Smoke Signals

Smoke Signals (the efforts of Sherman Alexie, Chris Eyre and the cast of fabulous actors) shows in rich, humorous detail what life is like for young Indians today. It is an insider's view of reservation basketball games and the rituals of frybread. Its characters don't bring themselves (and the story) down with self pity. Instead they look to the lighter side of history with references to Columbus and Gen. Custer. The story is simple. Two young men, Victor and Thomas, embark on a trip to Phoenix to retrieve the ashes of Victor's father. Victor is angry at his father for leaving his family and angry with himself for the grudge that he carries. Through the help of Thomas and his father's final friend Suzy, Victor is able to find resolution and peace. The acting, particularly Gary Farmer as Arnold Joseph (Victor's father) and Evan Adams (Thomas Builds-the-Fire) are outstanding. In fact, I had to see it a second time to catch all the plot because Evan Adams completely stole the show for me!

As babies, Victor and Thomas survive a housefire that kill many others; their bond appears to be born of fire but years later they have drifted apart. They both still live on the reservation but Victor has become more of a jock and Thomas is the bespectacled geek that he has been since childhood. When Victor's absentee father dies, he plays to travel to the funeral but has not the resources to do so. Thomas offers to help pay for the trip on the proviso that he is allowed to come along with his friend. Victor accepts but prepares himself to be annoyed for the whole journey. However for every moment where their nonexistent friendship is stretched, they grow closer.

Although it is an independent film and produced entirely by an ethnic minority, the plot for this film is fairly straightforward and not anything that is worth hunting out just for that. However it is the delivery, writing and charm of the film that makes it worth seeing and makes it as enjoyable and engaging as it is. Never taking itself too seriously and even poking fun at the ethnic stereotypes we would expect to have found the film's charm relies heavily on its characters to bring it off. The natural writing helps and produces dialogue that flows convincingly even when the story isn't all you could have hoped for. The direction is equally as assured and aids the film by giving the whole thing an accessible and down to earth story.

The cast are a strange mix of people I've never seen and Indian actors who are in everything. Beach is impressive and natural and he makes his character more than just a jock sort of role. Likewise Adams is enjoyable even if he is a little annoying and he is more than just a geek. Bedard is as charming as the film itself and is gorgeous with it – she carries a lot of the emotional weight of the film and she does it well. Farmer is a presence as usual and does well in flashback while support from people like Skerritt adds something if not a lot.

Overall this is not a flawless film but it covers any problems by being charming and enjoyable. The cast take to the writing and deliver natural and likable characters who become the focal point of the film and carry the audience along. Sure it pushes all the "quirky independent film" buttons but it is no less enjoyable for it.

"Smoke Signals" is one of the most unique movies I have ever seen. From the combinations of stories, characters, and filmmaking. The acting in this movie was witty, funny, serious and heartbreaking all at the same time. Even though this is a movie about Native American culture, it is a movie that talks to everyone no matter what there ethnic background may be. I am of Italian heritage but this movie still got to me. It tackles issues of family, culture, and tradition as well as friendship. The acting is this movie is superb and the filmmaker's shots and different ways of filming scenes and how each one flowed into another was amazing. In school we had to read some stories by Sherman Alexie and then we watched the movie. If it weren't for my English teacher I may have missed watching one of the most brilliant independent films ever made.

Despite Leonard Maltin's comment that Smoke Signals is "basically unexciting film-making," I found this movie deeply spiritual without being heavy-handed. The aspect of the film that captured my interest and has stayed with me is the story-telling of Thomas. The stories mingle simple, real-life recollections with fantasy, and the voice of Thomas subtly gives the movie a transcendent quality. Thomas is a modern-day medicine man, grounded in reality yet open to possibilities. He marvels at the beauty of the creation that surrounds him and dreams of what new wonders the future might bring. He is hope.

I intend to view this film many more times. It deals with tragedy without being tragic. It recognizes the sometimes brutal facts of reality without allowing brutality to define. It reveals sadness but not as an end in and of itself. It asks questions but leaves the answers to the viewer. And it affirms that there are answers and hope.

This film did not get the attention it deserved. When I first heard about a film made by Native Americans, I was afraid it would be an exercise in political correctness. But the ethnicity of the characters took a back seat to the universal themes of friendship and learning to come to terms with one's past. This is one of the greatest "buddy movies" ever made. A couple of years after I saw it I drove through the American Southwest for the first time, and images of the film kept coming into my head. This is a film which really stays with you.