Un giornalista amante delle droghe e il suo avvocato psicopatico vanno a Las Vegas per scrivere un articolo su una corsa automobilistica, finendo coinvolti in una serie di avventure psichede... Leggi tuttoUn giornalista amante delle droghe e il suo avvocato psicopatico vanno a Las Vegas per scrivere un articolo su una corsa automobilistica, finendo coinvolti in una serie di avventure psichedelicheUn giornalista amante delle droghe e il suo avvocato psicopatico vanno a Las Vegas per scrivere un articolo su una corsa automobilistica, finendo coinvolti in una serie di avventure psichedeliche
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
- Parking Attendant
- (as Brian LeBaron)
Recensioni in evidenza
Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded. The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.
But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat. This film was too weird to live, yet too rare too die.
Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.
Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.
--PolarisDiB
A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.
So as this movie is just plain crazy, I don't know how to wrap this up ... maybe I just leave it open ... ;o)
Lo sapevi?
- QuizIn the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
- BlooperDr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
- Citazioni
[watching Dr. Gonzo leave]
Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
- Curiosità sui creditiThe Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
- Versioni alternativeThe US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
- ConnessioniEdited from Vega$ (1978)
- Colonne sonoreMy Favorite Things
Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II
Published by Williamson Music
Performed by The Lennon Sisters
Courtesy of Ranwood Records/ A Walk Music Group Co.
By arrangement with Warner Special Products
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Fear and Loathing in Las Vegas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.680.275 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.338.590 USD
- 24 mag 1998
- Lordo in tutto il mondo
- 10.680.275 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1