Hard Night

Poor little rich kid, Jerry Stahl, an actual TV screenwriter in 1980s Hollywood, p***es all his good fortune away through a hefty heroin habit. Jerry then hits bottom, recovers, and writes his autobiography. "Permanent Midnight" chronicles Jerry's fall from Hollywood hotshot to junkie bum. Besides such an unpleasant subject, and an equally unsympathetic main character, "Permanent Midnight" still entertains, in a morbid sort of way. It's told in flashback (at the beginning of the movie Jerry's just finished rehab and is about to return to his old LA haunts), so we kind of know where the movie will take us. There's no mystery, we're going to watch Jerry's self-destructive crash and burn in close-up. We're a little in the dark about what will happen after the movie catches up with itself, but there's really not a lot of tension. It's like watching a car wreck in very slow motion.

Ben Stiller does an excellent job portraying Jerry, with his craving for the drug rising above, and then destroying, all that's good in his life. It's quite a frightening portrayal. Elizabeth Hurley, as his girlfriend, is a bit of a stretch for both her acting talent and in the casting. But the rest of the cast does fine work. I think the major detriment to this movie is that the audience knows beforehand how it will all end. This is a very dramatic subject, but with no drama in the screenplay. And that is a drag.

Permanent Midnight is the autobiographical story of the life and times of Jerry Stahl. This was a movie that tested the boundaries of what could be shown on the movie screen. Ben Stiller's performance as Jerry Stahl was dramatic to say the least. Stiller's performance was excellent and really showed me the flipside of what could happen to somebody when they get hooked on drugs. The whole cast from Maria Bello to Elizabeth Hurley were solid support for the main character, Jerry Stahl. The real Jerry Stahl actually had a role, which surprised me, as Dr. Murphy from the drug rehabilitation clinic. Stahl recounts his life from a hotel room while having a sexual encounter he met while he was working at a restaurant drive-thru. The way that the director lays out the film is perfect; it is different than what I have seen before. The way Jerry Stahl recounts his life the way he did pleasantly surprised me. I warn anyone who wants to watch Permanent Midnight to brace themselves for extreme drug use by sticking needles in arms and sensual love scenes. I recommend this film for its stars' performances.

Although the movie is uneven in both some performances and situations, it's worth watching Ben Stiller powerful characterization of Jerry Stahl. There are scenes very difficult to watch due to extreme use of drugs. It's not for the average audiences. If you like to see good acting this one is for you to watch

Most of the drug-use scenes were fairly realistic. Been there and back myself, so to tell you the truth, nothing I saw in the movie made me wince, although there was a lot to relate to. There's a scene where - this really isn't a spoiler, given the context of the movie - where Jerry dumps some pills out of a prescription bottle, and they look exactly like the kind of pills they're supposed to be. Nice attention to detail. One thing that movies never quite get right or, perhaps like this one, simply choose to ignore, are the details of how one actually turns one's life around from being addicted to recovering, and this movie was no exception. We know in the beginning that Jerry has been through rehab, but that process itself, which may I say ain't exactly a cakewalk - and I mean you have to be clean before you can go through it, remains rather mysterious. Oh well, whatever, an interesting, entertaining movie that held my interest for its running time. Some usage scenes might be a bit upsetting to the non-anointed, although probably nothing quite so hard to take as in Requiem For A Dream.

Ben Stiller was extremely convincing. His portrayal of man who is distracted by his addiction at all times is excellent.

Unfortunately, that's the only redeeming thing about this film (aside from the chance to stare at Elizabeth Hurley, of course.)

I read in an above commentary that the viewer is never shown that Jerry is brilliant. I couldn't agree more. I want to think of him as a tortured genius, but it's tough to do when I'm given no reason to believe that he's anything more than a lowlife junkhead.

One thing I was impressed with was the scene in which Jerry and Redfoot (whatever his name is in this thing) are bouncing off of the windows, several stories above the street. Impressive filmwork, good use of Prodigy, etc.

Disappointing, to say the least.