Lo straniero che venne dal mare

The British have dedicated themselves lately to film their wonderful 19th century novels: Jane Austen, Thomas Hardy, and have come now into the 20th for a Joseph Conrad short story with a strong 19th century flavor. It's their answer to the special effects-oriented Hollywood film. And they are catering to the older audiences, those who care more for story values and literary qualities than for the display of technical advances in films. Any one who cared for Sense and Sensibility, The Return of the Native and Persuasion, will have a real feast in Swept from the Sea. The Conrad story is beautiful, and the adaptation is intelligent. A memorable musical score by John Barry, the breathtaking photography and the magnificent scenery are real assets for those who pursue an esthetic experience in the movies. Old fashioned? Perhaps. But the emotional experience is second only to that of Wuthering Heights, which it resembles in certain secondary aspects. Forget the unfavorable reviews you may have read, practically all of them oriented toward teenagers. Swept from the Sea is a film for mature audiences.

This movie is excellent. I knew the cast was good, and in fact all the performances are first class, but the story and the scenery are equally inviting. I caught this on a wet afternoon, and I was totally drawn in. Well worth watching, my only quibble is with the sound, which is too quiet during speech passages and too loud during the music and sound effects.

I rented this movie because I was trying to watch as many Rachel Weisz movies as possible (inspired by her acting in The Mummy Returns). I must say this movie is a gem I would have otherwise missed. I think this movie is all about subtlety of character. The whole enigma around Amy Foster exists only because people don't appreciate the subtleties of her personality and interactions with others. As Dr. Kennedy says in his narration, her silence was not out of inaction or stupidity; rather it was a way of communicating either disdain, disinterest, or disapproval for how others were treating her. Amy's main way of communicating, aside from her silence, was through her eyes. Even though Yanko learned to speak English, he also appreciated and learned to communicate in Amy's own language. I liked Vincent Perez's acting in this movie. His Russian accent was pretty authentic. The other British accents seemed to be mixed between various regions. I'd say this is probably the best acting I've seen out of Rachel Weisz in the five of her movies I've seen. However I notice that those expressions which I felt were so striking in this movie for this character are rather stereotyped expressions that she uses in general. I don't know whether that is what the directors are looking for or if this is one of the few acting flaws that Ms. Weisz might yet overcome. Overall score: 8/10

I awoke early in the morning to by chance catch this particular movie. Or more so it caught me. This beautiful story of powerful love is quite the heart-wrenching story of tragedy, and in many ways a more powerful image of what you can endure for love, and what love can endure. If I can say nothing else, I would like to say I'm glad that I was allowed the opportunity to watch it. Ian McKellen as always created a spectacular character. His character, Kennedy, is the physician in the town that the main character Yanko washes up on. Kennedy is thoughtful and well presented. Another example of these magical characters within this story is Miss Swaffer, played by Kathy Bates. Its as if the people playing these character have a real love for the story, making them appear more than just two-dimensional figures, but real living breathing people.

I caught this movie today by chance, it was a quiet Sunday so i gave it a chance. The beauty of the landscape is matched by Rachel Weisz. Vincent Perez has the most kind eyes that completely draw you in. Their passionate love affair leaves you absolutely breathless. Ian McKellen shines. His portrayal of a man scarred from and scared of love is tremendous. The look in his eyes near then end when he realizes that he was wrong about Weisz's character is filled with anguish and regret. Perez is a perfect gentleman in every respect, even when he comes up against the harsh and cruel opposition of the people in his new home. You not only feel for him in his anguish but feel with him. This movie sticks with you afterwords. It makes you feel beautiful and you ache with the characters. Highly recommended.