I soldati di un isolato avamposto militare si trovano coinvolti in una mortale lotta per la sopravvivenza, devono combattere non solo contro la natura selvaggia della Sierra Nevada, ma sopra... Leggi tuttoI soldati di un isolato avamposto militare si trovano coinvolti in una mortale lotta per la sopravvivenza, devono combattere non solo contro la natura selvaggia della Sierra Nevada, ma soprattutto contro i loro stessi istinti assassini.I soldati di un isolato avamposto militare si trovano coinvolti in una mortale lotta per la sopravvivenza, devono combattere non solo contro la natura selvaggia della Sierra Nevada, ma soprattutto contro i loro stessi istinti assassini.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 6 candidature totali
Joseph Runningfox
- George
- (as Joseph Running Fox)
Recensioni in evidenza
A genuinely unique little gem that seems quite un-Hollywoody.
A macabrely humorous horror-thriller with an odd mix of English/American/Australian character actors (all talented) who clearly relish their performances in this twisted little tale which is told on an epic canvas.
The film's score is a bizarre but perfect fit - adding another unusual character to the mix. A stroke of bold genius by Michael Nyman (the brilliant composer of "The Piano"). The score has been nominated for several awards.
Hard to imagine 20th Century Fox's reaction when they saw the final film and needed to market it... But there's plenty to enjoy here. 8 out of 10!
A macabrely humorous horror-thriller with an odd mix of English/American/Australian character actors (all talented) who clearly relish their performances in this twisted little tale which is told on an epic canvas.
The film's score is a bizarre but perfect fit - adding another unusual character to the mix. A stroke of bold genius by Michael Nyman (the brilliant composer of "The Piano"). The score has been nominated for several awards.
Hard to imagine 20th Century Fox's reaction when they saw the final film and needed to market it... But there's plenty to enjoy here. 8 out of 10!
Guy Pearce leads Jeffrey Jones, Robert Carlyle, David Arquette and more in a action-filled, horror thriller. Set during the backdrop of the Civil War, it follows Capt. John Boyd (Pearce) who is sent to the icy Nevada wilderness as result of cowardice. The music is awesome, the costumes are wounderfully designed and the elements of horror make this film one to see many times! The art direction is great and the story is what horror fans have been waiting for. Just like how the cover says, a cross between a vampire film and a cannibalism film. Those two put together create one of the most elaborate horror films ever.
I promise you that RAVENOUS will enthrall you until the very final frame. Hell, even the credits are exciting. The violence is pretty extreme (which is good) and the gloomy atmosphere and the icy bitterness of the Nevada Mountains is very good at creating a genuinely chilling mood for this awesome horror thriller! RAVENOUS: 5/5.
I promise you that RAVENOUS will enthrall you until the very final frame. Hell, even the credits are exciting. The violence is pretty extreme (which is good) and the gloomy atmosphere and the icy bitterness of the Nevada Mountains is very good at creating a genuinely chilling mood for this awesome horror thriller! RAVENOUS: 5/5.
This is an exceedingly well-made film which, in its portrayal of cannabalism, suggests other themes as well: physical and moral courage and cowardice, exploitation of other people, the evils of carnivorousness...
Taut-faced, moody Lt. John Boyd (Guy Pearce) turns yellow under fire in the Mexican War, but somehow manages to accidentally capture an enemy command post. He is rewarded with a medal, a promotion to Captain, and a transfer to a lonely outpost in the western Sierra Nevada range in California by a commanding officer who sees the cowardice behind the supposed heroism. There, a disheveled stranger (Robert Carlyle, doing his best Rasputin impersonation) stumbles into the post, telling a horrible tale of snowbound travellers in a wagon train feeding on each other when their food runs out. The affable C.O. (Jeffrey Jones, looking as seedy as you might expect an officer in a California outpost in the 1840's to look) decides to investigate, leading his small band of soldiers to a horrible destiny. Jeremy Davies, who played the nerdy corporal in "Saving Private Ryan" also appears, playing pretty much the same character.
All the parts in this movie were excellent - all the performances were outstanding, the photography and editing were great, and the score was amazing. However, although I really enjoyed this movie, it didn't add up as be the great film it should have been. Much of the time, I felt as if I should have been really scared and nervous, but I found myself watching with some detachment, almost as if I were watching a ball game between two teams I wasn't really rooting for.
