Paura e delirio a Las Vegas

In a sense, this is kind of like the movie Terry Gilliam was born to do.

Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.

Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.

--PolarisDiB

This is far from your everyday movie, and only for those with a deep appreciation for the diversity of film-making, or fans of Hunter S. Thompson. This does not mean those mentioned will enjoy it, although definitely respect the attempt. I personally found it fascinating. To portray a permanently drug induced state to the big screen was done with creativity and subtle humour. You could expect nothing less from director Terry Gilliam who has played such a massive role in the brilliant and original Monty Python works.

Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.

When you start watching this movie, you'll decide if you like it or not. But if you don't want to wait, I'll tell you. This movie is so trippy, so gross, so insane, so bizarre, and so friggin' crazy! Now with that said, it's also brilliant, funny, surreal, dark, entertaining etc. The story goes like this; a Dr. Journalism, Raoul Duke (Johnny Depp), and his wolf man attorney, Dr. Gonzo (Benicio Del Toro), are sent to Las Vegas to cover a Mint 400 motorcycle race but end up abandoning that in search of the American Dream. The two characters are out of their minds on drugs the entire time which is where the surreal factor comes into play. The film is based the famous novel by Hunter S. Thompson, which was based on real life events he experienced. I'm not kidding when I say that five minutes into this movie and you'll feel that someone drugged your drink or something. This is more than just a movie, it's an experience, and an experience like no other. If you haven't read the book or don't know what your getting yourself into, then you're gonna have one hell of a ride. Johnny Depp (of course) nails the performance of the character that the book created. What director, Terry Gilliam, did is take the book and match the images that we thought of while reading it, perfectly. Throughout the film, watching the two characters wander witlessly around Las Vegas tripping on acid, I felt like I was part of the experience. Also, Depp's performance is so good, that I started to forget that he wasn't really Hunter S. Thompson. The characters are both psychotic but in different ways. Raoul Duke has one foot in reality and another foot in a pit of madness, Gonzo, however, is off his rocker. He's just a ticking atom bomb ready to go off, I'd be scared to stay in the same room as him. But what keeps this movie going strong is the narration by Depp. Some of it's recited from the book but other times it's whatever's on his mind. Without the narration, the movie would be just one wacky thing after another. Overall, watching this movie is like being hit by a car, sucked into a tornado, spat out into a trampoline factory, raped by a wild tiger, eaten by Godzilla, thrown off the face of the Earth, and plummeting right down on the TV. Any negative reviews you may have heard about this movie make no sense. They love the book while hate the film for being so crazy and shapeless (oh, you mean exactly like the book). This is a perfect adaptation of the book. So great performances, surreal scenery, flowing narration, and a clever cameo by Thompson himself. When I first saw this movie, I liked it just fine. I've seen a few more times and every time I see it, it gets better. Now it's gotten to the point where I think it's one of the best films ever made. So if you're a Johnny Depp fan, or a Terry Gilliam fan, or a Hunter S. Thompson fan, or just in the mood for something different and I mean REALLY different, definitely check it out.

The `unflimable' novel by Thompson is brought to the screen. Hunter S. Thompson gets a call to go to Las Vegas to cover a motorcross race. Using the advance money to purchase a load of drugs he sets out on a road trip with his crazed Samoan lawyer. However as their trip continues they encounter all manner of insanity and paranoia in their drug fuelled trip into the American dream…

Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work – however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.

Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right – making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').

The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.

An oddball journalist and his psychopathic lawyer travel to Las Vegas, with a car full of drugs, alcohol and the pursuit of the American Dream.

A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.