Aggiungi una trama nella tua linguaThree problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have litt... Leggi tuttoThree problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have little time to solve the case and clear their names.Three problem teens sent to jail are offered a deal to work with an undercover cop, uncover an intricate drug ring and are caught in a deadly set-up. With cops on their trail, they have little time to solve the case and clear their names.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 candidature totali
- Bald Dude
- (as Stephen T. Kay)
- Gilbert - Skinny Freak
- (as Bodhi Pine Elfman)
Recensioni in evidenza
Three young delinquents (Claire Danes, Giovanni Ribisi and Omar Epps) are recruited by a cop (Dennis Farina) to infiltrate many various operations (prostitute rings, drug circles) that police could never get into. But after their boss is murdered and they uncover a conspiracy, the three delinquents take it upon themselves to find out the truth behind the crime.
2.5/5 stars.
- John Ulmer
The plot is pretty weak, even for a 60s TV show remake. "The Mod Squad" ran from 1968 - 1973, with somewhere in the vicinity of 120 episodes. I never saw any, but I can't imagine this film adaptation does the show much justice.
The cast is considerably OK. Danes is quite enthusiastic and pretty enough for her sweet-blonde role, Ribisi is fine as a criminal and Epps is decent enough, too. Farina ("Get Shorty," "Another Stakeout") is a good actor, always very funny, but here his role is completely wasted (literally!) and short on the sort of sly humor that would have been appropriate given the actor behind it.
The dialogue is really corny, and so are the characters' actions. Television shows need not worry about smart dialogue or characters, because they're usually 30 minutes long (sometimes an hour), and we just get "hooked" on what's going on. Can you imagine if a soap opera made its way onto the big screen? It'd completely flop. People watch television shows because they like to see continuous stories with recurring characters they learn to love over a certain time period.
You can't get any joy out of watching a bunch of actors try to grow on you for 90 minutes. If "Alias" had ever started out as a big-screen movie, it might have flopped, because let's face it: the show is not exactly quality material. People watch it because they get hooked on it, and they enjoy watching the stories and the revelations, like an old woman addicted to her "General Hospital" episodes.
So here's proof that if "The Mod Squad" had originally been a movie, there probably would have been no television show. Despite some rather bad word-of-mouth, this movie isn't a terrible one. I've seen much worse, and compared to big-screen disasters like "Freddy Got Fingered," or low-budget ones like "The Blade Master," this is nothing very laughable at all.
But compared to the fun factor of "Charlie's Angels" or "Starsky and Hutch," "The Mod Squad" falls flat on its face. It's not very funny, it's not very fun, and it's not very original. It's a cash-in, which is something Hollywood is not in short supply of right now. If you miss "The Mod Squad," you're not missing anything that hasn't been done before.
The lighting is way too dark for most of the movie. I understand the underground sensibility of their investigation. However it makes it hard to watch. Ribisi is good playing the jokey jittery guy. Epps is way too stiff of an actor. Danes is probably miscast here. I've never seen the TV show, and the movie is probably trying to copy Peggy Lipton. It seems better if they go more white trash for the role like a Juliette Lewis kind. Dane is way too nice and sweet. I don't know what the original TV show is like. So it's hard for me to compare and judge the movie. There is some good music but by itself, the movie is kind of boring.
To call this movie slapdash is an undeserved compliment--it's likely they figured it was a lost cause and that no amount of work would improve it. That's probably true.
Omar Epps isn't a very good actor to begin with, but here he's even worse than usual, mumbling his lines without a clue as to what is going on in the movie. Giovanni Rabisi seems to have fun with his role, but playing one imbecile after another, one gets the feeling he may not be so much acting as giving a glimmer as to his real personality. Claire Danes obviously can act, as she showed in "Little Women", but here she's dreadful. Dennis Farina is good in just about anything, but here he's given absolutely no help by the director or the other actors.
The movie quickly devolves into a series of music videos with bad seventies music intermixed with more modern stuff. And this squad is not very mod--the opening sequence notes that mod means fashionably dressed, and these guys look like they've been shopping by picking up things strewn on the side of an interstate. Go elsewhere for entertainment.
For those who think only kids like this movie, I am 24. I think this film has been judged by all the wrong standards, and that not enough credibility is given to this straightforward portrayal of kids in trouble.
If you think kids are incapable of these things, try watching the movie "Kids."
Lo sapevi?
- QuizOmar Epps mentioned in several interviews that he greatly disliked the denim Levi's clothes he and the cast had to wear because the jeans were very tight. He mentioned that there are several moments captured on screen during film where he wears a frown and grimace facial expression due to his jeans being too tight. The clothing in the film was specifically customized and provided by Levi's. When the film was released, Levi's put out denim commercials featuring Epps, Danes, and Ribisi.
- BlooperAs Billy Waites drives to the party with his prostitutes, he is driving a Cadillac Seville (4-door). When Julie Barnes leaves and steals the car, they show a Cadillac Eldorado (2-door) driving away. When she lights it on fire, it is back to being a Seville again.
- Citazioni
[Julie hits Pete across the head]
Julie: Nice job.
Pete: Okay, I really did not like that at all, all right? Let me just explain somethin'. I was blending.
Julie: You just blended your ass right out of the club, man
Pete: Oh, come on! They're gonna let me back in the club.
Julie: Oh no, I believe the words were "you're gone for-fucking-ever." Greer's gonna kick your ass
Pete: Hey you know what? Eat me.
Julie: Come on. Lets go. You wanna lose another fight, Petey?
Pete: No. Who was the guy that you were talkin' to all night?
Julie: What guy?
Pete: Yeah, "what guy." What guy?
Linc: A suspect?
Julie: What? No. I don't even know what he's talkin' about. God, how could you see anything? You had your head buried in a pair of tits all night.
Pete: I could see things because I got eyes behind my head, all right? Julie's got a boyfriend. Julie's got...
Julie: Please grow up!
Pete: Let's all together, in harmony.
- Colonne sonoreGoin' Crazy
Written by Sen D.O.G. (as Sen Dog), Jeremy Fleener and Andy Zambrano
Performed by SX10
Produced by Phil Nicolo
Remixed by The Butcher Bros.
SX10 appears courtesy of Flip Records/Elektra Entertainment Group
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Mod Squad
- Luoghi delle riprese
- Sixth Street Viaduct, Los Angeles, California, Stati Uniti(Squad park car and walk east to tunnel. Greer is found shot.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.263.993 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.064.716 USD
- 28 mar 1999
- Lordo in tutto il mondo
- 13.263.993 USD