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IMDbPro

Il vangelo delle meraviglie

Titolo originale: El evangelio de las maravillas
  • 1998
  • 1h 52min
VALUTAZIONE IMDb
6,4/10
304
LA TUA VALUTAZIONE
Il vangelo delle meraviglie (1998)
Drama

Aggiungi una trama nella tua lingua"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio (Rabal) and Mamá Dorita (Jurado). They're waiting for the second coming of Christ, so they've abandoned the world,... Leggi tutto"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio (Rabal) and Mamá Dorita (Jurado). They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa (Gurrola) the signal... Leggi tutto"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio (Rabal) and Mamá Dorita (Jurado). They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa (Gurrola) the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".

  • Regia
    • Arturo Ripstein
  • Sceneggiatura
    • Paz Alicia Garciadiego
  • Star
    • Francisco Rabal
    • Katy Jurado
    • Edwarda Gurrola
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    304
    LA TUA VALUTAZIONE
    • Regia
      • Arturo Ripstein
    • Sceneggiatura
      • Paz Alicia Garciadiego
    • Star
      • Francisco Rabal
      • Katy Jurado
      • Edwarda Gurrola
    • 4Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 10 candidature totali

    Foto3

    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali23

    Modifica
    Francisco Rabal
    Francisco Rabal
    • Papá Basilio
    Katy Jurado
    Katy Jurado
    • Mamá Dorita
    Edwarda Gurrola
    Edwarda Gurrola
    • Tomasa
    Carolina Papaleo
    Carolina Papaleo
    • Nélida
    Bruno Bichir
    Bruno Bichir
    • Gavilán
    Patricia Reyes Spíndola
    Patricia Reyes Spíndola
    • Micaela
    Rafael Inclán
    Rafael Inclán
    Rodrigo Ostap
    • Fidel
    Angelina Peláez
    Angelina Peláez
    • Elodia
    Gina Morett
    Gina Morett
    • Rita
    Juan Carlos Colombo
    Juan Carlos Colombo
    Rafael Velasco
    • Mateo
    Marta Aura
    Marta Aura
    Asunción Balaguer
    Asunción Balaguer
    • Mujer de la congregación
    María Teresa Mondragón
    Julieta Egurrola
    Julieta Egurrola
    • Tomasa's mother
    Adalberto Parra
    Adalberto Parra
    Joaquín Jurado
    • Centurión Moreno
    • Regia
      • Arturo Ripstein
    • Sceneggiatura
      • Paz Alicia Garciadiego
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti4

    6,4304
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    Recensioni in evidenza

    6ttmas

    A good idea, great visual work, but a feeble film

    This film has great performances by the best Mexican movie actors, an amazing cinematography work by Guillermo Granillo, and an excellent art work. Unfortunatley the film isn´t as good as it should be...it has a great story, a good director, but the continous film references to Buñuel´s and other Ripstein´s films are really annoying, and affect the progress of the story. The last 10 minutes are the worst of the film, it just finishes and the audience can´t understand what happened...you get angry at being there for more than one and a half hours watching this film, and at the end you never understand what happened with all the characters. It´s a shame that Ripstein failed filming this great idea
    7Idefix-7

    Fair

    As usual Ripstein manages to construct a beautifully crafted, intensely acted (watch out for Katy Jurado's comeback and new talent Edwarda Gurrola) dark as hell film about extreme human condition and emotion, except this time he doesn't get away with the feelings he must now be used to bringing in us with such films as Principio y Fin, El Castillo de la Pureza, La Reina de la Noche and Profundo Carmesí. It is a fairly good film though, had it been directed by another person our expectations would have been considerably lower, but being this an Arturo Ripstein film I must say it was a bit of a deception....it's all there, the ambient, the dialogues, but at a certain point you realise what you are seeing is easily becoming pure shock value instead of a profound reflection of what ignorance and sheepesh behaviour can lead to (nothing we haven't seen before too, and specially in a religious context). I even found certain parts (like the belief that Tomasa's hand held video game was the voice of God) to be ridiculous. Still, it is worth watching and if anyone can tell me what the hell the ending was about, I'd be glad to be emailed an answer because I still can't figure it out.
    9JustApt

    God Talks to Us through Cinema

    There is a religious cult the New Jerusalem waiting for the imminent end of the world. A patriarch prophet Papá Basilio of the sect is watching an old black and white film Jesus of Nazareth and is sure that through this media God communicates with him and gives orders. A whore and a virgin arrive into this sect: the whore is declared being new Maria Magdalena and the young virgin – the future Mother of the New Messiah but fearing her divine role she proclaims herself to be the Whore of Babylon instead and starts sinning with all the male cultists. Gospel of Miracles (it's a correct English title) is like troubled water and at places it couldn't be seen through clearly so my gloss is just one variation of the many possible.
    Sinnerman

    A Rapturous Masterpiece!!!

    On initial viewing, this biblically-revisionist flick is ludicrous and wickedly funny (sample here one of its many classic throwaway lines: "Deny all things electrical, for the devil can enter its filament..." Such zingers alone are worth the ticket price already.

    But having seen this jangly quirk of a movie in its entirety, I can only express retrospective incredulity. Everything fell into place when the end came..... In fact, El Evangelio de las Maravillas boasts of one of the most unbelievable last scenes ever. With that scene, the entire film's focus was shifted onto one minor character. And in so doing, it took one of the most courageous stand on the issue of "faith" the world of cinema has ever attempted since Michael Tolkin's "The Rapture". The "message" was conveyed so forcefully, I burst out with a huge gasping WOW!!!

    Yes, this divine work of art meditates on the synergistic meaning of faith, identity, fate and cinema (don't ask). And guess what, it completely obliterated them, re-org the pieces and presented thereafter, a whole new world of ideological possibilities. Its sentient vision and kaleidoscopic ideas were so dense and richly rewarding, it will surely take several repeated viewings to fully soak them in.

    So hear me out, good people. Go hunt down and devour El Evangelio de las Maravillas. Be feverishly swept up by its ambitious reach. For this here is a rapturous feast for the willing (and dare I say, faithful). Let this film's astounding denouement awash you with a bliss most sublime.

    And you heard it here first.....

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    Dettagli

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    • Data di uscita
      • 31 maggio 2002 (Italia)
    • Paesi di origine
      • Messico
      • Spagna
      • Argentina
    • Siti ufficiali
      • IMCINE
      • Official site powered by infoCINE
    • Lingua
      • Spagnolo
    • Celebre anche come
      • Divine
    • Luoghi delle riprese
      • San Francisco Notario, Huamantla, Tlaxcala, Messico
    • Aziende produttrici
      • Aleph Producciones S.A.
      • Fondo de Fomento a la Calidad Cinematográfica
      • Gardenia Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 52 minuti
    • Colore
      • Color
    • Mix di suoni
      • Ultra Stereo

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