Svolta pericolosa

After reviewing the comments found here, I find myself wondering if the film I've seen four or five times could possibly be the same one described in several of the reviews here. "Thinly disguised agendas, unrealistic plot lines, uncertain performances." I don't understand the issues here.

Traveller is a fine movie, worthy of much wider exposure than it ever received. The performances by Paxton, Marguiles and Wahlberg are all top notch, and rate among the finest work I've seen any of the three produce. James Gammon's performance is a tremendous character piece and even those who don't like "Traveller" should watch that with spellbound interest. (Ebert's Stanton-Walsh rule should apply here.) The script could use a little tightening in places it's true. And I will agree that I would have liked to see more of the back woods life, but that's a selfish interest and not something that was integral to the success of the film. We see that old home life in every shade of Paxton's performance. He carries it with him constantly, only letting go of it in brief moments with Marguiles.

Wahlberg's performance is described elsewhere as "uncertain." In my mind, that's the point. Pat is uncertain. That's the performance. That's the character. That's acting. He never knows where he stands. He rarely if ever knows what he wants, let alone what he'll be able to possess.

This movie tries to be a lot of things. And it succeeds in most. It is a road movie, a romance, a con, a story of failed redemption and more. It's a North Carolinian mafia movie. Sure it's not "The Godfather." But it ain't "Mobsters" either.

The smooth scams and chemistry between the actors in this film work well. The rest, not so much. I'm a sucker for movies about con-men, and the tricks they pull in this movie seem both original and believable. But despite fine acting and an interesting backdrop, you just keep getting the feeling that a lot of stuff was thrown together while the script was being written. Both of the quasi-romances are hard to buy, and the ending seems like a scene from the "Death Wish" series tacked onto a character study. Probably worth checking out, but not a great movie.

To satisfy one reviewer's curiosity: These people do exist, or at least clans like them exist. There is a well-known Scottish clan who are con artists, doing roofing jobs, driveway sealing, etc. that are no good. They gather yearly in Cincinnati, OH at which time the local media warn people to beware of them and their "work". Their graves are marked by rather gaudy headstones and monuments in Cincinati's Spring Grove Cemetery. The cemetery has been the resting place of prominent cincinnati families since the 19th century. I first was told of these people (perhaps the name of the clan is MacDonald) when I was shown the cemetery many years ago. Their red granite monuments stuck out like sore thumbs amongst the more sedate ones of proper Cincinnatians. As to whether an Irish clan of travellers exists, I do not know, but the Scottish clan does. As to the movie--Nice, small film. Nice work by Bill Paxton and Mark Wahlberg.

This was totally interesting to watch, but it needed two things: (1) to be based in some kind of reality; (2) to have a conclusion for the characters. In the picture, you see Marky Mark getting into a romance with the daughter of the capo di capos, but absolutely nothing comes of it. And what happens to Bill Paxton's girlfriend. And even the scheme for the counterfeit bills, which should have been crystal clear, did not hold together.

And who are these people? I get the feeling that the filmmakers were trying not to call them gypsies or roma--fear of offending an ethnic group. Rather, they seemed to be some combination of Irish and Italian. But the movie would make more sense if it were clearly grounded in a real group of people.

But, that said, I still enjoyed every minute of it. It just ended too soon.

Interesting premise and concept about con-men seemingly conning their way through different families in order of paying off depts. This may be worth the watch for fans of the cast or though enjoying watching con-men work.

Although nothing completely memorable, the story isn't too bad. There are of course it's cliches and some scenes of predictability, though also some rather twists. It is quite a standard film but enjoyable at times to say the least.