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IMDbPro

Gli infiltrati

Titolo originale: The Mod Squad
  • 1999
  • T
  • 1h 32min
VALUTAZIONE IMDb
4,3/10
9777
LA TUA VALUTAZIONE
Claire Danes, Giovanni Ribisi, and Omar Epps in Gli infiltrati (1999)
Home Video Trailer from MGM Home Entertainment
Riproduci trailer0: 32
1 video
56 foto
Dark ComedyActionCrimeThriller

Aggiungi una trama nella tua linguaThree problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have litt... Leggi tuttoThree problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have little time to solve the case and clear their names.Three problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have little time to solve the case and clear their names.

  • Regia
    • Scott Silver
  • Sceneggiatura
    • Buddy Ruskin
    • Stephen Kay
    • Scott Silver
  • Star
    • Claire Danes
    • Omar Epps
    • Giovanni Ribisi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,3/10
    9777
    LA TUA VALUTAZIONE
    • Regia
      • Scott Silver
    • Sceneggiatura
      • Buddy Ruskin
      • Stephen Kay
      • Scott Silver
    • Star
      • Claire Danes
      • Omar Epps
      • Giovanni Ribisi
    • 113Recensioni degli utenti
    • 63Recensioni della critica
    • 16Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 7 candidature totali

    Video1

    The Mod Squad
    Trailer 0:32
    The Mod Squad

    Foto56

    Visualizza poster
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    + 50
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    Interpreti principali36

    Modifica
    Claire Danes
    Claire Danes
    • Julie
    Omar Epps
    Omar Epps
    • Linc
    Giovanni Ribisi
    Giovanni Ribisi
    • Pete
    Dennis Farina
    Dennis Farina
    • Greer
    Josh Brolin
    Josh Brolin
    • Billy
    Steve Harris
    Steve Harris
    • Briggs
    Richard Jenkins
    Richard Jenkins
    • Mothershed
    Larry Brandenburg
    Larry Brandenburg
    • Eckford
    Lionel Mark Smith
    • Lanier
    Sam McMurray
    Sam McMurray
    • Tricky
    Michael O'Neill
    Michael O'Neill
    • Greene
    Stephen Kay
    Stephen Kay
    • Bald Dude
    • (as Stephen T. Kay)
    Bodhi Elfman
    Bodhi Elfman
    • Gilbert - Skinny Freak
    • (as Bodhi Pine Elfman)
    Holmes Osborne
    Holmes Osborne
    • Mr. Cochrane
    Dey Young
    Dey Young
    • Mrs. Cochrane
    Toby Huss
    Toby Huss
    • Red
    Michael Lerner
    Michael Lerner
    • Howard
    Monet Mazur
    Monet Mazur
    • Howard's Girlfriend - Sally
    • Regia
      • Scott Silver
    • Sceneggiatura
      • Buddy Ruskin
      • Stephen Kay
      • Scott Silver
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti113

    4,39.7K
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    Recensioni in evidenza

    5MovieAddict2016

    Not a terrible film, but not a particularly good one, either...

    60s and 70s television show remakes are everywhere. "Charlie's Angels" and "Starsky and Hutch" are just two of the more profitable franchises (the latter of the two bringing in $28 million in its first week). But both of those series tend to have fun with what they're parodying, rather than remaking. "The Mod Squad" is basically just a remake of the show of the same title, minus any real sort of substance and humor, and only a low amount of actual fun. It could have been a blast, but it's just rather mediocre.

    Three young delinquents (Claire Danes, Giovanni Ribisi and Omar Epps) are recruited by a cop (Dennis Farina) to infiltrate many various operations (prostitute rings, drug circles) that police could never get into. But after their boss is murdered and they uncover a conspiracy, the three delinquents take it upon themselves to find out the truth behind the crime.

    2.5/5 stars.

    • John Ulmer


    The plot is pretty weak, even for a 60s TV show remake. "The Mod Squad" ran from 1968 - 1973, with somewhere in the vicinity of 120 episodes. I never saw any, but I can't imagine this film adaptation does the show much justice.

