L'immagine del desiderio

I love this film; it dares to let the audience be soaked in wonderfully melodramatic and lustfully vulgar scenes. Feelings and drama make the film rattle, and when, in addition to this, the humor is so frequent, this film can't fail. It is erotic, wonderful, lovely. Ace.

Perhaps one of the most intriguing stories to board the Titanic craze is this exquisite tale of a foundry worker and a chambermaid. Never actually setting foot on the famed vessel itself, the action centers on a night in a Southampton hotel the night before the ill-fated vessel left England for the first and last time. That night, roomless title maid Marie who works for the line not the hotel) knocks on the door of handsome Horty, who has won a contest at the French foundry where he works and is rewarded with a trip to see the eventful sailing. Because Horty's boss has eyes for his lovely wife Zoe, she remains at home, leaving Marie and Horty to their own devices.

Horty returns home having been faithful, but is unsure if his wife has done the same. From then on, Horty's barroom revelations of his encounter with Titanic and maid become more and more embroidered. Both to anger Zoe and to please his audience, Horty's stories become nothing short of hallucinatory. After the liner's sinking, Horty's fate is sealed as a virtual one man show, relating what is now nearly all fiction, including his presence on the ship the night it went down.

But the fickle hand of fate that took the Titanic to a watery grave has just as unexpected plans for Horty and Zoe, who now "plays" Marie in a full-length stage production of Horty's story. The final act of this impressive motion picture is just as dramatic and humbling in it's way as the story of the liner itself.

Director J.J. Bigas Luna peppers this French language feature with water imagery, forshadowing the Titanic's fate and a crucial plot point for Marie and Horty. A letterbox video release is terrific except for that the subtitles are a bit small. See it on a bigscreen TV. Although, there's no sinking to gape at, the human drama is also of titanic size.

If you getting into this movie without expectation you will enjoy more .i started seeing this movie for just the sex scene but this movie dragged me on,will dragged you in too

In Lorraine, the worker Horty (Olivier Martinez) wins an internal competition promoted by Simeon (Didier Bezace), the owner of the foundry where he works, and the prize is a travel to Southampton alone to see the departure of the Titanic. Once in the hotel in England, a woman called Marie (Aitana Sánchez-Gijón) knocks on his door telling that she is a chambermaid of the Titanic and the hotel is completely booked and she has no place to stay. Horty invites Marie to share his room; on the next morning, Marie is gone but Horty gets her picture with a street photographer. When Horty returns to his French town, he is promoted and his colleagues insinuate that his wife Zoe (Romane Bohringer) had had an affair with Simeon. The upset and jealous Horty goes to a bar with his friends and while drinking, he shows the picture of Marie and tells erotic fantasies about his one nightstand with her. His erotic tales become famous, drawing more and more people in the audience every night in the bar and changing the sexual lives of his friends. His fame reaches the actor Zeppe (Aldo Maccione) that proposes a business with Horty.

"La Femme de Chambre du Titanic" is a totally original romance that blends the tragedy of the Titanic with the lives of ordinary people, developing an intriguing and erotic love story. The truth about the night of Horty and Marie is disclosed only in the very end, and the viewers are never sure whether Horty is fantasizing because he believes Zoe has betrayed him, or if his affair with Marie had really happened. Surprisingly there are bad reviews in IMDb about this good film. My vote is seven.

Title (Brazil): "A Camareira do Titanic" ("The Chambermaid of the Titanic")

This is a French film directed by the Spanish director Bigas Luna, who has done a very good job with a difficult and ambiguous subject, which alternates between reality and fantasy so often that it is like a shuttle service. One really does not know from one scene to the next whether something is really happening or is being imagined. That is a tightrope, but Luna does not fall off. In this, he is assisted by the dreamy performances of Olivier Martinez (half French, half Spanish-Moroccan) and the well known Spanish actress Aitana Sanchez-Gijon. Both of them keep us wondering all the way. The only solid earthy figure is Romane Bohringer, being as Anna Magnani-like as possible, a young earth mother, but still an earth mother. There is lots of passion, it's all over the place. Sometimes it is real, sometimes it is fantasy. One never knows for sure about some of it. When Martinez is telling his stories, his quiet, introspective but commanding presence effects us as much as it does his audiences in the film. Romane gets a bit carried away by the myth of the chambermaid and wishes to become the chambermaid, wishes to be sprayed in champagne. The chambermaid was not listed amongst the survivors of the Titanic, so this creates a story steeped in tragedy. People like tragic passion best, because it is unattainable by definition, and can never disappoint. Or can it? Perhaps things are not entirely as they seem in more ways than one in this story. This film shows clearly how love and sensuality thrive in the hothouse of ambivalence and ambiguity: does someone really exist? Do they feel love too? Is the love simulated? Can any passion be trusted? Ultimately, it comes down to this: is reality even real?