Un lavoratore della clinica per l'aborto cerca di salvare l'esistenza dell'umanità da due angeli ribelli che stanno cercando di rientrare in Paradiso.Un lavoratore della clinica per l'aborto cerca di salvare l'esistenza dell'umanità da due angeli ribelli che stanno cercando di rientrare in Paradiso.Un lavoratore della clinica per l'aborto cerca di salvare l'esistenza dell'umanità da due angeli ribelli che stanno cercando di rientrare in Paradiso.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 candidature totali
Barret Hackney
- Stygian Triplet
- (as Barrett Hackney)
Brian O'Halloran
- Reporter
- (as Brian Christopher O'Halloran)
Marie Elena O'Brien
- Clinic Girl
- (scene tagliate)
- (as MarieElena O'Brien)
Recensioni in evidenza
While both funny and frightening, this film is more than just a comedy with gratuitous violence and (bad)-language. It's a theological reflection...and a call to the Church to focus on things that matter (like living life to the fullest, helping those in need, honoring and respecting all, expecting respect in return) rather than those that don't (like...well, dogma [doctrines/church laws] or any belief that causes us to "draw a line in the sand," condemning to hell or perdition any who disagree with us). As I watched it (the first and all subsequent times), I felt sure that the movie was written by someone who really loves his church -- but is smart and aware enough to recognize its shortcomings, its blindspots, even its failures and hypocrisies. Rather than simply leaving or ignoring or dismissing it, Smith chooses to enter into dialogue with it, using the potent medium of film to do so. One can only hope that the church--not just Roman Catholic but all branches of it-- takes him up on his call to conversation.
Not to be missed in the film, on a lighter note, are the introductory disclaimer and the "Thank Yous" at the end. Smith thanks Elaine Pagels, for God's sake -- who knew anyone in Hollywood read contemporary, feminist theology? What a welcome revelation....
Not to be missed in the film, on a lighter note, are the introductory disclaimer and the "Thank Yous" at the end. Smith thanks Elaine Pagels, for God's sake -- who knew anyone in Hollywood read contemporary, feminist theology? What a welcome revelation....
I watched this movie with some expectations in the comedy department and I am glad to say that I am satisfied. This movie can make you laugh and think at the same time. The performance given by Alan Rickman and Chris Rock stands out. The director made sure that the concept wasn't overburdening to the viewers and also that it didn't hurt religious feelings of the viewers. This is one of the best executed comedy movies of all time,not just because of the acting, but also because of the scenario and story. Matt Damon and Ben Affleck does justice to their roles of the rogue angles. Damon was at his usual best,while Affleck did best to keep up and i can safely say that he succeeded.
Hats off,to the cast and crew.
Hats off,to the cast and crew.
Dogma has plenty of funny religion-themed gags, but I was entertained by it mainly because I liked just about all of the characters and I enjoyed most of their dialogue.
There's not a lot of substance behind what they're saying, unlike in, say, Tarantino's films, but the fact that it's all fairly low-brow and goofy is what makes it good. Jay and Bob are fantastic with their little stoner quips.
The plot is fairly weak, but it's not supposed to be brilliant. It's easy to tell that Kevin Smith just enjoys playing around with Catholicism by poking and prodding at it.
Also, George Carlin is what was his usual comedic self in his cameo.
There's not a lot of substance behind what they're saying, unlike in, say, Tarantino's films, but the fact that it's all fairly low-brow and goofy is what makes it good. Jay and Bob are fantastic with their little stoner quips.
The plot is fairly weak, but it's not supposed to be brilliant. It's easy to tell that Kevin Smith just enjoys playing around with Catholicism by poking and prodding at it.
Also, George Carlin is what was his usual comedic self in his cameo.
Dogma is firmly rooted in Kevin Smith's View Askew world so fans of his other films will not be disappointed. However, it also expands on the direction he took in Chasing Amy by dealing with subject matter and concepts that are personal and thought provoking. Dogma goes beyond the "dick and fart jokes", which are reassuringly present, and gives the viewer something to think about.
