Suburbia

I'm not big on comparing movies, so in watching this movie I abolished the fact that some of the same people who worked on Dazed and Confused did this movie. Depending upon what you expect of this movie determines what exactly you will think of it impressionably. Suburbia is a comedy, but more so a strong story delivered by great actors. Its moral is one of those undefined feelings that will never truly be diagramed, and then again that's not its point. Suburbia unleashes characters that are filled with life and dimension beyond the threes' parallel. It's a story about not caring, about doing, and becoming. It leaves you with a decision in your own self. Deep for a comedy, but simply an excellent movie!

Linklater is treading in some of his familiar water ... one night in the night of a group of adolescents dealing with that difficult period at the end of high school, when one stops being what one must be and starts being what one chooses to be.

This film is not "Dazed and Confused", however, except that the two films share a spot-on accurate portrayal of familiar American characters. This movie is darker, preachier, deeper.

This time, instead of the rituals of the last night of high school, the film centers around the return of a former crony who has made it really big as a rock star. He's their friend, and the nicest guy in the world - just a former geek who struck it big and realizes how lucky he is - nobody could hate him.

And yet some do. Some hate him because he is a winner in the roll of the dice, and several of the gang are on their way toward becoming losers, and they know it. Their life consists of hanging around outside a convenience store.

For all its concern with the accuracy of its portrayals, the film has a curiously innocent denouement. The most simple and naive members of the group end up heading off to look for their dreams, and the cynical and jaded can see that their lives will repeat infinitely in their home town. In a sense, the succcess of the gentle stoned guy injects an almost impossible hopefulness in an otherwise despairing ending. As Graham Greene once wrote, baseless optimism is so much more appalling than despair.

Still, that was the choice of the filmmaker, and it wasn't an unfair one. Sometimes things do work out like that in real life, and this movie is all too close to real life. So close it can make you feel uncomfortable when you see yourself reflected in one character or another.

This and "Dazed" establish Linklater as an outstanding filmmaker with an uncanny eye for real situations and characters. One hopes he will soon realize his great potential with something better than The Newton Boys

This is a great story with a great cast of indie icons. Giovanni Ribisi does a convincing and sensitive portrayal of his troubling character and Steve Zahn continues to satisfy with his venue of off-the-wall characters. Indie queen Parker Posey pops up halfway through the movie, and even though, she's not in it that much, she still maintains her magnetic screen presence. Eric Bogosian's dialogue is a key element to making this film fantastic.

If you like 90 minute movies (over the course which each character becomes a better person), characters with whom you can deeply sympathize, complete resolution of all conflicts, and happy endings, don't rent this. subUrbia is too harsh, too honest, and too painful.

Ribisi and Katt are amazing. Katt was great as the wisecracking "Stacy" in the movie The Limey, a role similar to his in subUrbia (Tim). Overall, the characters are too angry, poisonous, and disillusioned to be likeable. I didn't find this to be a bad thing, however.

Adding to the numbing ache of the movie is the fantastic score- Sonic Youth's droning guitars and a nihilistic soundtrack all add to the depression in Linklater/Begosian's Burnfield. Enjoy. Or not.

Always having been a fan of Richard Linklater's work, it confounded me that his film after indie darlings Dazed and Confused and Before Sunrise has never been released on DVD. SubUrbia is the kind of movie you hear that fans of his work love, but never found a place in cinema history. Flipping through the movie channels on TV, I happened across the film and could not stop watching until it was over. Much in the same way as his other work, the movie is dialogue driven and concerning a small group of people talking about life and what comes next for them. He has compiled a very nice cast, all of who take their character and roll with it. It is a scary thing, post high school, deciding what to do with one's life. Having been stuck in the suburbs for so long, one begins to wonder if they can survive outside it.

The compelling thing for me in Richard Linklater films is the general waxing philosophic feel they all seem to have. These are kids that are college age who have things to talk about, questions to have answered, and are not afraid to ask them when they are surrounded by those they trust. This group of friends is caught at a crossroads, not knowing if what they are doing is the right way to go. Many have tried their hands at something, but ultimately gave up to continue loitering around their corner convenience store. When one of their friends, who found success in leaving the small town of Burnfield becoming a rockstar, happens to come home for a show, the group's equilibrium goes off-kilter as they face what could be. Some feel that if they had applied themselves they could have been successes as well, while others see the shell of a man their buddy has become after being sucked into the machine. The return home opens everyone's eyes to the situation they are in and for better or worse changes the way they decide to continue living their lives.

While a drama, there are many funny scenes. When a few of them begin talking about the reason Pony became a rockstar, to be able to tell the world his thoughts, to have someone listen to him, they say how rough it is to feel like no one can hear what they are saying. Through the entire conversation Giovannu Ribisi's Jeff is trying to be heard chiming in with his own ideas. The irony of the situation may be a bit heavy-handed, but it is also very true to form. Ribisi shines in this role as an intelligent youth who has never applied himself, always being content with hanging around his troubled friends. He soon realizes that the freedom he has is more important than selling out for fame and fortune, it is the people he cares about that keep him going, not the material things in life he could have. Steve Zahn is again brilliant in one of his earlier roles. He plays the idiot comedian to perfection while also evolving into someone who uses his cheery disposition for success. You begin to see that he knows exactly who he is and is in control at every moment. It's a shame he now only gets roles that are one-dimensionally that stupid guy there for laughs. It is also a pleasure to see Office Space alum, Ajay Naidu in a good role, touching on the bigotry of American small town life. The success his character is having, while not being American, prays on the jealousy of those who feel their heritage should entitle them to happiness. The lazy toughs around town would rather pick on the foreigners for working hard instead of doing the time themselves.

Rounding out a very good cast is Dina Spybey and Nicky Katt. Spybey is great in a tough role. She is the lackey friend of one of the main group members and tries to fit in. It seems that every time she begins to connect, she is ultimately left alone. The depression her character feels comes through at all times; the despair of someone that troubled around you without knowing how to help is tough. There is so much going on this night that her anguish gets pushed aside until there is no turning back. Then there is Nicky Katt who makes the film. He is an intellectual trapped in the body of a jock who has partied and been king of the town for too long. He sees the world around him for what it is and hates himself for living amongst the grime. Toying with the emotions of his best friends, he seems to have a death wish to just end his suffering. No longer the star football player, the character of Tim can't apply his intellect constructively and instead uses it to help the others while self-destructing himself.

Linklater is one of the most consistent directors working in and on the fringe of Hollywood today. His films always seem to have a message coming through them, trying to uncover a truth of life. Every one of his characters is true to themselves and connecting with humanity at every step. SubUrbia is so much like his other smaller films that I was surprised to see it was written by and based from a play from Eric Bogosian. I am a fan of his acting work, but after seeing this I might finally wipe the dust from my copy of Oliver Stone's Talk Radio and check it out. Also, maybe I will turn on the movie that started it all for Linklater, Slacker, and see the true evolution he has taken. Hopefully SubUrbia will find its own way to DVD, maybe even the Criterion Collection will release it to join the other Linklater masterpieces it already has.