Z Cars

Unlike other contributors I do not know the technical details of the series production. However at the time this series was transmitted I remember the characters manifesting as strong, tough, reliable types. Chaps you would have liked to have with you in a tight spot. Awkward social issues were tackled in a no nonsense manner. Unlike their TV counterparts of today they seemed to have their minds, for the most part, on the job. Sympathy was extended to victims, and others caught up in crimes. Villains were regarded and dealt with as a sub-species. No quarter was expected or given.

Nice touches as well. At the end of one episode, the optimistic search for a child ended with it being found dead from natural causes. The end titles were played in silence. Today you would have some cretinus announcer talking over the same titles, giving us a blow by blow account of the next programme.

Sadly the series did become a victim of its own success. It ran for far to long. The final series(1977-8) was a shadow of its former self. Reduced from 50 to 30 minutes and containing to many new characters it lacked history and credibility.

In many respects, a landmark TV series - changing the image of police as seen on TV, changes in real policing (from bobby-on-the-beat to patrol cars), bringing serious social problems to the screen for the first time - this series captured a time and place with clarity, making these episodes a very valuable treasure - I hope they haven't been dumped or let rot somewhere! The series was also valuable in the opportunities it gave many brilliant writers to develop their skills.

The show succeeded in its two goals, exciting police action drama, and gritty social drama (with just a drop of humour when needed); the best of the police action thread followed Barlow (played by Stratford Johns) into the spin-off series Softly, Softly - Task Force, and later: Barlow at Large. Unforgettable music. The forgettable bit was why the car numbers all started Z - V; I think Zed (not Zee; this was British) was for (Ford) Zephyr.

(With apologies to Toody and Muldoon) I wonder: Zed Victor One, where are you, now? I suspect few episodes survive.

Jeremy Kemp has to be one of the most striking actors there has ever been. In looks and voice!

It was because of him that I ever came to watch an episode of 'Z-Cars'. Completely by chance, I saw the episode of 'Star Trek: The Next Generation' in which he played alongside Patrick Stewart. I was so struck by Jeremy Kemp that I tried to find out more about him and read in a book that he had been in 'Z-Cars'. And so began my interest in the series...

I was not born when it began in 1962 and my only memories of it before it ended in 1978 were as listings in the 'Radio Times'. The only episodes I have watched are the three on the video from the first series. Nevertheless, I should still like to comment on what I have seen of it.

From what I have read, the programme was made with the aid of the police force in Lancashire and was realistic in its portrayal of the police, their lives and work. This being the case, I should have been quite happy to be taken care of by the likes of Barlow, Steele and co. and would have felt reassured by their presence. They seemed to see their responsibilities simply as keeping law and order, protecting the innocent and bringing criminals to justice. No political correctness or community policing nonsense for them!

I can see why it probably raised a few eyebrows when it was first broadcast. The four young Police Constables, Steele, Lynch, Smith and Weir, were very different from George Dixon of Dock Green. However, no human is perfect and, I daresay, there were/are policemen who gambled on horse races, smoked like chimneys and chatted up young girls. It is more interesting to have rounded characters than stereotypes. Also, it showed that many people in the early 1960s still lived in poverty and tremendous hardship, which might not have been comfortable viewing for certain watchers.

The male-orientation of the early series (only one policewoman appears) would also have been typical of the period. This does not bother me in the slightest; writing as a young lady forty years later, I find it protective and reassuring. Also, complaints about the quality of the production seem unjustified when made by someone today; with the advances in technology, how can one possibly compare?

A word about P.C. Steele hitting his wife. Watching and reading about the occurrence several times, I would support his comment that it was an accident. It is never actually shown on screen; we see his wife, Janey, with a black eye and she openly explains to P.C. Lynch how it happened. Steele came in late for his dinner after promising he would be early. In her anger, his wife threw a hotpot of stew at him which missed narrowly and he, presumably fuelled by drink, struck out at her. To be classed as a wife-beater, in my opinion, Bob Steele would have to be physically assaulting his wife on a regular basis. It is clear that this does not happen so the label is unjustified. Indeed, Steele displays much tenderness and understanding towards Janey, particularly in a later episode when she starts receiving hate mail, as well as to members of the public, including a widowed mother whose children have been killed in a motorcycle accident.

I do wish that I had seen more of 'Z-Cars'. From watching the early episodes, I can say that I think I would have been attracted by its characters and stories, and would probably have become a regular viewer. I have managed to purchase some books of the series and have enjoyed reading those.

Incidentally, Jeremy Kemp left after the first series, which was a pity. It would have done the series much good to continue have such a striking actor in the programme - and such a striking policeman in the Lancashire force! He is now a character actor, mainly in films.

As an American who spent part of his childhood in England in the early 70's, I distinctly remember this show being a real snoozer, especially when compared to the much better American cop shows of the time (Hawaii Five O, Ironsides, etc.) For whatever reason, Brits just have never been much good at making crime and crime fighting interesting, whether on TV or the big screen, after all, I recently rented the DVD "Lock, Stock, & Two Smoking Barrels" and it sucked, mostly a lame rip-off of the far superior "Pulp Fiction". Maybe the problem is that we Americans just have much better criminals, more ruthless, greedy, and inventive and, as a result, American cops have to be much better as well to catch them, it sounds goofy but it's about the only theory I can think of that makes sense .......

This was ground-breaking TV. I only realized this later living in North America and seeing a "new wave" of crime shows post Starsky & Hutch and Miami Vice. Shows like Law and Order, CSI and The Wire are great programs but Z Cars was created thirty years before them and got people wanting a more gritty cop show. Growing up outside of Belfast, I was also drawn to it as it had an Ulster actor in the cast. At a time when Irish actors were only allowed to play drunken thugs and terrorists, it was great to see one play a good guy. Sadly it was unique in that respect and Irish characters/actors were still largely banned to those roles for the next twenty years.