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IMDbPro

La leggenda del pianista sull'oceano

  • 1998
  • T
  • 2h 49min
VALUTAZIONE IMDb
8,0/10
72.009
LA TUA VALUTAZIONE
POPOLARITÀ
3258
320
La leggenda del pianista sull'oceano (1998)
Home Video Trailer from Fine Line
Riproduci trailer2: 39
1 video
99+ foto
DrammaDrammi storiciMusicaRaggiungimento della maggiore etàRomanticismo

Un neonato trovato su un transatlantico nel 1900 diventa un prodigio musicale che non metterà mai piede sulla terraferma.Un neonato trovato su un transatlantico nel 1900 diventa un prodigio musicale che non metterà mai piede sulla terraferma.Un neonato trovato su un transatlantico nel 1900 diventa un prodigio musicale che non metterà mai piede sulla terraferma.

  • Regia
    • Giuseppe Tornatore
  • Sceneggiatura
    • Alessandro Baricco
    • Giuseppe Tornatore
  • Star
    • Tim Roth
    • Pruitt Taylor Vince
    • Mélanie Thierry
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,0/10
    72.009
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3258
    320
    • Regia
      • Giuseppe Tornatore
    • Sceneggiatura
      • Alessandro Baricco
      • Giuseppe Tornatore
    • Star
      • Tim Roth
      • Pruitt Taylor Vince
      • Mélanie Thierry
    • 310Recensioni degli utenti
    • 62Recensioni della critica
    • 58Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 22 vittorie e 10 candidature totali

    Video1

    The Legend of 1900
    Trailer 2:39
    The Legend of 1900

    Foto261

    Visualizza poster
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    + 254
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    Interpreti principali51

    Modifica
    Tim Roth
    Tim Roth
    • Novecento
    Pruitt Taylor Vince
    Pruitt Taylor Vince
    • Max
    Mélanie Thierry
    Mélanie Thierry
    • La ragazza
    Bill Nunn
    Bill Nunn
    • Danny
    Clarence Williams III
    Clarence Williams III
    • 'Jelly Roll' Morton
    Peter Vaughan
    Peter Vaughan
    • Negoziante
    Niall O'Brien
    • Capo del porto
    Gabriele Lavia
    Gabriele Lavia
    • Contadino
    Vernon Nurse
    • Fritz Hermann
    Alberto Vazquez
    Alberto Vazquez
    • Machinista messicano
    • (as Alberto Vázquez)
    John Armstead
    Cory Buck
    Cory Buck
    • Lemon - age 8
    Norman Chancer
    Norman Chancer
    • Impresario
    Sidney Cole
    • Musician
    Katy Monique Cuomo
      Luigi De Luca
      Luigi De Luca
      • Neapolitan Stoker
      Agostino Di Giorgio
      • Banjo Player
      Nicola Di Pinto
      Nicola Di Pinto
      • Regia
        • Giuseppe Tornatore
      • Sceneggiatura
        • Alessandro Baricco
        • Giuseppe Tornatore
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti310

      8,072K
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      Recensioni in evidenza

      ToldYaSo

      The antidote to all your troubles, "1900" will sweep you away

      It is at a time like this I wish I could expand my vocabulary to better articulate the virtues and qualities of such a fine film. I also find I'm bursting to talk about this film that I regrettably saw alone. I don't want to spoil it for anyone, but desperately want to share it with everyone.

      The talented star of "The Legend of 1900", Tim Roth, presented this film along with Clarence Williams III. His encouragement to the audience was that if anyone was the sort who liked to pick apart at films and critique their lack of realism, they should just leave now. He touted this wonderful vision from the director of Cinema Paradiso, Giuseppe Tornatore, and likened the film to a "dream". He also said that if anyone had seen his own film, "The War Zone", that "1900" was the antidote for it. I was slated to see "The War Zone" the next day, but that was fine by me. I managed by a sheer stroke of luck to get into this Canadian premiere and found it to be absolutely extraordinary and the best film I'd seen so far of the Toronto International Film Festival.

      It seems as though mere moments after the initial credits, that the wonderful storytelling and incredible music combined with stunning visuals almost had me moved to tears. While I'll admit that I'd be seeing films all day, no film in my recollection had such an impact so quickly.

