Sweethearts

While this movie sports an all-star cast of some of my favorite comics (more Cho please), this is a DARKLY comic look at urban loneliness as well as the loneliness implicit with mental illness. The script starts out humorously enough with Jasmine (Garofalo) answering a personal ad and messing with the respondee at an espresso shop (run by Cho and Goldthwaite) named the Asylum. The name is apt because it becomes more and more obvious that Jasmine is not a happy puppy. I will not go on and spoil it but be warned that this is not a "happy' movie. There are funny moments but the overall tone is pretty dark if not depressing at times.

I am a HUGE Janeane Garofalo fan ( as well as Cho and Goldthwaite) and rented this with the expectation of having a good laugh and a smile. I must tell you that this not the movie for that. I don't think it's a bad movie but... damn... this is NOT a funny movie.

The idea is very interesting, and Janeane is downright brilliant. And I don't even mind how depressing it is. But halfway through I was ready to shut it off. If not for Janeane, I would have. I found the dialogue very unrealistic. And the fact that Arliss falls so hard for a woman who insulted, tricked and threatened him is very bizarre. I think Jasmine's comments at the end, on the phone, were right on. He had a White Knight thing going on. And what was the point of Bobcat's character always nipping off to the john for some self-gratification? I wonder if Janeane and Mitch were still a couple when this movie was made? That aspect made it interesting, but overall I wouldn't recommend this movie. I am waiting for Janeane to use her immense talent in a movie that will be better than just her performance.

But this film bites the proverbial big one other than those funny bits. This film like so many other wannabe edgy indie films needed its script run through the old typewriter again. Janeane Garofalo is a whinny, annoying feminazi heifer frequently in her films, stand up, and life as well I would imagine and she is in this film too once again.

But her one saving grace is that she is very cute. And she is a good actress. She kinda looks like Kennedy from MTV in those librarian glasses she sometimes wears. Or maybe the Adrienne Shelly character in the great Hal Hartley film 'Trust'. The glasses are missing in this film, so that's a strike against it for me.

Bobcat Goldwhatever his name is does have some funny masturbation scenes though. But the arty red lighting in a lotta the scenes of this film has GOT to go. For die hard Garofalo fans only!

This film was not what I expected at all but I enjoyed it immensely. For those who may have been misled by the previews, please take note that this film, although funny at times, is not a romantic comedy. It is a study of people, most of whom are at their most vulnerable points in life. The film is also quite real in its portrayal of Jasmine -- a bi polar manic depressive planning to commit suicide -- and Arliss -- a man who only wants to find his Miss Right. His encounter with Jasmine truly changes his life as their story will change yours.

This film showcases the brilliant skill of Janeane Garofalo. This actress/comedian continues to delight me in every film she does (She was the only thing good about 'Clay Pigeons'). I was also quite impressed by the performance of Mitch Rouse, who I have only seen opposite Janeane Garofalo in 'The Truth About Cats and Dogs'. He was the man so smitten with Uma Thurman that he courageously battles a bee in a coffeeshop. His portrayal of Arliss was so touching and realistic that you got angry at him every time he displayed a loathsome male characteristic and wept for him when he expressed his feelings for Jasmine.

If you feel like a moving character study about people who could be real and at the table right next to you in your local coffee house, rent this film. You will not regret it.

By all rites, this movie should have been crap. Low budget, questionable production values, B-Movie trailers on the video tape, etc.

A well developed script delivered by superb actors bootstrapped this movie out of its own mediocrity into something truly substantial. So nice to see a film about manic depression that doesn't sensationalise the disease, shy away from its realities, its highs and lows, and doesn't throw itself a pity party.

And then of course there's Janeane Garofalo as lead and film producer who, I imagine, could *sneeze* brilliantly if she wanted to.