Relic - L'evoluzione del terrore

One of my favourite B-movies is Peter Hyam's the Relic. Although it isn't a terrific movie, It has several strengths. Firstly, it is atmospheric and quite suspenseful, both of which are generated by Hyam's exceptional photography skills (he is his own DP). Secondly, it is convincing as a monster movie, even with a slightly limited budget, the creature works well both as an animatronic and as a GG model. With many films, it is one or the other. Thirdly, although the story is not that original, it does a fairly good job of hiding the cliché. The Relic paces itself nicely, putting the pieces together one at a time getting more and more interesting until it is ready to unleash its energy.

It begins in the tropics of Brazil. Antropologist Dr. John Whitney works for the Chicago Natural History Museum, which is about to open an expensive new exhibit. They are very busy, so when Whitney's latest shipment of findings arrive, the crates are put aside for the moment. One scientist however Dr. Margo Green becomes intrigued with the packing leaves in the crates. They appear to contain a bizarre animal protein. Meanwhile on the other side of the city, Lt. Vincent D'Agosta of the Chicago PD is investigating a mass homicide. The crew of the cargo ship on which Dr. Whitney's crates were sent are all dead and in pieces. his search for answers takes him to the Museum. After a night guard is discovered dead and decapitated in the basement level, D'Augusta is convinced that the perp is hiding somewhere within the building. Is he right?, and will he be able to convince the museum to close on the night of their big gala opening? In addition, do all these gruesome murders have something to do with the protein that Dr. Green has discovered, a protein that can turn an insect into the size of a football! It is going to be one heck of a night, and it is up to Dr. Green and Leutenat D'Agosta to save the day.

If I were to write a paper on cinematography, I would for sure make the Relic one of my body points. Peter Hyams builds a very dark, frequently claustrophobic environment, and many of his tricks work perfectly. One of which is his decision to shoot the monster mostly in silhouette to avoid the chance of it looking fake.

Of course there are some area where the film is not so strong. I wouldn't say that the film offers intelligent acting or dialogue, but in truth, not many B-movies do, so if you are like me, you will let it slip and enjoy the film for what it is, a deliciously eerie, and slick monster flick.

The monster movie bites back in this suspenseful thriller. All the elements are there fore the build up. Artefacts are brought from South America which unbeknown are carrying ancient religious powers. Its a cliché from other films including th e start of 'Exorcist' but here its done beautifully.

With the archaeological find now in Chicago and no one getting suspicious by the dead bodies that came with it- they can't be too bright otherwise they would dump the find in the harbour and that would be the end of the film.

Politics overrules those that start to worry that they may be dealing with something more that what appears to be on the surface. And then all hell does break loose.

Relic is a good introducing to suspenseful films for those that don't normally see them.

I first saw this in the late 90s. Revisited it recently. Fast forwarded most scenes as i found the film to be not gripping n in fact annoying with those darkly shot scenes.

A detective is puzzled after recent spate of deaths involving decapitations. He visits a museum when a new victim is found murdered in the same way. In the museum, he encounters an evolutionary biologist who herself is puzzled after discovering a mutated beetle that possesses both insect and reptilian DNA. The detective finds a common link between the murders, hypothalamus missing from the brains of the victims. Together they both try to defeat a monster/killer who is on a killing spree. Most of the film is shot in the dark n to top it all, they added the annoying flickering flashlights. The action happens only in the last 30 mins. The design of the creature is very well done.

Released in 1997, "The Relic" stars Penelope Ann Miller and Tom Sizemore as a biologist and detective in Chicago who team up after a series of brutal deaths at the Chicago museum where the former works. James Whitmore, Linda Hunt and Chi Muoi Lo co-star as scientists at the museum.

This is a gory monster movie made with a whopping budget and an intriguing sci-fi concept concerning the creature, but it's hindered by bad lighting and bland characters. As far as the former goes, this is one of the darkest movies I've ever seen that doesn't take place in a cave. Regarding the latter, Sizemore is good, but Miller is only serviceable with the rest of the characters being merely okay. I suppose it doesn't help that the story lacks dramatic drive. People laud the film for not throwing in a romantic subplot between the protagonists, but SOMETHING needed done to make it more compelling. How about throwing in some teens visiting the museum – something! Nevertheless, there are some legitimate scares, the kills are utterly savage and the monster, location and sets are good.

The film runs 110 minutes and was shot at the awesome Field Museum of Natural History, Chicago, with interior/studio work done in Los Angeles.

GRADE: C+

Overall I liked this movie until I read half the reviews--done before, simplistic, not realistic, etc. It is not a GREAT sci fi movie, but it is not as ridiculous as most of the genre. Best feature is that none of the major characters behave idiotically to further the plot. One never feels compelled to yell "Turn around, stupid!" or "No. Don't go into the basement alone!" or "Please turn on the lights!" or (to the heroine) "Don't you remember it's invulnerable to bullets?" The heroine is afraid throughout the movie (shouldn't she be?), but is she irrational at any time? The curmudgeonly, wheelchair-bound senior researcher is trapped on an upper floor, but does he emerge at the end from his place of hiding behind the computer console? The detective is disbelieving at first, but does he obstruct and endanger in the end? The science may be unbelievable (it's like finding a mummy curse) and that prevents this from being a great sci fi, but the behavior of the characters seems authentic (researchers who know their environment) and that is this movie's major strength.