VALUTAZIONE IMDb
5,8/10
4732
LA TUA VALUTAZIONE
Un bambino di 10 anni va alla ricerca di Dio dopo la morte del nonno.Un bambino di 10 anni va alla ricerca di Dio dopo la morte del nonno.Un bambino di 10 anni va alla ricerca di Dio dopo la morte del nonno.
- Premi
- 2 candidature totali
Joseph Melito
- Billy
- (as Joseph Melito Jr.)
Recensioni in evidenza
An average drama of M. Night Shyamalan right before his most successful film. The film revolves around a 10 year old in search of God. Though some interesting parts are there, the film as a whole is little boring. It was a goosebumps moment to see the name of Indian cinematographer Madhu Ambat in the end credits.
What I initially thought of as a kiddie flick, I was pleasantly surprised to find 'Wide Awake' so much more (though I should have known better since it was written by the wonderful M. Night 'Sixth Sense' Shymalan).
The story of the film revolves around a little boy named Joshua who seeks to find God in order to ensure his dead grandfather is safe. Ten-year-old Josh is Catholic and an unflinching believer in his faith until the death of his beloved grandfather. Suddenly all Josh has been raised to believe in is thrown into turmoil as he finds his faith seriously called into question. He begins to wonder why God allows so much bad to exist in the world and, more importantly, what happened to his grandfather following his death.
The film is not just a story of faith but also of growing up and realising the world is not a simple place with absolutes, rather things may not always be what they seem. The ending, like 'Sixth Sense' does have a great twist that works so well and will leave even the hard-hearted feeling warm. Joseph Cross, as Josh, and Timothy Reifsnyder, as his best friend Dave, were able to carry the film at a first-rate level despite being so young. Cross portrayed Josh's innocence, his disenchantment with God, his love for his friends and family and the joy at his end revelation with the proficiency of a professional triple his age. His touching performances brought heart to the story. The adult actors in supporting roles, with Dana Delany and Denis Leary as Josh's parents and Rosie O'Donnell as the nun teacher, were decent yet understated as they, quite rightly, let the child actors shine.
One of the best things of this film is that although much of the cast are children, they aren't the typical annoying brats you see tend to encounter in Hollywood films. The storyline isn't sugary either. The interaction of Josh with his friends and adults around him were handled poignancy, especially the flashback scenes with his grandfather that portrayed their strong bond perfectly.
'Wide Awake' does make you wonder if ten-year-olds' can have deeper thoughts and views than adults give them credit for and I think many of us can empathise with how childlike wonder slowly gives way to adult insights as we grow up and leave childhood behind. This isn't a film just for the religious but those who are interested in a realistic depiction of a child's coming-of-age.
The story of the film revolves around a little boy named Joshua who seeks to find God in order to ensure his dead grandfather is safe. Ten-year-old Josh is Catholic and an unflinching believer in his faith until the death of his beloved grandfather. Suddenly all Josh has been raised to believe in is thrown into turmoil as he finds his faith seriously called into question. He begins to wonder why God allows so much bad to exist in the world and, more importantly, what happened to his grandfather following his death.
The film is not just a story of faith but also of growing up and realising the world is not a simple place with absolutes, rather things may not always be what they seem. The ending, like 'Sixth Sense' does have a great twist that works so well and will leave even the hard-hearted feeling warm. Joseph Cross, as Josh, and Timothy Reifsnyder, as his best friend Dave, were able to carry the film at a first-rate level despite being so young. Cross portrayed Josh's innocence, his disenchantment with God, his love for his friends and family and the joy at his end revelation with the proficiency of a professional triple his age. His touching performances brought heart to the story. The adult actors in supporting roles, with Dana Delany and Denis Leary as Josh's parents and Rosie O'Donnell as the nun teacher, were decent yet understated as they, quite rightly, let the child actors shine.
One of the best things of this film is that although much of the cast are children, they aren't the typical annoying brats you see tend to encounter in Hollywood films. The storyline isn't sugary either. The interaction of Josh with his friends and adults around him were handled poignancy, especially the flashback scenes with his grandfather that portrayed their strong bond perfectly.
'Wide Awake' does make you wonder if ten-year-olds' can have deeper thoughts and views than adults give them credit for and I think many of us can empathise with how childlike wonder slowly gives way to adult insights as we grow up and leave childhood behind. This isn't a film just for the religious but those who are interested in a realistic depiction of a child's coming-of-age.
When his grandfather dies, Joshua is left feeling lost and confused. Full of questions he begins to search for God in order to get answers. Turning to priests as well as other religions, Joshua is frustrated by his lack of progress but soon learns more than he thought on his journey.
Like many of those who have recently seen it, I was drawn to this film by the fact that Shyamalan directed it shortly before hitting big with Sixth Sense. The film isn't like his more recent straight-dramas with a twist, so beware what you expect; this is more a human story and, as such, it isn't totally successful. It delivers most of the story quite well, managing to be quite touching without ever really falling into daytime tv sentimentality, however something was lacking I felt. The overall story is worthy enough but that side of it never really touched me as much as I would have hoped and it could have been made more of - especially as the ending is focused on that aspect in particular. Also I needed more feeling for the relationship between Josh and his grandfather - the flashbacks were OK but didn't do enough to convey the depth of Josh's love nor the sheer loss he must feel.
Like he did in Sixth Sense, Shyamalan gets good performances out of his child actors. All the support kids are good but Cross is particularly strong and he does very well carrying the narrative. He really is the lead role and nobody else really gets close in terms of screen time. Given this fact I was surprised how many other famous faces were in small roles - O'Donnell, Leary, Loggia and Lauria; they are all OK but none really has more than a supporting role.
