Delitti d'autore

Not even Barbara Hershey could save this farce. If it was supposed to be a comedy it was a total failure. There wasn't a laugh in the entire movies. Bizarre plot. Too much needless and graphic violence. If this movie was supposed to entertain, the blood and gore made certain that it did not. Hershey was badly miscast in this movie. If she was supposed to be a sympathetic character, it never showed and that is too bad because Hershey is an accomplished actress and this movie doesn't help her career. If it had been for Hershey, I would not have even considered watching this movie only to be very disappointed in her role.

I actually like this movie. I can see how some people might find it pretentious but those people are just not buying into the concept. It's kind of a campy send-up of Tarantino-ish films substituting a motley group of sleazy actors for just plain sleaze-balls. Instead of long monologues by inane lowlifes about pop culture (a la Pulp Fiction) you get more articulate and literary monologues culled from films, sometimes done with some style and finesse, other times done just for unintentional self-parody, by a colorful group of actors/gangsters. As with any parody, there are times when the characterizations seem over-the-top but mostly I found them clever and funny. To the film's credit, it doesn't take itself too seriously, simply drawing a parallel between the actor's process and the process of the gangster getting into character for the gruesome deeds they do. Barbara Hershey plays the lead character trying to `get out of the life' and out of acting. She is not the most charismatic actress but she does have her moments even if there are times it seems her character's disaffection for her world fails to hold our sympathies. Robbie Coltrane never quite seems convincing as the thick-accented Eastern European gang leader and aspiring impresario. However, Lisa Marie as Myrna is wonderful as the incredibly hot if not-so-talented actress and there are other fine performances from others in the film. The ending is schmaltzy but for the most part the film is quite entertaining.

Maybe it isn't THE worst but it sure comes close! The concept? A group of wanna-be actors moonlight as collection agents and thugs for a theatre impresario cum gangster. In between shooting people, including each other, they recite scenes from movies, everything from 'The Third Man' to 'Repo Man'. Does that sound stupid? You bet!

Watching this until the end is a chore. Only masochists or people with a perverse fascination for truly awful movies will manage it. Writer/director Amos Poe probably argues that "quoting" from other (MUCH better!) movies is some kind of post-modernist statement about art and creativity. Really it's because he doesn't have enough talent to write his own original dialogue and characters.

An unspeakably AWFUL movie that everyone involved with should be embarrassed about.

Underground director Amos Poe presents this Tarantino-esque gangster movie, which is also a close portrait of a woman trying to break free from her old life. All trimmed with some violence, black humour and loads of quotations from the world of theater and movies. (watched @ the world premier at the Filmfestspiele Berlin)

I found "Frogs for Snakes" poorly done and if at all, badly researched.

Early in the film one of the characters mentions that her boyfriend was sentenced to prison for 4 years, until 1969. A bit later she talks about the 69 Corvette he bought her. A remarkable feat -- getting a 69 car in 65.

Still later, the term "dissed" is used, a term that didn't come into being until the mid 90's.

Still later, characters used cell phones, which certainly didn't exist in the mid 60's.

Just a bad film overall.