L'insaziabile

I don't know whether the previous comments on this film show how badly the film was marketed (I never saw any advertising for it) or whether they're a terrible condemnation of just how tunnel-visioned people can be. This is only a horror film in the sense that Macbeth is or The Godfather. It's about the horror of monstrosity, particularly the monstrosity inside ourselves. It's not about cannibalism, nor is it a black comedy. It has those things in it, but they are not it's raison d'etre. It's about the horror of war, conquest, taking things which don't belong to you with the sole justification that that's how you get ahead in life. You have what the other man has literally by consuming it. The hero of this film is branded a coward when really all he's done is preserved himself from the madness going on around him, a fight in which he has no part, just like this one. And yet, I see reviewers here referring to his 'cowardice' as a given. They haven't even got to first base about questioning whether he might not actually be a coward in the first place. It looks like everybody's checked their brains in at the door with this one. I'm glad I never directed this movie, it would be soul-destroying to be this misunderstood. It's a great movie. Savage, brutal,poetic. You watch the whole thing with your mouth hanging open in sheer disbelief. It's a feast for the eyes and ears and has one of the most fey, eerie qualities I've ever seen in a film. It's a masterpiece and I would urge anyone out there who can leave their preconceptions and genre expectations at home to see it. Give yourself a treat - be amazed.

My favourite genre of movies, are westerns. Westerns come in all shapes and sizes, traditional American westerns depicting a lawless land in which the good guys eventually over come the bad guys. The stylised European "Spaghetti westerns" depicting a loveless land of cold killers and harsh landscape, and then there's the realist revisionist westerns which debunks all the previous heroic notions and portrays the west as it was, hard and brutal. Well this film falls outside of all those sub genre's of westerns in that it's a dark comedy horror western starring Robert Carlyle, whose idea of a meal isn't meat and two veg, but the carcass of the soldiers of a deserted fort. You know it's all tongue in cheek but you can't help but watch it, the music is great too, Damon Albarn and Michael Nyman produce a wonderful frightening and timeless score, featuring musicianship of the era. It's great and a film you can get your teeth into.

'Ravenous' is a highly entertaining and original blend of horror and black comedy. Apparently it had troubled beginnings with the original director being fired and Antonia Bird coming in as a last minute replacement at the behest of co-star Robert Carlyle ('Trainspotting') who had previously worked with her on 'Priest', a more different movie than this you couldn't imagine! Anyway, Bird triumphed and ended up with an excellent movie. David Arquette and Jeremy Davies are two actors I have little time for but they didn't have much on screen time and didn't detract from the great performances by Carlyle and 'Memento's Guy Pearce, who really sold the movie to me. I also really liked the role played by Tim Burton regular Jeffrey Jones. I enjoyed the work of all three actors, the unpredictable script, the inventive direction, and the unusual score by Peter Greenaway regular Michael Nyman and Blur's Damon Albarn, which reminded me at times of cult favourites Penguin Cafe Orchestra. 'Ravenous' isn't the greatest movie I've ever seen but I have enjoyed it all three times I've watched it and that's a lot more than I can say about most movies around these days. It's wicked fun with very clever touches of black comedy, and I highly recommend it.

This is an exceedingly well-made film which, in its portrayal of cannabalism, suggests other themes as well: physical and moral courage and cowardice, exploitation of other people, the evils of carnivorousness...

Taut-faced, moody Lt. John Boyd (Guy Pearce) turns yellow under fire in the Mexican War, but somehow manages to accidentally capture an enemy command post. He is rewarded with a medal, a promotion to Captain, and a transfer to a lonely outpost in the western Sierra Nevada range in California by a commanding officer who sees the cowardice behind the supposed heroism. There, a disheveled stranger (Robert Carlyle, doing his best Rasputin impersonation) stumbles into the post, telling a horrible tale of snowbound travellers in a wagon train feeding on each other when their food runs out. The affable C.O. (Jeffrey Jones, looking as seedy as you might expect an officer in a California outpost in the 1840's to look) decides to investigate, leading his small band of soldiers to a horrible destiny. Jeremy Davies, who played the nerdy corporal in "Saving Private Ryan" also appears, playing pretty much the same character.

All the parts in this movie were excellent - all the performances were outstanding, the photography and editing were great, and the score was amazing. However, although I really enjoyed this movie, it didn't add up as be the great film it should have been. Much of the time, I felt as if I should have been really scared and nervous, but I found myself watching with some detachment, almost as if I were watching a ball game between two teams I wasn't really rooting for.

I don't want the reader to think I didn't like this movie, though. It was really good. It just wasn't outstanding, that's all.

I did like Sheila Tousey as Martha, the Native American woman who lived and worked at the outpost. She was really cute in a sort of Earth Mother kind of way.

A genuinely unique little gem that seems quite un-Hollywoody.

A macabrely humorous horror-thriller with an odd mix of English/American/Australian character actors (all talented) who clearly relish their performances in this twisted little tale which is told on an epic canvas.

The film's score is a bizarre but perfect fit - adding another unusual character to the mix. A stroke of bold genius by Michael Nyman (the brilliant composer of "The Piano"). The score has been nominated for several awards.

Hard to imagine 20th Century Fox's reaction when they saw the final film and needed to market it... But there's plenty to enjoy here. 8 out of 10!