Aggiungi una trama nella tua linguaAfter a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during th... Leggi tuttoAfter a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during the 184 seconds that she lay dead, something latched on to her and came back into her world.... Leggi tuttoAfter a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during the 184 seconds that she lay dead, something latched on to her and came back into her world. The nightmares and visions that follow only crystallize her belief that she should have d... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
- Social Worker
- (as Siri O'Neal)
- Coroner
- (as Stephen MacDonald)
- Smart
- (as Nicolas Van Schlippe)
Recensioni in evidenza
Generally, I don't go in for these kind of movies and it was curiosity of Billy's previous work that got my attention. But it was the story that kept me watching.
It turned out however to be a very effective piece of film making which works just as well as social realism as it does as a genre film. The central performance, given by a young non-actor, possesses a raw, natural quality which helps to ground the film's supernatural aspects in a very well observed reality. Stephanie Buttle as the girl's mother is a real find as well, having to work hard against her natural beauty to make her portrayal of a dirt poor single mother convincing. Less impressive are the star turns. Billy Boyd is an ineffectual, stuttering gangster and Jason Connery (a questionable piece of stunt casting) does little with his role as a shady tabloid journalist. The film works hard though to create a believable locale, a Glasgow tower block, and succeeds totally. The film makers have clearly taken the Robert Wise 'Haunting' approach to depicting the ghostly activity and for the most part it works. These scenes could have done with being a little scarier perhaps but a bizarre seance scene does unnerve. Most impressive of all though is the fact that Urban Ghost Story was made for a reported £250,000. For that money they have created an atmospheric film which feels cinematic, complete with a jaw dropping explosion and stunt work. If only more British low budget film making was this adventurous. I am surprised to see that the director has not made a film in the six years since release whereas Merchant Ivory (whose films have gone largely unwatched since Remains of the Day) get money thrown at them. I only wish that more film makers like Ms Joliffe would emerge to shake up the British film industry.
The content and atmosphere of the film does not adhere to the title whatsoever. You would be expecting Snoop Dog and Dr Dre driving around in cadillacs killing vampires. But no, instead a gritty Ken Loach style drama set in lovely Glasgow! I was very impressed overall by this effort, although the spiritualist and paranormal team from the university seemed a bit over the top with the more realistic view elsewhere. Otherwise it was neatly paced with a few creepy moments and a very moving score. I would recommend this film to any film watcher and not just paranormal junkies!
It's a descent ghost story, nothing special. Good acting though.
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- Citazioni
Loan Shark: Throw that wee bitch over the fuckin' balcony!
- Colonne sonoreVesti La Giubba
from "I Pagliacci"
Composed by Ruggero Leoncavallo
Licensed from Electrosound - Selected Sound Carrier
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Inkräktaren
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 500.000 USD (previsto)
- Tempo di esecuzione1 ora 22 minuti
- Proporzioni
- 1.66 : 1