Appuntamento a Brooklyn

Tim is a shy man who hasn't been with a woman in quite a while. Woo is a woman who is looking for her perfect man but has been played once too often. When a friend hooks them both up on a date things go wrong from the start when Woo feels that Tim is only after one thing. After that she drags him through a series of misadventures as he gradually loses patience.

I must admit to have taped this because of the presence of the lovely Jada Pinkett Smith. Ironically I watched this on the day that The Matrix Reloaded opened in the UK – I wonder will she be boasting about her presence in this film now that she has real hits under her belt. The plot here is almost an `urban' rehash of Blind Date, with Woo leading the mild mannered Tim to despair. However the majority of the film is poor and not very funny. The plot is very thin, so thin that it needs separate little subplots for the other characters just to sustain the running time. Sadly neither of the two `friends' subplots are any good at all and are either stupid or obvious.

The main `romance' between Woo and Tim is badly translated. At no time did you wish for these two to be a couple, even the `slow music during a thoughtful taxi ride' moment seemed to come out of nowhere and indicate that the film would be ended soon. To be honest other than Woo's body I could see no reason any man would want to be with her – certainly Tim could do a lot better, which kinda goes against the point of the film. Their episodic adventures raised a few small laughs for me but not enough to justify the time.

Pinkett-Smith is OK. Her looks are spoilt by a lipstick colour that doesn't suit her face and a general attitude that alienated her from an audience that she needed to keep. Davidson is better despite playing the same sort of character as he did in Booty Call, he has more of a knack for comedy and his character was easier to emphasis with than Woo. The support cast are all pretty poor whether it is Chappelle demanding his wife dress as a `chicken ho' or Martin, Heath etc being `dogs'. Cameos from LL Cool J and Foxy Brown do nothing to liven it up.

Overall I am not against urban comedies although many of them do tend to fall into lazy cliché that would border on the racist were they not produced for the very groups they stereotype. Here I had low expectations but was still let down., Very few laughs, very basic plotting and such poor characterisation that it was hard to like anyone in the film. Best avoided and very probably being tippexed off Pinkett-Smith's CV as I type this.

I should have known that this film wasn't going to be any good; the director made another film by the name of 'The Guru' which has the 'honour' of being the only film that I've ever rated lower than 4/10(!) The thing is with this film is that most of the time, you're laughing at it, instead of with it. Some typical examples of this are occurrences when the main character's friends, or indeed, any characters for that matter, talk in the way that they do. You'll instantly recognise the style; the typical 'gangster' accent which is actually more amusing than a lot of the jokes. Given the fact this film is made up of an entirely black cast, this method of delivering the dialogue is constant throughout and is, in my opinion, very annoying after a while. It's not 'Chris Tucker' annoying but it grates in its own way.

This film's setting takes a bit of a 'road movie' approach as it never lingers for too long in a certain place or setting, or at least that's how these single route journey's in film SHOULD take place. In 'Woo', the place of no return they set off from (the guy's apartment) right the way through to the final scene is crammed with ridiculous scenes in pretty generic settings and the frustrating thing is, is that they last for far too long and are far too unfunny to be appearing in a film which is listed under the comedy genre.

Incidences here include the farce that happens in an Italian restaurant, a rather pointless and unfunny scene in the next setting: a secret underground club which has the ability to hide its loud music RIGHT until you get up close and open the final door and also in a police station during which I can't even remember one joke. Other frustrating things include the use of slapstick early on and a rather irrelevant scene involving LL Cool J, whom the protagonist goes to visit for advice on: wait for it…..music(!) I think LL Cool J appears rather early/high up in the pre film credits yet lasts for about four minutes. Yes, it's ridiculous.

Romance? Yes. Drama? Probably. Comedy? Erm: No Chance. One moment in this film made me laugh and that was when a character went to switch off his car alarm, only to find the car gone and the alarm lying there, still in perfect working order. That's not enough, I'm afraid.

This movie was absolutely hilarious. Jada Pinkett Smith did a wonderful job and so did Tommy Davidson. It was funny the whole way through from beginning to end. Especially the part when woo and timothy were in the Italian restaurant! Woo is a beautiful woman who just wants to be free, and Timothy is a nerdy guy, with jerks as friends. Throughout the whole movie you'll see how they slowly come together and form a "special" kind of friendship. Ow, and there's a transvestite in the movie that's suppose to be one of Woo's really good friends. She's very, very funny. And so is Woo's cousn who goes out Lenny, whose Dave Chappelle. I recommend this movie to everyone who likes a good laugh.

"Woo" has a fine cast. Jada Pinkett has great charisma. Tommy Davidson is a fine comic actor, though he isn't too convincing as a straight-arrow law student. The film is written in sitcom format. The film consists of one implausible scene of conflict after another (especially at the Italian restaurant), desperate to find a punchline. Some of the scenes work. I thought the scene at the transvestite bar was hilarious. And I liked the little cameo by Billy Dee. That gave the film a touch of class. It's too bad LL Cool J only had one scene. I liked his smooth "mack daddy" character. But with a film like this, even though it's a comedy, your disbelief elevates by the minute and it just doesn't have a natural, character-driven flow. It forces itself upon the audience. And the third act is predictable and unconvincing. This is a film that could've been more than OK, if it had a little more wit and focus. If this is about a 1 or 2 dollar rental at your local video store--this is not a bad film to rent. Otherwise, I wouldn't recommend this one.

The premise of WOO centers around a mismatched couple who meet via a blind date . The eponymous Woo turns up at the flat of Tim who is a bit of nerd and a complete contrast to Woo . Right away you realise that this isn't a groundbreaking sex comedy and perhaps needed something to set it apart from other movies in the sub genre and there's nothing here that does

But what really ruins the film is the ethnic stereotypes and I don't think I've seen so many unlikely characters since watching black exploitation movies like SHAFT and Hit-man . The audience are really smacked over the head as to just how funky these black people are which will probably cause offence to black people and white liberals and will certainly irritate everyone else , so from having a movie that from the outset would merely have been very run of the mill we have a movie that is embarrassing . If you're going to populate a film with black people at least give them non stereotypical quirks