Babe va in città

Many people just don't get it. They may tell you this movie is too dark for children. Don't believe them. This is a great movie for children. Didn't "Snow White" have an old hag try to kill her with a poison apple. Death is darker than any "dark tone" laid out in this gorgeous piece of cinema, but "Snow White" didn't get as many negative comments as this movie. The kids that watched the original "Babe" have grown up, and so did the franchise. Sure the movie may have a few adult moments than the original; for instance, most kids won't understand the whole Mrs. Hoggett cavity search incident. But overall this movie presents the great moral that everyone should be good to each other over everything else, even to someone who might have done something wrong to you. That is a message that everyone, adults and children, should hear and consider. In the end, "Babe" achieves respect and gains a whole new group of friends from his good deeds, and everyone is happy including the audience. I think this movie will be considered a classic sometime in the future, as it should be.

It's so technically well executed and gorgeous to look at (obviously George Miller asked for and got a huge budget this time around) but almost every thing that happens to these cutest-of-cute animals is *mean-spirited*. The sweetness of the last film is gone, as is that movie's easy-going but tightly-woven plot. Instead we have Hollywood histrionics and chase scenes and randomness that just seems like delay tactics for the first 3/4 of the film. For example, we follow that duck every now and then as he chases after but never finds Babe. The duck arrives in the city and is immediately shot at by twenty members of a rifle range. Funny? No. It's done in an ultra-realistic way, it looks like he's actually injured, there's no Roadrunner & Wile E. Coyote cartoonness to this violence.

Finally after much depressing animal cruelty the surviving heroes get together and head off towards a final rescue act, but by that point I'd turned off. It involved the farmers wife in a clown suit bungee jumping around a restaurant and a bunch of balloons and other silly fighting. Not a very fun movie, and it could have been!

worst moments:

* Andy Rooney, made up as a clown, led off to die in a stretcher.

* Cute puppy says, "my human put me in a sack and threw me in the water"

The wildest thing about Babe: Pig in the City isn't that it's directed by George Miller, it's that it's recognisably a George Miller film. The narration, chaptered structure and overall insanity are thoroughly his plus there's a lot here that either comes from his Mad Max Saga or would end up in it afterwards. This may look family friendly but it goes to some dark places.

Elizabeth Daily nails the endless optimism of Babe, a character who always does the right thing no matter what and her voice acting matches that straight away. Everyone else does a good job of voicing their on screen animals opposed to any signs of stunt casting, making it one of the least uncanny versions of this mostly bygone trend.

George Miller's direction powers through any and all flaws on sheer weirdness alone. The world building is really fascinating as the titular city is a real smorgasbord of recognisable landmarks and iconography from across the globe which keeps the whole thing interesting, even when some set pieces start to overstay their welcome.

I remember watching this movie when I was very very young and I kinda remembered parts of but I kept procrastinating watching it again now because I remembered I loved it when I was young. So finally came the day I saw it and I must say even after all these years it's quite enjoyable.

I want to talk about a few aspects of the movie very briefly

The story. ( Easy to watch, engaging, made up of multiple small chapters which lead to the final conclusion. It's a Cartoonish fairyland mixed with some dark real-life messages which I overlooked when I was younger. It's very interesting how realistic they made this movie and personally, I couldn't believe it was shot in 1998. We are once again reunited with the little innocent pig called Babe and his adventures which helps him slowly grow up and teaches him good values. But compared to the first movie this has more darker twists and turns which eventually lead to something good.

Sound design. (Excellent. When I watched the movie everything with music felt just right like you would expect.)

Stunts. ( I wasn't expecting much stunts at all from this franchise but it surprised me with the second movie which is filled with quite a lot of amazing quality stuntwork. From dog chases which feel like car chases but with animals to all the other acrobatic things that happened. I'm still amazed.)

Overall I think quite a lot of people will enjoy it and very few won't. Personally, after watching it this feels like not the greatest movie and not the worst one so it's somewhere in the middle around 7 out of 10. Would recommend to anyone but it wouldn't be my first choice as a family movie.

Babe: Pig In The City is captivating; a triumph. It's right up there with other subversive, surreal masterpieces like Delicatessen and The Cook, The Thief, His Wife And Her Lover, but in spite of what you might have heard Babe 2 isn't too dark for children, or for any older human. It's full of many wonderfully melancholy moments but it's not nasty. Above all Babe: Pig In The City is a triumph for gentleness and a plea on behalf of the marginalised; the weak in our community. It's one of the best films yet made and an ideal film for children to see.

What did Hollywood expect? Writer/director of Babe: Pig In The City, Australian George Miller couldn't be expected to roll over and produce a sweet (read merchandisable) sequel to the original Babe. He's far too human and thoughtful for that.

George Miller for heaven's sake has been intimately involved with The Mad Max Films, Lorenzo's Oil, Flirting, Dead Calm, Bangkok Hilton (TV), The Year My Voice Broke and The Dismissal (TV) a list that has no hint within it of a thoughtless panderer to the consumer society. The Witches Of Eastwick was the only aberration and Miller reportedly hated that experience, swearing to never work with Hollywood again, not on their terms anyway.

But then there was the phenomenon of Babe which made a fortune. Miller consented to do a sequel but demanded final cut and dismayed the toy makers when they found that Babe 2 didn't fit in with the money machine. So Babe: Pig In The City was dumped, with bad reviews generated probably from people who haven't even bothered to see it.

Babe: Pig In The City sees James Cromwell as Farmer Hoggett dumped (down a well) early in the film and the famous sheep-pig heading off to the city with Mrs Hoggett (Magda Szubanski) to earn some money to save the farm. The Pig gets separated from Mrs Hoggett and becomes aligned with a set of urban frightened animals who are threatened with being evicted from their homes. Babe saves the day by means of his sweet, giving nature.

This film looks wonderful. The same digitalised mouth movements to match speech are used as in the original movie. Similarly amazing animal training has the stars doing wonderful things as they tell the story and the sets are simply superb. The city is a composite of Sydney, New York , Paris, London and others with the copperplate ETERNITY graffiti well known by older Sydneysiders sitting gently above it all; an appropriately sensitive emblem for the world Miller has created.

Babe 2 is about innocence; about children. Some would say that the film is concerned with Animal Rights but I don't think it's drawing too long a bow to say that the film is commenting on the loss of power and self determination many millions are feeling in the western world as their jobs are disappearing. The lost, threatened animals in Babe have an aura of hopelessness, or at least helplessness before the bright and brave Babe shows them the way to assert themselves.

Babe: Pig In The City is also often very funny, very human, even if animals are the stars. It's an absolute must see for all animal lovers, of any age. And if you think it's too dark, well grow up. That's life.