      The story is one of an abandoned baby who is found on a ocean liner by one of the ship's crew. He is unofficially adopted and named "1900" for the year in which he was born. At a very early age the boy demonstrates an extraordinary gift for piano playing which is only strengthened in his passing years. The boy grows up with no official identity, into a man having never taken a step off of the ship onto dry land in his whole life. The young man, played by Tim Roth is encouraged by his dear friend to leave the boat and pursue a life of fame and fortune as the great pianist he has become. 1900 declines, explaining simply that everything he needs is on the boat.

      Well, that should be enough to intrigue you; there's much more of course, but I've no desire to spoil it for anyone. I must encourage everyone to see this film, I can hardly imagine anyone being disappointed. It's for music lovers, dreamers, romantics and film buffs everywhere and my greatest hope is that it will be seen by many, many people, especially those I know and love. And after seeing the film, and hearing Tim Roth's words echoing in my mind, he was absolutely right. It is like a dream, a wonderful dream that I wished would never end. And for a future prediction, I see this film as a Best Foreign Film Oscar nomination for 1999.
      8ccthemovieman-1

      Astounding Visuals, Unique Story

      This a "sleeper," a very good film few people have heard about. The ones who have reviewed it here obviously know about it and you can see by their comments how well-liked it is.....so if you haven't seen it, check it out. In North America, it's called "The Legend Of 1900."

      The movie is definitely unique, about a man who spends his entire life on board an ocean liner and is a fantastic piano player. The best thing about this film, to me at least, was not the story- which I did enjoy - but the cinematography. Wow, what a great-looking film. Speaking of looks, Melanie Thierry is gorgeous. Too bad she has only a small part in this movie.

      It was nice to see Tim Roth play something other than a detestable villain and Clarence Williams was fun as the arrogant "Jelly Roll Morton," who comes aboard ship to challenge Roth to a piano duel, which has to be seen to be believed. Can you say "outrageous?"

      This was filmed by the same man who did the much more well-known Italian film, Cinema Paradiso, and if you appreciate how good-looking that film is, well, this is even better!
      8endalayng

      A hidden gem

      Had never heard of this until I came across it by accident. A real gem , dragged a little near the end but overall well worth watching. Music fabulous, great acting and an interesting story. Not commercial drivel like the Titanic.
      8=G=

      A wonderfully wistful mixture of melodrama and music.

      "The Legend of 1900" wistfully tells its creative, capriciously unpredictable, and musical tall tale with excellence in all aspects of film from sets to sound, costume to casting, and script to screenplay. Roth and Vince work well together in this plaintive, simple story which will captivate those who can make the leap of faith required to "buy in". A good film for all but critics, "Legend" will likely resonate most with those who equate living with musical expression. La vita è musica.
      10stratton_assoc

      A Great Flick

      This movie was given to me as a Christmas gift in 2004. My friends know my love of ships and movies, so they knew this would be something I was surely to like. And did I. I would have been deeply disappointed if I had seen this at the local CinePlex, because there are so many excellent scene's you will want to rewind an ponder over, even shed a tear or two. Its the story of a baby boy ( Tim Roth )who is found aboard an ocean liner( by actor Bill Nunn ), who spends his entire life aboard this ship. Its a movie that is wonderfully acted by all the cast. It moves with ease an always keeps you in a slight fog that lifts at the perfect moment. The piano score's are exquisite !!!I found it haunting and moving at the same time. This movie is 2 hours long, but it will glide by so quickly you will want for more. Without spoiling it, the ending scene is powerful, its..............well......I'll let you be the judge. Enjoy, Marco

      Altri elementi simili

      Malèna
      7,4
      Malèna
      La migliore offerta
      7,8
      La migliore offerta
      Nuovo Cinema Paradiso
      8,5
      Nuovo Cinema Paradiso
      Ennio
      8,2
      Ennio
      Les choristes - I ragazzi del coro
      7,8
      Les choristes - I ragazzi del coro
      L'uomo delle stelle
      7,3
      L'uomo delle stelle
      Il Camorrista
      7,6
      Il Camorrista
      Una pura formalità
      7,5
      Una pura formalità
      La sconosciuta
      7,4
      La sconosciuta
      Detachment - Il distacco
      7,7
      Detachment - Il distacco
      Addio mia concubina
      8,1
      Addio mia concubina
      Guizi lai le
      8,2
      Guizi lai le

      Trama

      Modifica

      Lo sapevi?

