Subway Stories - Cronache metropolitane

I do regret a little that I bought it without seeing it first. Some people might really like the style of those short stories, others might not. People who tend to like reading short stories would definitely enjoy most of them.

If you are an (amateur) filmmaker yourself or have worked on low budget productions, I guess you would really appreciate it. Some of those stories are constructed very clever, it is amazing how they turned everyday situations into something special in so little time.

If you have happened to see the September 11 short stories you might know why I expected a little "more".

HBO started this out as a contest for people to submit stories of their real-life experiences on the New York City subway and then chose ten stories to put to this film. Some excellent actors and directors were chosen to perform in this film, which is a series of vignettes. As a result of all these talented people being involved, the film is very easy to take and sometimes entertaining. There are some moments of wit as well as a few moments of drama which are memorable. Also, "Subway Stories" creates a believable experience even in the midst of stories that sound improbable at times. None of the stories are all that bad. The trouble is that no part if this film is all that exciting or compelling. Maybe the problem is that there are so many stories that the viewer doesn't have the time to become involved in the characters and their problems. Also, many of the characters show little common sense and as a result, their dilemmas are exasperating. I suppose this is worth watching if one is intrigued by the idea. It's certainly painless to sit through. It's just that given the fascinating premise and the impressive array of talent gathered, it should have been much better.

Like the few other viewers of "Subway Stories: Tales from the Underground" who bothered to comment on this wonderful HBO "indie" film, I came upon it by chance (well, channel-surfing to tell the truth) and immediately became enthralled. A series of shorts held together by the NYC subway setting (obviously), by a wonderful framing device that brings the work to a highly satisfying and affirmative conclusion, and by a shared sense of found life, the effect of the whole is even greater than the individual parts although some of those were unforgettable.

Each of the stories were, like life, completely unpredictable and most were left open-ended: Was the stock-tipster (Jerry Stiller) a con-man or an unacknowledged financial genius? Was the beggar (Dennis Leary) a bitter Vietnam Vet or the cynical system-beater he was accused of being by the Lady in the Red Shoes (Christine Lahti)? Would the pregnant woman (Anne Heche) jump into the oncoming subway and would the calloused New Yorker with the headphones (Gregory Hines)notice, care, try to stop her? I could never guess any of the resolutions or stop wondering about their significance.

The structure of "Subway Stories" is somewhat analogous to the loosely connected short stories in Joyce's collection, "Dubliners." Each segment is a little slice of life that builds not to a rousing climax, but to an understated epiphany in which either we, a character, or both share a moment of truthful revelation. Although not all the stories are equally developed or intriguing, the whole production is characterized by first rate ensemble acting and direction. There's some great music too.

I love short story films, especially when, of one particular theme, they are connected to satisfy a feature length running time.

Like taking any subway/underground/metro train, with Subway Stories, if you don't like one particular story, wait a few minutes and a better one will come along.

Of course everyone will have their particular favourites, but for me

Fern's Heart of Darkness, Sax Cantor Riff, Manhattan Miracle, Love on the A Train, and Underground were simply original and wonderful.

I'm English and lived in London for four years so these types of stories are not exclusive to New York.

Where there are people, there are possibilities.

The New York Subway is not just a transit network: it's also a place where all sides of that city's racial divide come together, albeit not necessarily in harmony. Even I have a collection of several Subway stories, and I was only in New York for 4 days. So the idea of making a film based on the true experiences of Subway users might not appear bad. But a collection of separate short films (each by a different director) always runs the risk of going nowhere, of offering underdeveloped plots and scenes that are meaningless without context: most of these stories end undramatically when someone simply gets off the train, and feel no more exciting or complete than the tales that I sometimes bore my friends with. Unsurprisingly, perhaps, my favourite segment is 'The 5:24', which develops a proper narrative despite fitting the overall pattern of chance encounters on brief journeys. Overall, however, 'SUBWAY stories' mainly reflects its subject matter: diverse, functional, but not exactly a place you'd choose to be without a very good reason.