I don't want the reader to think I didn't like this movie, though. It was really good. It just wasn't outstanding, that's all.
I did like Sheila Tousey as Martha, the Native American woman who lived and worked at the outpost. She was really cute in a sort of Earth Mother kind of way.
Taut-faced, moody Lt. John Boyd (Guy Pearce) turns yellow under fire in the Mexican War, but somehow manages to accidentally capture an enemy command post. He is rewarded with a medal, a promotion to Captain, and a transfer to a lonely outpost in the western Sierra Nevada range in California by a commanding officer who sees the cowardice behind the supposed heroism. There, a disheveled stranger (Robert Carlyle, doing his best Rasputin impersonation) stumbles into the post, telling a horrible tale of snowbound travellers in a wagon train feeding on each other when their food runs out. The affable C.O. (Jeffrey Jones, looking as seedy as you might expect an officer in a California outpost in the 1840's to look) decides to investigate, leading his small band of soldiers to a horrible destiny. Jeremy Davies, who played the nerdy corporal in "Saving Private Ryan" also appears, playing pretty much the same character.
All the parts in this movie were excellent - all the performances were outstanding, the photography and editing were great, and the score was amazing. However, although I really enjoyed this movie, it didn't add up as be the great film it should have been. Much of the time, I felt as if I should have been really scared and nervous, but I found myself watching with some detachment, almost as if I were watching a ball game between two teams I wasn't really rooting for.
I don't want the reader to think I didn't like this movie, though. It was really good. It just wasn't outstanding, that's all.
I did like Sheila Tousey as Martha, the Native American woman who lived and worked at the outpost. She was really cute in a sort of Earth Mother kind of way.
Antonia Bird's "Ravenous" is one of the finest low-budget horror movies of recent years.It's a brilliant mix of cannibalism,gruesome gore,sly black humour and quasi-philosophy.The script by Ted Griffin is absolutely stupendous.It's an irresistible blend of Native American legend(you absorb the strength or spirit of who you eat),the Donner tragedy,and the story of Sawney Bean.Bean with his wife and his numerous offspring,dwelt in a cave in Galloway,Scotland,during the sixteenth century.The family cave was close to the sea and they lived by highway robbery:ambushing,killing and then eating passers-by.Any parts of the body which they were not able to eat once were pickled in brine or hung in their cave.Over a period of twenty-five years it was proved that Bean and his family were estimated to have killed and eaten more than a thousand people.The acting is wonderful-Guy Pearce shines in a difficult role as a Lieutant John Boyd."Ravenous" was shot in the Czech Republic and Slovakia,and the landscape and climate is put to fantastic use.The score by Damon Albarn(of British band Blur)and Michael Nyman is very spooky and atmospheric.The film is loaded with brutal violence and gore,so if you're squeamish give it a miss.However if you're a horror fan with a taste for something dark and sinister,then you're in for a rare treat.Highly recommended.
If someone were to ask what Ravenous is all about, the easiest thing to say would be: `It's about cannibalism in a remote Army outpost in the 1800s.' That's exactly right, and that's probably what kept audience members away from Ravenous when it briefly ran in theaters back in 1999. Cannibalism? Who needs to watch that? Indeed.
Yes, there is cannibalism in Ravenous. Quite a lot of it, in fact. The film is steeped in murder, the eating of human flesh, and is flavored with madness. At times the film can be downright difficult to watch, though the compelling nature of the narrative keeps the viewer's eyes locked on the screen for the full ninety-eight minutes.
Ravenous is so much more than a meditation on people eating other people, though it's obvious there was a great deal of confusion about how exactly to present this dish to the public. Its plot is fairly simple for the first half: Mexican War hero (and hidden coward) Lt. Boyd, played by LA Confidential's Guy Pearce, is assigned to an end-of-the-Earth fortress in the western Sierra Nevadas. This fort, populated over the winter by a tiny handful of misfit officers and enlisted men, receives a visitor in the person of a starving man with an awful story of a failed mountain crossing that eclipses the Donner Party's. What happens then is so twisted, but skillfully crafted, that it would be criminal to spoil what transpires.
