Pleasantville

i wish i had the ability to put into a 1000 words what this movie impressed upon me. sadly enough, i am a verbose person, inclined to write and write and write, following a train of thought that never ends. however, i shall certainly give it a try, without botching it up. after having viewed this movie, i sat a while in my chair, watching the end credits play and listening to the music as it played along. not until the tape rewinded did i fully realise that i had watched a really good movie again, one that spoke on more levels than the simple obvious ones.

if i were to speak of one of the main things in this movie that are so incredibly important, it's the fact that it speaks about people and society, and the patterns inherent in them. in the beginning, you see reese witherspoon in a normal 90's class situation, following what is a 'normal' situation in that environment. then she is dropped into pleasantville, and what happens? she loses all reference points towards a life that seems right to her; she misses her pattern in life. the first thing that happens is she tries to enforce it again, resulting in the start of the major happenings of the movie, and somewhere along the line, softly swerves away from it and finds another pattern. once she reads a book, and stays put reading in it while she could have gone out to 'do it', you know things have changed.

william c. macy shows the same thing when he gets home, and his wife isn't there to greet him, and i could go on for ages to point to this, but i'd be overstepping my boundaries of these 1000 words, and definitely spoil someone elses movie experience. fact is, almost every single storyline in this movie is about change, change brought about because someone is stuck in a pattern and feels something is wrong, or through the self discovery that is inherent in every single one of us. not only that, it also shows how fear of breaking established patterns can bring out the worst, or get the upheaval that the major starts with his 'concerned citizens'. but even beyond all this, all the explanations and thought provoking issues that it brings up, if alone for the beauty of it and for the precious score that is attached, one should at least consider seeing it. i am personally a very jaded person concerning movies, having seen more than probably even a professional movie reviewer has seen taking my age as his career.

even with that in mind, i thank my lucky stars for picking this up on a whim and getting a look at something that has taken me in more than most of the movies this year. several of the scenes are priceless, and as someone before commented, the drive through a black and white scenery with coloured blossom weaving through the soft winds will leave you breathless.

in short, if you feel like watching a wonderful movie, catch this one and be impressed; try to follow the patterns every character exhibits and think about what the colour means in that sense, how it brings life back, how change is life.

First of all....I really liked it. Ignore any review (and reviewer) that says different. We live in a day and age that we seems like every movie has a touch of this old film and bit of that one...or is a remake or possibly a re-release. But Pleasantville is none of that...it is unique, fresh, reflective, pleasant (you knew I was going to use that word someplace), sad, but yet still had a touch of fun. The film begins by looking at the interaction between and the lives of a brother (Tobey Maguire) and sister (Reese Witherspoon). The brother is very content with his life and enjoys watching television, in particular, the show, Pleasantville. His sister, a bit more outgoing, enjoys meeting new people and seeing where this interaction will lead. A fight over which show to watch results in the intervention by Don Knotts (of Andy Griffith and Three's Company fame). Maguire and Witherspoon are wisked into the television set and take center stage as two of the Pleasantville cast. The only difference is while the world may be watching a tv show, to them, this is their reality. The film appears to be in black and white, but as each character opens their mind or changes from the perception of the Pleasantville tv show, then they begin to gain color. As those in color become more prevalent, the old black & whites become resistant to change. To ebb the flow of change, the black and whites react violently against the "new colors" and begin placing restrictions on them. Yes the similarities of the 60s civil rights movement are here as are the violent acts of the Nazis in pre-World War II. But while you see these, you are also brought to the realization that there still exists a great deal of prejudice, discrimination, and close-mindedness in this world. One of the most pleasing aspects of this film is the cinematography, the mixing of the colors with the black & white shots were great. The story keeps your interest and the characters impact upon each member of the audience in their own special way. This is one film to see for I think you will hear more about it around Oscar time. Bottom line...if we open our minds more towards others, letting them be who they are, rather than who we want them to be, then not only will we be richer in color, but also richer in character.

...nor is it The Bicycle Thief, Casablanca, or Taxi Driver. But it's a damn nice modern take on Capra.

The reviewers here that're trashing this film are completely missing the point - they either know nothing about film, or way too much. It's a fable, folks, and if there's lapses in logic or some smarmy moments, well, deal with it. It's a marvelous, well constructed flick and an enjoyable way to spend a couple hours.

There's no blood, or explosions. A bit of sex, but nothing gratuitous and it's essential to the plot. Cue up a copy and prepare to smile.

It's keen...!

PLEASANTVILLE had to be one of the biggest surprises I've ever had at the movies. This superbly mounted and completely winning fantasy starred Toby Maguire and Reese Witherspoon as a contemporary teenage brother and sister who are magically transported into a black and white television show called "Pleasantville", a show similar to "Leave it to Beaver" or "I Love Lucy", where everyone in the town knows each other, where the fire department only saves cats from trees and never put out fires and where there are no pages in the books or toilets in the bathrooms. Maguire's character is a "Pleasantville" trivia expert so he knows everyone there and everything that's going to happen but sis Witherspoon is a stranger in a strange land whose introduction of 1990's sensibilities to the citizens of this town brings about extraordinary changes. The film is beautifully made with a very smart screenplay and superb performances, the best of which is by Joan Allen, who is luminous as Betty, the mother in the sitcom who is shocked at first but learns to accept the 1990's coming to Pleasantville. Yes, it may borrow from other movies, but there is a freshness and originality to this movie that is most engaging and anytime with Don Knotts is time well spent.

Pleasantville should be nominated for Best Director and Best Cinematography, and perhaps Best Supporting Actor for William H. Macy. Joan Allen, Jeff Daniels and Tobey Maguire are also excellent, and the idea is brilliant. In other words, this film is one of the best of the year. It is fun for the eyes and filled with wonderful allusions to great books and other films, not to mention some similar events in our country's past. If you will let yourself go from reality and put a little thought into it, you will realize the sheer genius behind this film. The messages were plenty and appropriate, and while it is extremely fun to watch, it still is able to evoke deeper emotions. Fantastic, and my vote for second best film of the year behind Saving Private Ryan.