VALUTAZIONE IMDb
6,7/10
2513
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA scriptwriter comes to Paris to work on her film. There she takes up tango lessons and forms a relationship with the dancer.A scriptwriter comes to Paris to work on her film. There she takes up tango lessons and forms a relationship with the dancer.A scriptwriter comes to Paris to work on her film. There she takes up tango lessons and forms a relationship with the dancer.
- Nominato ai 1 BAFTA Award
- 3 vittorie e 1 candidatura in totale
George Antoni
- Photographer
- (as George Yiasoumi)
Recensione in evidenza
I have read a lot of commentary on this film. Then I went to the director's website (Sally Potter) and I read her comments.
I was so into this movie. It started out slowly and I wasn't sure if I was going to stick with it. But as it went on, I was totally drawn in. I love the fact that the director chose to film it in black and white which only added to the artistry of it. I loved the fact that she as the director, and making it autobiographical, allowed us (the audience) a peek into her creative process. I also love the fact that she courageously placed herself into the hands of another artist to learn the tango. I was impressed when I read that Sally Potter had a background as a dancer so it came naturally to her to appreciate and learn the tango.
This movie impressed me on many levels because as a creative talent it takes courage to cross over into the world of another artistic discipline (how easily could a dancer cross over into the world of a film director? you see my point). Or maybe that's not a fair comparison. But to me its literally a case of walking a mile in another man's shoes. Perhaps we find it easy to stand on the sidelines and criticize the work of an artist (be it an actor, director, dancer, writer, etc.) but is it hard to come up with creative visions? Not bloody likely.
I viewed this film as a metaphor for life, relationships, artistry, etc. all of which had parallels in the film. If this sounds too deep, it is, believe me! I saw all of this and more in this film.
It also felt as if Sally Potter is going through an autobiographical and artistic midlife crisis in this film which has given me courage to put myself on the line autobiographically and artistically. There was some criticism that she should have cast someone else in the title role, but when you can't see anyone playing yourself, but yourself, how can you answer even this kind of criticism?
Bravo Sally! I appreciated the peek you gave the audience into your creative process.
I was so into this movie. It started out slowly and I wasn't sure if I was going to stick with it. But as it went on, I was totally drawn in. I love the fact that the director chose to film it in black and white which only added to the artistry of it. I loved the fact that she as the director, and making it autobiographical, allowed us (the audience) a peek into her creative process. I also love the fact that she courageously placed herself into the hands of another artist to learn the tango. I was impressed when I read that Sally Potter had a background as a dancer so it came naturally to her to appreciate and learn the tango.
This movie impressed me on many levels because as a creative talent it takes courage to cross over into the world of another artistic discipline (how easily could a dancer cross over into the world of a film director? you see my point). Or maybe that's not a fair comparison. But to me its literally a case of walking a mile in another man's shoes. Perhaps we find it easy to stand on the sidelines and criticize the work of an artist (be it an actor, director, dancer, writer, etc.) but is it hard to come up with creative visions? Not bloody likely.
I viewed this film as a metaphor for life, relationships, artistry, etc. all of which had parallels in the film. If this sounds too deep, it is, believe me! I saw all of this and more in this film.
It also felt as if Sally Potter is going through an autobiographical and artistic midlife crisis in this film which has given me courage to put myself on the line autobiographically and artistically. There was some criticism that she should have cast someone else in the title role, but when you can't see anyone playing yourself, but yourself, how can you answer even this kind of criticism?
Bravo Sally! I appreciated the peek you gave the audience into your creative process.
Trama
Lo sapevi?
- QuizIn the bathtub scene, she is reading "I and Thou" by philosopher Martin Buber.
- Colonne sonoreMilonga Triste
Composed By Homero Manzi, Sebastián Piana
Performed by Hugo Díaz y su Conjunto: Hugo Díaz (Harmonica), Omar Murtagh (Double Bass), Roberto Greta (Guitar), José Colángelo (Piano)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- The Tango Lesson
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Lordo Stati Uniti e Canada
- 1.080.192 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.752 USD
- 16 nov 1997
- Lordo in tutto il mondo
- 1.080.192 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Lezioni di tango (1997) officially released in India in English?
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