      Modifica
      • Quiz
        Tim Roth cannot, in fact, play the piano. He trained for six months just to be able to "fake it" for the film.
      • Blooper
        The recording equipment used for making the record was clearly acoustic in nature, showing large horns. This type of recording was largely replaced in 1925 by electrical recording, using microphones. Yet the recording was made somewhere between 1927 and 1933, according to Tooney's story. Furthermore, the recording engineer played back the matrix immediately; this would have ruined the matrix, which was cut in wax. In those days, immediate playback was only possible using a second set of equipment especially for that purpose.
      • Citazioni

        1900: [explaining why he didn't leave the ship and never will be] All that city... You just couldn't see an end to it. The end! Please, could you show me where it ends? It was all very fine on that gangway and I was grand, too, in my overcoat. I cut quite a figure and I had no doubts about getting off. Guaranteed. That wasn't a problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. Can you understand that? What I didn't see. In all that sprawling city, there was everything except an end. There was everything. But there wasn't an end. What I couldn't see was where all that came to an end. The end of the world. Take a piano. The keys begin, the keys end. You know there are 88 of them and no-one can tell you differently. They are not infinite, you are infinite. And on those 88 keys the music that you can make is infinite. I like that. That I can live by. But you get me up on that gangway and roll out a keyboard with millions of keys, and that's the truth, there's no end to them, that keyboard is infinite. But if that keyboard is infinite there's no music you can play. You're sitting on the wrong bench. That's God's piano. Christ, did you see the streets? There were thousands of them! How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. All that world weighing down on you without you knowing where it ends. Aren't you scared of just breaking apart just thinking about it, the enormity of living in it? I was born on this ship. The world passed me by, but two thousand people at a time. And there were wishes here, but never more than could fit on a ship, between prow and stern. You played out your happiness on a piano that was not infinite. I learned to live that way. Land is a ship too big for me. It's a woman too beautiful. It's a voyage too long. Perfume too strong. It's music I don't know how to make. I can't get off this ship. At best, I can step off my life. After all, it's as though I never existed. You're the exception, Max. You're the only one who knows that I'm here. You're a minority. You'd better get used to it. Forgive me, my friend. But I'm not getting off.

      • Versioni alternative
        Original version released in Italy is 2 hours and 45 minutes long. A 123-minutes version premiered at the Locarno film Festival in July 1999. This shorter version is the same released in the USA by Fine Line under the title "The Legend of 1900".
      • Connessioni
        Edited into Spisok korabley (2008)
      • Colonne sonore
        Big Fat Ham
        Written by Ferdinand 'Jelly Roll' Morton (uncredited)

        Performed by Ferdinand 'Jelly Roll' Morton (as 'Jelly Roll' Morton)

        Edizioni Chappell s.r.l

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      Dettagli

      Modifica
      • Data di uscita
        • 28 ottobre 1998 (Italia)
      • Paese di origine
        • Italia
      • Lingue
        • Inglese
        • Francese
        • Italiano
      • Celebre anche come
        • The Legend of 1900
      • Luoghi delle riprese
        • Odessa, Ucraina
      • Aziende produttrici
        • Sciarlò
        • Medusa Film
      • Vedi altri crediti dell’azienda su IMDbPro

      Botteghino

      Modifica
      • Budget
        • 9.000.000 USD (previsto)
      • Lordo Stati Uniti e Canada
        • 167.435 USD
      • Fine settimana di apertura Stati Uniti e Canada
        • 39.200 USD
        • 31 ott 1999
      • Lordo in tutto il mondo
        • 21.061.339 USD
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        2 ore 49 minuti
      • Colore
        • Color
      • Mix di suoni
        • Dolby Digital
      • Proporzioni
        • 2.35 : 1

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