    The cast is considerably OK. Danes is quite enthusiastic and pretty enough for her sweet-blonde role, Ribisi is fine as a criminal and Epps is decent enough, too. Farina ("Get Shorty," "Another Stakeout") is a good actor, always very funny, but here his role is completely wasted (literally!) and short on the sort of sly humor that would have been appropriate given the actor behind it.

    The dialogue is really corny, and so are the characters' actions. Television shows need not worry about smart dialogue or characters, because they're usually 30 minutes long (sometimes an hour), and we just get "hooked" on what's going on. Can you imagine if a soap opera made its way onto the big screen? It'd completely flop. People watch television shows because they like to see continuous stories with recurring characters they learn to love over a certain time period.

    You can't get any joy out of watching a bunch of actors try to grow on you for 90 minutes. If "Alias" had ever started out as a big-screen movie, it might have flopped, because let's face it: the show is not exactly quality material. People watch it because they get hooked on it, and they enjoy watching the stories and the revelations, like an old woman addicted to her "General Hospital" episodes.

    So here's proof that if "The Mod Squad" had originally been a movie, there probably would have been no television show. Despite some rather bad word-of-mouth, this movie isn't a terrible one. I've seen much worse, and compared to big-screen disasters like "Freddy Got Fingered," or low-budget ones like "The Blade Master," this is nothing very laughable at all.

    But compared to the fun factor of "Charlie's Angels" or "Starsky and Hutch," "The Mod Squad" falls flat on its face. It's not very funny, it's not very fun, and it's not very original. It's a cash-in, which is something Hollywood is not in short supply of right now. If you miss "The Mod Squad," you're not missing anything that hasn't been done before.
    max-127

    A confusing screenplay, disappointingly directed, with performances only as good as the writing allowed.

    I was extremely disappointed with Mod Squad as a movie. There were a number of points which were never explored fully in respect to the character development. The script jumped from point to point without ever clearly explaining the real direction of the plot or the characters. Neither I nor the three people with me ranging from 18 to 85, could work out why the three young 'Mod Squad' members were recruited. We had no idea what they'd done to land themselves in hot water to begin with so they could have been murderers (no sympathy there). The action was minimal the highlight being an old car crashing through a metal door. "When was that film set?" my eighteen year old daughter asked me. The clever young actor from the "Other Sister" relied on the most basic of performance tricks such as shouting, to even be noticed. Long lingering shots of the female lead became dull. The young black actor had little to work on in his scripted characterisation. I found myself confused between the good and the bad cops and why a call to the police precinct, which had set up the criminal "bust" finale , was so obligingly received and acted on so promptly. The police were called to the scene as backup for our hero who was then an escaped felon (or was he????). The direction in my opinion was experimental to the point of distraction. One scene had our three protagonists in the front seat of a car plotting their next move. This was the bench mark. We saw the camera pan left, right, right, left, right, left then left again so continuously I became dizzy. The recording quality of the hand held reporters cassette recorder, the contents of which wrapped up the entire Mod Squad case was "studio quality" amazing!!! I see a minimum of sixty films a year. This was one of the least effective in a decade. my vote is 2 out of 10.
    4SnoopyStyle

    Many problems

    Three young petty delinquents Julie (Claire Danes), Pete (Giovanni Ribisi), and Linc (Omar Epps) are recruited by detective Greer (Dennis Farina) to work undercover where cops can't normally go. They are sent in to a club to investigate. When they find Greer murdered, they set off to find his murderer even though they are ostracized by most of the police. Meanwhile Billy (Josh Brolin) from the club is interested in Julie.

    The lighting is way too dark for most of the movie. I understand the underground sensibility of their investigation. However it makes it hard to watch. Ribisi is good playing the jokey jittery guy. Epps is way too stiff of an actor. Danes is probably miscast here. I've never seen the TV show, and the movie is probably trying to copy Peggy Lipton. It seems better if they go more white trash for the role like a Juliette Lewis kind. Dane is way too nice and sweet. I don't know what the original TV show is like. So it's hard for me to compare and judge the movie. There is some good music but by itself, the movie is kind of boring.
    sychonic

    The lowest expectations are still too high ...

    If the writers of a movie don't care about the characters inhabiting the world they create, nor the actors portraying them, or the director ostensibly creating a dynamic, well it doesn't seem realistic the audience will care either.

