VALUTAZIONE IMDb
6,2/10
76.793
LA TUA VALUTAZIONE
Avete bisogno di qualcuno che si infiltri in una organizzazione top secret o rubi una formula scientifica che potrebbe cambiare il mondo? Per il giusto prezzo, il Santo è il vostro uomo.Avete bisogno di qualcuno che si infiltri in una organizzazione top secret o rubi una formula scientifica che potrebbe cambiare il mondo? Per il giusto prezzo, il Santo è il vostro uomo.Avete bisogno di qualcuno che si infiltri in una organizzazione top secret o rubi una formula scientifica che potrebbe cambiare il mondo? Per il giusto prezzo, il Santo è il vostro uomo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Valeriy Nikolaev
- Ilya Tretiak
- (as Valery Nikolaev)
Evgeniy Lazarev
- President Karpov
- (as Evgeny Lazarev)
Irina Apeksimova
- Frankie
- (as Irina Apeximova)
Lev Prygunov
- General Sklarov
- (as Lev Prigunov)
Egor Pazenko
- Scratchface
- (as Yegor Pazenko)
Adam C. Smith
- Young Simon Templar
- (as Adam Smith)
Recensioni in evidenza
I love this movie. As a movie buff, I must admit, objectively, this is a bad movie. The writing is ridiculous, the plot is convoluted, and Val Kilmer's accents are bizarre. But I love this movie. It is that wonderful combination of danger and romance that makes for great fantasy. The chemistry between Kilmer and Shue holds this movie together. It is a delight to watch them realize that their skin deep attraction goes much deeper. If you can suspend your disbelief and just enjoy the ride, the Saint is a fun movie. Despite its flaws, the Saint is a guilty pleasure to indulge in when your own life is lacking in explosions, gun fights, and sudden, passionate romances.
I liked this movie. Not as "The Saint" but as an elaborate action movie with a twist. Val Kilmer bears nothing in him that even gets close to Roger Moore's character - but if you look away from that and try to see it as an ordinary film, it's really good.
First of all, Val Kilmer performs fairly well, despite his weird accents. I really liked his artist type guy who seduces Emma Russell, he was great fun.
As for the story, well...I didn't bother to check for anomalies, I knew I'd find plenty. I only have two more things to say:
1. Elisabeth Shue is absolutely stunningly beautiful in this film.
2. The cool car that we only get to see a few seconds is a Volvo C70, a worthy replacement for the Volvo P1800 that Moore's Saint drove around in.
First of all, Val Kilmer performs fairly well, despite his weird accents. I really liked his artist type guy who seduces Emma Russell, he was great fun.
As for the story, well...I didn't bother to check for anomalies, I knew I'd find plenty. I only have two more things to say:
1. Elisabeth Shue is absolutely stunningly beautiful in this film.
2. The cool car that we only get to see a few seconds is a Volvo C70, a worthy replacement for the Volvo P1800 that Moore's Saint drove around in.
I loved this film as a child. Val Kilmer is hamming it up as this odd character that uses the weirdest accents and wigs throughout the film. Re-watching this film, I've discovered that the South African can character he creates to seduce the female lead is... cringeworthy yet hilarious.
Also cracking me up is the son of the villain Tretiak. The pony tailed, cane wielding minion has this amazing sixth sense to make the most outlandish "leaps of observation" to find Kilmer. This greasy bloodhound blankly looks around and can in any situation immediately find where Kilmer has gone.
Oddly enough some scenes seem to also have been shot with a green screen during reshoots. Simple shots like two people speaking in a doorway are superimposed on a Moscow background. This only adds to the love I have for this weird and sloppy film that I continue to return to.
Also cracking me up is the son of the villain Tretiak. The pony tailed, cane wielding minion has this amazing sixth sense to make the most outlandish "leaps of observation" to find Kilmer. This greasy bloodhound blankly looks around and can in any situation immediately find where Kilmer has gone.
Oddly enough some scenes seem to also have been shot with a green screen during reshoots. Simple shots like two people speaking in a doorway are superimposed on a Moscow background. This only adds to the love I have for this weird and sloppy film that I continue to return to.
