Aggiungi una trama nella tua linguaA couple, trying to get the last ferry to their island, help a young drifter out of the rain with a ride. They later meet him again and invite him home. The much younger wife spends time wit... Leggi tuttoA couple, trying to get the last ferry to their island, help a young drifter out of the rain with a ride. They later meet him again and invite him home. The much younger wife spends time with the drifter. Twists follow.A couple, trying to get the last ferry to their island, help a young drifter out of the rain with a ride. They later meet him again and invite him home. The much younger wife spends time with the drifter. Twists follow.
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Being a hard-core Alan Rickman fan, I bought this movie before seeing it. When I watched it, I fell head-over-heels in love. The premise was simple: On their way for a weekend at their private island, a married couple helps an injured man on the side of the road. Dropping him off in the nearest town, they resolve to think nothing more of him. Thus, when he turns up on their private island, they are somewhat surprised. Polly Walker is the only real dud in the film... I'm sorry to say that she's British, to boot. Alan shines in this as he does in everything, and there's just something so loveable about Norman Reedus.
The ending *WILL* come as a shock. Unless you're incredibly perceptive (which, I consider myself to be, and I was shocked), you will not know what's coming at the end. Yes, the plot moves a bit slow. But the pace is necessary to establish the proper relational distance between Alexis and David Weinberg.
I loved it, I think you will too, so just give it a try!
The movie follows three characters woven into a sort of psychological array of hidden motives and blind attraction. Norman Reedus stars as a drifter who is picked up by a bickering married couple (Rickman and Walker) and finds himself getting stuck with the two on a rather isolated property in the south-eastern part of Maine. Along the way, tension grows and the shaky marriage begins to be questioned further due to the interference of the drifter.
The film features a haunting musical score by relatively unknown composer, David Mansfield, atmospheric locations, and a psychological foray into one of the darkest areas of the human mind. The film may not be one to revisit too often due to its dark nature, but it's certainly worth experiencing. I, for one, really respond to the movie's overall feel, or atmospheric tone, and relish in the director's intent to focus his story against a backdrop of moody and isolated locations for the purpose of extracting of his stars from the rest of the world. The DVD, released by Artisan Series in the U.S. and now out of print, features a commentary track by director Adam Coleman Howard which is essential listening if one enjoys this type of movie. It dives deep into the oddities on screen and assists in understanding the film's coveted structure. Check this one out, especially if you like suspenseful dramas with unconventional themes. The disc can be had for a reasonable price on the secondary market as of this writing and is worth adding to your collection - especially for you Reedus fans clamoring to see him outside his zombie-hunting escapades.
Maybe I'm freak but I liked this very much. It was kind of mess, but who cares? I'm tired of boring and ordinary movies.
Dark Habour's characters, a married couple (Alan Rickman & Polly Hunter) and a vagabond (Norman Reedus), are slipping into a game full of hidden sexual energy and treason. Now-and-then tantalizing breaks increase the tensions and give much space for interpretations. Good acting and a story which, if not using the brain, will leave you in confusion. You have to watch it twice at least. The very strength lies in its unconventionality and in Alan Rickman, of course. Those who love him will love this movie.
Conclusion: It is not a typical prime time movie but Well Done !
The acting is phenomenal, the setting and cinematography are breathtaking, and every word of dialogue has a distinct undertone. I recommend it to everyone - you can hate me for it only AFTER you've seen it a few times - if you still don't like it...then see it again.
Lo sapevi?
- BlooperWhen Alexis is in the red dress in the kitchen, she leaves the kitchen and her mark in red tape on the floor can be seen.
- Citazioni
Young Man: It's funny. Your worst nightmare always seems so far away. Then, all of a sudden, there it is, like a monstrous tidal wave. You try to escape, but you can't. You struggle and you struggle and you struggle, your desperate cries unheard. Then, something strange happens, you stop struggling. Your cries take flight. You forget you're drowning.
- Colonne sonoreGo Slow
Written by Russell Garcia and Ned Cronk
Performed by Julie London
Published by Londontown Music Incorporated (ASCAP)
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Dettagli
- Tempo di esecuzione1 ora 36 minuti
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- Mix di suoni
- Proporzioni
- 1.85 : 1