But Ravenous is not just a horror story. What lies at its heart is an allegory about man's relationship to other men and how society structures itself around the powerful and the powerless. Issues such as the morality of Manifest Destiny and even the ethics of simple meat eating are touched upon. Guy Pearce gives an underplayed performance so low-key that he almost vanishes into the film stock, while co-star Robert Carlyle (most recently in The World is Not Enough) plays opposite him with delightful nuance. The material even brings deeply textured work out of Tim Burton stalwart Jeffrey Jones as the commander of the fort, and scattered around these three are solid supporting actors like Jeremy Davies, who's much better here than he was in Saving Private Ryan, and David Arquette.
If anything works against Ravenous at all, it's the curious inclusion of humor at the outset of the picture. Director Antonia Bird, who also made Priest and Safe, is not known for her lighter side, which makes the appearance of a goofy epigram at the very start of the picture, and the use of some bizarrely inappropriate music during a later sequence, seem more like some producer's half-hearted attempt to blunt the sharp edge of the film's commentary with silliness.
Luckily for the viewer and the film, however, Ravenous is far too powerful a motion picture to be undercut in this fashion. By the time the final reel has passed, any memory of earlier missteps is forgotten as the pace grows more deliberate and the action becomes bloodier and bloodier up until the final moments.
Unjustly neglected on the screen, Ravenous is a film with a great deal to say. It's only too bad that cannibalism was the best way to say it.
Yes, there is cannibalism in Ravenous. Quite a lot of it, in fact. The film is steeped in murder, the eating of human flesh, and is flavored with madness. At times the film can be downright difficult to watch, though the compelling nature of the narrative keeps the viewer's eyes locked on the screen for the full ninety-eight minutes.
Ravenous is so much more than a meditation on people eating other people, though it's obvious there was a great deal of confusion about how exactly to present this dish to the public. Its plot is fairly simple for the first half: Mexican War hero (and hidden coward) Lt. Boyd, played by LA Confidential's Guy Pearce, is assigned to an end-of-the-Earth fortress in the western Sierra Nevadas. This fort, populated over the winter by a tiny handful of misfit officers and enlisted men, receives a visitor in the person of a starving man with an awful story of a failed mountain crossing that eclipses the Donner Party's. What happens then is so twisted, but skillfully crafted, that it would be criminal to spoil what transpires.
But Ravenous is not just a horror story. What lies at its heart is an allegory about man's relationship to other men and how society structures itself around the powerful and the powerless. Issues such as the morality of Manifest Destiny and even the ethics of simple meat eating are touched upon. Guy Pearce gives an underplayed performance so low-key that he almost vanishes into the film stock, while co-star Robert Carlyle (most recently in The World is Not Enough) plays opposite him with delightful nuance. The material even brings deeply textured work out of Tim Burton stalwart Jeffrey Jones as the commander of the fort, and scattered around these three are solid supporting actors like Jeremy Davies, who's much better here than he was in Saving Private Ryan, and David Arquette.
If anything works against Ravenous at all, it's the curious inclusion of humor at the outset of the picture. Director Antonia Bird, who also made Priest and Safe, is not known for her lighter side, which makes the appearance of a goofy epigram at the very start of the picture, and the use of some bizarrely inappropriate music during a later sequence, seem more like some producer's half-hearted attempt to blunt the sharp edge of the film's commentary with silliness.
Luckily for the viewer and the film, however, Ravenous is far too powerful a motion picture to be undercut in this fashion. By the time the final reel has passed, any memory of earlier missteps is forgotten as the pace grows more deliberate and the action becomes bloodier and bloodier up until the final moments.
Unjustly neglected on the screen, Ravenous is a film with a great deal to say. It's only too bad that cannibalism was the best way to say it.
Lo sapevi?
- QuizIt is 25 minutes into the film before Captain Boyd, who is in virtually every scene, utters his first full sentence.
- BlooperThe surname of Friedrich Nietzsche is misspelled at the beginning of the film as "Nietzche".
- Curiosità sui creditiThe film begins with a famous quote by German philosopher Friedrich Nietzsche (1844-1900): "He that fights with monsters should look to it that he himself does not become a monster." Nietzsche's surname is misspelled as 'Nietzche'. Shortly after, a comedic quote appears below Nietzsche's: "Eat Me" - Anonymous.
- Versioni alternativeFinnish video version is cut by 58 seconds.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Voraz
- Luoghi delle riprese
- Tatra Mountains, Slovacchia(Sierra Nevada)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.062.405 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.040.727 USD
- 21 mar 1999
- Lordo in tutto il mondo
- 2.062.719 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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