When this movie first came out I saw it 4 times! I really loved it. Then I started reading the reviews. I couldn't believe that the critics hated it! One thing I've learned, never listen to the critics! Anyway, this movie was really great. It's not terribly deep, but it's fun. I enjoyed the story line, the effects and even (dare I say it?) the actors. I think Val Kilmer did a fine job. What do those dunder-heads Siskel and Ebert know? Let's see them try to do an accent. I laugh in their faces (not that I'm bitter or anything)! So, if you're looking for a funny, romantic, exciting, spy genre movie, try The Saint.
The Saint has been criticised vociferously since its release in 1997. In some reviews, it has even been likened to The Avengers as one of the most misguided movies of all-time. However, I genuinely cannot see why this film has aroused so much dismay among the cinema going public. As far as I'm concerned, this is an accomplished, rousing and satisfyingly complex espionage thriller.
The plot finds a master of disguise/super-thief, Simon Templar (Kilmer), being hired to track down and steal a brilliant energy-saving formula. The formula was invented by a female science student at Oxford University (Shue), and when Templar eventually closes in on her, he finds himself falling in love with her. Oh yes, then there's the small problem of the swarm of Russian agents who also want the formula....
Kilmer is OK as Templar, but the character was better portrayed in previous incarnations by Ian Ogilvy and Roger Moore. Shue, as the science whiz, actually manages to just about get away with the fact that she is essentially miscast. The action scenes in the film are well done, but this is no surprise since the director Phillip Noyce is a dab hand at this kind of thing thanks to his work on a couple of the Jack Ryan movies, not to mention the unbearably taut Dead Calm.
If you've never seen The Saint, I would encourage you to do so. If you've intentionally avoided the film because of the negative reviews you may have read, ignore them! This is huge fun!
The plot finds a master of disguise/super-thief, Simon Templar (Kilmer), being hired to track down and steal a brilliant energy-saving formula. The formula was invented by a female science student at Oxford University (Shue), and when Templar eventually closes in on her, he finds himself falling in love with her. Oh yes, then there's the small problem of the swarm of Russian agents who also want the formula....
Kilmer is OK as Templar, but the character was better portrayed in previous incarnations by Ian Ogilvy and Roger Moore. Shue, as the science whiz, actually manages to just about get away with the fact that she is essentially miscast. The action scenes in the film are well done, but this is no surprise since the director Phillip Noyce is a dab hand at this kind of thing thanks to his work on a couple of the Jack Ryan movies, not to mention the unbearably taut Dead Calm.
If you've never seen The Saint, I would encourage you to do so. If you've intentionally avoided the film because of the negative reviews you may have read, ignore them! This is huge fun!
Lo sapevi?
- QuizThe poetry written by Simon Templar's long-haired artist character, Thomas More, was actually written by Val Kilmer.
- BlooperWhen Dr. Russell is shown the sketches of Simon's saint alter-egos, the nerdy reporter is in the pack. At the end she is surprised to find out he was the nerd, and the detective from Scotland Yard sitting next to Simon does not recognize him in his nerd persona.
- Citazioni
Simon Templar: Do you know what the worst part about being you is?
Ivan Tretiak: What.
Simon Templar: Pretending to be so bad in bed.
Ivan Tretiak: You son of the bitch!
- Versioni alternativeUK versions are cut by the BBFC with a minor edit to a shot in a nightclub where Tretiak is seen to visibly snort a line of cocaine on a mirror.
- ConnessioniEdited into Cold Fusion: Fire from Water (1998)
- Colonne sonoreDead Man Walking
by David Bowie and Reeves Gabrels
Performed by David Bowie
Courtesy of Jones Music/Virgin Records America Inc./BMG Music
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Dettagli
Botteghino
- Budget
- 68.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 61.363.304 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.278.873 USD
- 6 apr 1997
- Lordo in tutto il mondo
- 118.063.304 USD
- Tempo di esecuzione
- 1h 56min(116 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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