The Hi-Lo Country

I was surprised and disappointed to see this film only get a 6.0 in the database. I am giving it a 7 because Penelope Cruz, who I respect as an actress- amazing beauty aside- doesn't quite fit into this film. Otherwise, the directing from Stephen Frears, who has tried (it seems) as many genres as Howard Hawks, is solid. Billy Crudup, Patty Arquette and even Woody Harrelson (still want my $ back from NBK even though it's been a decade now!) is quite good in this. It is very hard to make Westerns these days, and I'm sure the box office from this film won't help. But, along with "Dead Man" and "Unforgiven," this film proves it can be done. Worth a look, especially for those of us ( a minority in my generation- GEN X) who still apprecaite the Western as a genre and as an art form.

This movie has all the ingredients to make a great movie. It is beautifully photographed with wonderful western landscapes. It has one of Woody Harrelson's best performances as a hard drinking, hard working, hard loving good old boy rancher. It has excellent support from Sam Elliot, Billy Crudup and Penelope Cruz. It is set in the late 40's, early 50's when small independent ranchers are being replaced by large commercial farms.

The problem with this movie is that is focuses way too much on the three way relationship between Billy Crudup, Woody Harrelson and Patricia Arquette. Arquette and Harrelson are lovers and Crudup lusts after Arquette. This relationship is not believable because Arquette's character is untrustworthy, amoral, and a liar. The woman who is more interested in Crudup is the Penelope Cruz character. The movie never explains why Crudup would prefer Arquette over the much more beautiful and sexy Cruz.

The Sam Elliot character is wasted. He does a good job of portraying the businessman rancher. He is not evil, but all the small time ranchers hate him because he is contributing to, and a symbol of, the end of small ranches. But it is not Sam Elliot that is destroying the small ranches, it is the progress of commercialization which Sam Elliot represents. It is this contradiction between good person Sam Elliot is and the evil that he represents that makes is character so interesting. This movie should have been more about Sam Elliot.

The movie falls apart into silly soap opera / action movie like scenes at the end. It abandons the interesting character study and gives us emergency rescues in a storm, deaths, murders, cover-ups and "dramatic" revelations. Those scenes belong in some other movie.

Set in the late 1940s, The Hi-Lo Country is a strange mix of drama, romance, western, buddy movie and something that can be best described as an Americana version of Latin America's magical realism: there's even a witch telling the future, and her prophecy fulfills! The movie does not offer much in terms of action: it rather sets out to be a "slice-of-life" piece, taking a look both at the events and the changes occurring in all the lead characters. I can understand this kind of approach can be disliked by some viewers; still, I found this movie interesting and somewhat underrated (picked it one evening on the cable). If you like a movie that emphasizes the mood instead of the actual action and with a strong cast ensemble (watch for Northern Exposure's Darren Burrows!), this is for you. 7 out of 10.

This is a wonderful movie produced by Martin Scorcese's group and is the best contemporary western I've seen since "Unforgiven". In some ways it is like a Cormac McCarthy novel brought to life. It has a mature and literate screenplay by Walon Green, is well acted by Billy Crudup and Woody Harrelson, has strong supporting performances by a large and perfectly cast group of actors (including Patricia Arquette, Katy Jurado, Sam Elliott, and Penelope Cruz), is beautifully photographed by Oliver Stapleton against spectacular backdrops in New Mexico, is very well directed by Stephen Frears, and has a haunting score by the superb Carter Burwell. Only an overly sentimental last scene weakens an otherwise great film, but the movie is still well worth seeing.

The Hi-Lo Country has it all: male bonding, bar fights, passion and obsession. The characters reflect the brutality and the charm of old ways which refuse to die. Great performances by Woody Harrelson and the younger Billy Crudup who star as lifelong friends whose world made of land and cattle start changing under their feet after their return from World War II.

The Hi-Lo Country is an involving, intense and somewhat nostalgic western which tries to abandon traditional plot lines while using all the classic western cliches. Strongly advised to people who like some "melo" in their "drama".