Overall, this film was nice but not great. The plot is an interesting one but it doesn't manage to satisfactorily conclude on all the mysticism and ideas that it puts forward. It is still quite a nice little story if you just look at it as a sort of coming of age story surrounding Joshua, but really it didn't quite go where I hoped it would.
Like many of those who have recently seen it, I was drawn to this film by the fact that Shyamalan directed it shortly before hitting big with Sixth Sense. The film isn't like his more recent straight-dramas with a twist, so beware what you expect; this is more a human story and, as such, it isn't totally successful. It delivers most of the story quite well, managing to be quite touching without ever really falling into daytime tv sentimentality, however something was lacking I felt. The overall story is worthy enough but that side of it never really touched me as much as I would have hoped and it could have been made more of - especially as the ending is focused on that aspect in particular. Also I needed more feeling for the relationship between Josh and his grandfather - the flashbacks were OK but didn't do enough to convey the depth of Josh's love nor the sheer loss he must feel.
Like he did in Sixth Sense, Shyamalan gets good performances out of his child actors. All the support kids are good but Cross is particularly strong and he does very well carrying the narrative. He really is the lead role and nobody else really gets close in terms of screen time. Given this fact I was surprised how many other famous faces were in small roles - O'Donnell, Leary, Loggia and Lauria; they are all OK but none really has more than a supporting role.
Overall, this film was nice but not great. The plot is an interesting one but it doesn't manage to satisfactorily conclude on all the mysticism and ideas that it puts forward. It is still quite a nice little story if you just look at it as a sort of coming of age story surrounding Joshua, but really it didn't quite go where I hoped it would.
I came upon this movie purely by accident when it was being shown on cable, and found myself riveted to my seat, not wanting to miss a minute of it. The performance by Joseph Cross was captivating, but what was even more compelling was the story itself. I was constantly trying to figure out how it was going to end.
The ending turned out to be a real surprise, but I was also impressed by the portrayal of boyhood that the audience receives in the process of getting there. It was so true to life that I found myself wondering how much of it was based on the film writer's own experiences. Above all, I was impressed by the amount of respect the movie seems to have for boys, and by its willingness to recognize that 5th graders sometimes think deep thoughts and ask deep questions.
The ending turned out to be a real surprise, but I was also impressed by the portrayal of boyhood that the audience receives in the process of getting there. It was so true to life that I found myself wondering how much of it was based on the film writer's own experiences. Above all, I was impressed by the amount of respect the movie seems to have for boys, and by its willingness to recognize that 5th graders sometimes think deep thoughts and ask deep questions.
This was the first film written and directed by M. Night Shyalaman, who would go on to make a film called "The Sixth Sense" a few years later. They're not exactly the same genre of movie, but they both have a very similar feel to them, in both dialogue and overall tone & pacing.
This movie was a lot of fun to watch, and worth the rent, if you can dig it out of the children's section at your local video store (it's rated PG). Good performances from all, with maybe only 1 or 2 scenes giving themselves away, something "The Sixth Sense" wasn't guilty of at all.
That said, it's worth something as a milestone, as well... compare the early works of David Fincher or even Ron Howard, and notice how they got better as they went along, making more movies. This movie is a solid B+, with The Sixth Sense being the obvious A. We can only guess what "Unbreakable" may hold for us.
Great actors and writing in this one, regardless. It is very much the story of young Josh and his search for God, and is not at all a Rosie O'Donnell movie as you may have been led to believe. Well worth watching. Denis Leary never looked so nerdy.
This movie was a lot of fun to watch, and worth the rent, if you can dig it out of the children's section at your local video store (it's rated PG). Good performances from all, with maybe only 1 or 2 scenes giving themselves away, something "The Sixth Sense" wasn't guilty of at all.
That said, it's worth something as a milestone, as well... compare the early works of David Fincher or even Ron Howard, and notice how they got better as they went along, making more movies. This movie is a solid B+, with The Sixth Sense being the obvious A. We can only guess what "Unbreakable" may hold for us.
Great actors and writing in this one, regardless. It is very much the story of young Josh and his search for God, and is not at all a Rosie O'Donnell movie as you may have been led to believe. Well worth watching. Denis Leary never looked so nerdy.
Lo sapevi?
- QuizDue to the heavy-handed post-production influence of Harvey Weinstein, this film appears on a 2017 list in The Telegraph entitled "Harvey Scissorhands: 6 films ruined by Harvey Weinstein."
- BlooperDuring the girls' ceremony, Hope's rose changes from one more fully open and blush colored, to a more tightly closed, whiter bud.
- Citazioni
Joshua A. Beal: I'm going on a mission. A real mission.
Dave O'Hara: What kind of mission?
Joshua A. Beal: The kind where you're looking for something important.
Dave O'Hara: What're you gonna look for?
Joshua A. Beal: God.
Dave O'Hara: God? What for?
Joshua A. Beal: I just want to talk to him.
Dave O'Hara: Why?
Joshua A. Beal: To make sure my grandpa's okay.
- Colonne sonoreThis Ain't a Song (It's a Prayer)
Performed by John Carbo
Music and Lyrics by John Carbo
Published by Kingmaker Music (BMI)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Wide Awake
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 282.175 USD
- Fine settimana di apertura Stati Uniti e Canada
- 95.875 USD
- 22 mar 1998
- Lordo in tutto il mondo
- 282.175 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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