceased and I got to enjoy the film in complete "adult-like" silence. The kids were just as wrapped up in the movie as the adults.

The voice talent was well cast, too. Minnie Driver is great as the strong, yet proper British lady of the time. Her father is a stereotypical egghead professor who is as clumsy as he is smart. And then there is Brian Blessed as the villain, Clayton. Man, do I love his voice! It's the Voice of God! The deep, rich tones always give me a chill. I wish he worked in more films other then Kenneth Kenneth Branagh's Shakespeare films, but alas.... (well, I guess he WAS in The Phantom Menace)

This truly is one of Disney's classics. I felt the same way walking out of this one as I did from Beauty and the Beast and The Lion King.

Oh, look for a cameo from Mrs. Potts and Chip from Beauty and the Beast! I thought it was funny, but I don't think anyone else in the theater got it since I seemed to be the only one laughing. I always embarrass myself at the movies it seems.

From its dramatic opening sequence, to its jubilant, high-five finale, Disney's "Tarzan" is, without question, a very entertaining re-telling of Edgar Rice Burroughs' classic tale of a helpless, human baby reared to adulthood, in the jungle, by a band of gorillas.

Featuring some excellent action sequences (mixed generously with moments of slapstick comedy and the excitement of adventure), 1999's "Tarzan" certainly turned out to be a mighty fine example of first-rate story-telling that actually tugged on this viewer's heartstrings, occasionally.

In this animated feature film, the lean and athletic Tarzan (as the story's hero) comes across as being a truly likable and endearing character.

Punctuated by songs (which seemed a bit out of place) from pop star, Phil Collins, "Tarzan" is still a delightful movie-experience that can definitely be enjoyed by all ages, young and old.