    To call this movie slapdash is an undeserved compliment--it's likely they figured it was a lost cause and that no amount of work would improve it. That's probably true.

    Omar Epps isn't a very good actor to begin with, but here he's even worse than usual, mumbling his lines without a clue as to what is going on in the movie. Giovanni Rabisi seems to have fun with his role, but playing one imbecile after another, one gets the feeling he may not be so much acting as giving a glimmer as to his real personality. Claire Danes obviously can act, as she showed in "Little Women", but here she's dreadful. Dennis Farina is good in just about anything, but here he's given absolutely no help by the director or the other actors.

    The movie quickly devolves into a series of music videos with bad seventies music intermixed with more modern stuff. And this squad is not very mod--the opening sequence notes that mod means fashionably dressed, and these guys look like they've been shopping by picking up things strewn on the side of an interstate. Go elsewhere for entertainment.
    ehoward

    Highly underrated Gen-X angst picture

    So many reviews I have read rail on the poor quality of the film. The two biggest complaints are lack of adult dialogue and lack of action. Me, I thought it was one of the best movies I have ever seen. They are kids, not adults. That's the way kids talk. As far as action, I found the emotional struggles to be far more compelling than the action scenes (which, do not, BTW, define a good film). One user even commented that there is no way kids could get around by themselves like that. I was a kid living on the streets when I was younger, and what they accomplish in the movie is certainly not the least of what I have personally witnessed on the street.

    For those who think only kids like this movie, I am 24. I think this film has been judged by all the wrong standards, and that not enough credibility is given to this straightforward portrayal of kids in trouble.

    If you think kids are incapable of these things, try watching the movie "Kids."

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Omar Epps mentioned in several interviews that he greatly disliked the denim Levi's clothes he and the cast had to wear because the jeans were very tight. He mentioned that there are several moments captured on screen during film where he wears a frown and grimace facial expression due to his jeans being too tight. The clothing in the film was specifically customized and provided by Levi's. When the film was released, Levi's put out denim commercials featuring Epps, Danes, and Ribisi.
    • Blooper
      As Billy Waites drives to the party with his prostitutes, he is driving a Cadillac Seville (4-door). When Julie Barnes leaves and steals the car, they show a Cadillac Eldorado (2-door) driving away. When she lights it on fire, it is back to being a Seville again.
    • Citazioni

      [Julie hits Pete across the head]

      Julie: Nice job.

      Pete: Okay, I really did not like that at all, all right? Let me just explain somethin'. I was blending.

      Julie: You just blended your ass right out of the club, man

      Pete: Oh, come on! They're gonna let me back in the club.

      Julie: Oh no, I believe the words were "you're gone for-fucking-ever." Greer's gonna kick your ass

      Pete: Hey you know what? Eat me.

      Julie: Come on. Lets go. You wanna lose another fight, Petey?

      Pete: No. Who was the guy that you were talkin' to all night?

      Julie: What guy?

      Pete: Yeah, "what guy." What guy?

      Linc: A suspect?

      Julie: What? No. I don't even know what he's talkin' about. God, how could you see anything? You had your head buried in a pair of tits all night.

      Pete: I could see things because I got eyes behind my head, all right? Julie's got a boyfriend. Julie's got...

      Julie: Please grow up!

      Pete: Let's all together, in harmony.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Mod Squad/Doug's 1st Movie/A Walk on the Moon/Edtv/Among Giants (1999)
    • Colonne sonore
      Goin' Crazy
      Written by Sen D.O.G. (as Sen Dog), Jeremy Fleener and Andy Zambrano

      Performed by SX10

      Produced by Phil Nicolo

      Remixed by The Butcher Bros.

      SX10 appears courtesy of Flip Records/Elektra Entertainment Group

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    Dettagli

    Modifica
    • Data di uscita
      • 18 giugno 1999 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Mod Squad
    • Luoghi delle riprese
      • Sixth Street Viaduct, Los Angeles, California, Stati Uniti(Squad park car and walk east to tunnel. Greer is found shot.)
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 50.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 13.263.993 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6.064.716 USD
      • 28 mar 1999
    • Lordo in tutto il mondo
      • 13.263.993 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 32 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
    • Proporzioni
      • 1.85 : 1

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