The film deals with thoughts on religion, Catholicism mainly, in a way that pokes fun at the institution but does not deride it. Dogma is by no stretch of the imagination an anti-Catholic movie. It embraces religion and points out the potential and actual problems that can occur within any religious institution. The film's comments and contents are definitely meant to be taken with a grain of salt.
The cast is great and there are many instances of hilarious viewing, usually Jay and Silent Bob, as well as very sensitive and expressive moments from the various actors.
In the end, Dogma is a thoroughly fun and thoughtful viewing experience that both old and new fans will enjoy. A movie outside the typical fare that is worth spending your money on seeing.
The film deals with thoughts on religion, Catholicism mainly, in a way that pokes fun at the institution but does not deride it. Dogma is by no stretch of the imagination an anti-Catholic movie. It embraces religion and points out the potential and actual problems that can occur within any religious institution. The film's comments and contents are definitely meant to be taken with a grain of salt.
The cast is great and there are many instances of hilarious viewing, usually Jay and Silent Bob, as well as very sensitive and expressive moments from the various actors.
In the end, Dogma is a thoroughly fun and thoughtful viewing experience that both old and new fans will enjoy. A movie outside the typical fare that is worth spending your money on seeing.
"Dogma" isn't the kind of comedy that most people will find themselves holding onto their guts during. It's more the second-long "ha!" kind of comedy.
That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.
The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.
The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.
Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.
It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.
That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.
The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.
The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.
Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.
It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.
Lo sapevi?
- QuizWilliam Donohue of the Catholic League lambasted the film, and publicly protested against it for months, without actually seeing it. When his office called View Askew and requested a special screening so he could "speak about it intelligently," Kevin Smith responded "So what has he been doing the past six months?"
- Blooper(at around 10 mins) When Bethany is at Mass, the priest says, following the homily, "Let us now rise for the recession of faith." The correct wording is "Let us rise for the profession of faith," which is then followed by the recital of the Apostles' Creed. This was most likely done to satirize and/or draw attention to the idea that people's faith had faltered at the time the film takes place (hence "recession").
- Curiosità sui creditiOpening text: Disclaimer: 1) a renunciation of any claim to or connection with; 2) disavowal; 3) a statement made to save one's own ass. Though it'll go without saying ten minutes or so into these proceedings, View Askew would like to state that this film is - from start to finish - a work of comedic fantasy, not to be taken seriously. To insist that any of what follows is incendiary or inflammatory is to miss our intention and pass undue judgment; and passing judgment is reserved for God and God alone (this goes for you film critics too...just kidding). So please - before you think about hurting someone over this trifle of a film, remember: even God has a sense of humor. Just look at the Platypus. Thank you and enjoy the show. P.S. We sincerely apologize to all Platypus enthusiasts out there who are offended by that thoughtless comment about the Platypi. We at View Askew respect the noble Platypus, and it is not our intention to slight these stupid creatures in any way. Thank you again and enjoy the show.
- Versioni alternativeThe UK cinema version altered a line of dialogue to receive a 15 certificate. All video and DVD versions restore that line.
- ConnessioniEdited into Dogma: Deleted Scenes (1999)
- Colonne sonoreStill
Written and Performed by Alanis Morissette
Published by MCA Music, a division of Universal Studios, Inc./1974 Music (ASCAP)
Courtesy of Maverick Recording Company
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Bearclaw
- Luoghi delle riprese
- St. Peter and Paul Catholic Church - Larimer Avenue, Pittsburgh, Pennsylvania, Stati Uniti(church at the end of the movie)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.846.695 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.669.945 USD
- 14 nov 1999
- Lordo in tutto il mondo
- 33.624.701 USD
- Tempo di esecuzione
- 2h 10min(130 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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