Aggiungi una trama nella tua linguaThis is an edited version of a ten-year-old film, _Sea Fiend, The (1936)_.This is an edited version of a ten-year-old film, _Sea Fiend, The (1936)_.This is an edited version of a ten-year-old film, _Sea Fiend, The (1936)_.
- Regia
- Sceneggiatura
- Star
Foto
Barry Norton
- Robert Jackson
- (filmato d'archivio)
Blanche Mehaffey
- Louise
- (filmato d'archivio)
- (as Blanche Mehaffy)
Jack Barty
- Capt. Jackson
- (filmato d'archivio)
- (as J. Barton)
Terry Grey
- Tiny
- (filmato d'archivio)
Jack Del Rio
- Jose Francisco
- (filmato d'archivio)
Mary Carr
- Mother of Jose
- (filmato d'archivio)
William Lemuels
- Native Chief
- (filmato d'archivio)
- (as Bill Lemuels)
Maya Owalee
- Maya
- (filmato d'archivio)
Donato Cabrera
- Malo
- (filmato d'archivio)
Recensioni in evidenza
If there were an award for the most amount of stock footage in a film, this would have to win. The producers probably shot only about 10-15 minutes of extra scenes and spliced them into an hour of stock footage from several different films. Over the stock footage there is a narrator trying to connect the whole mess together. The so called native people shift from white to Asian to black randomly from scene to scene. The special effects (???) are awful and the pop tart, I mean devil monster, only appears long enough to eat some guys arm. The scene where the guy is fighting the monster is clearly superimposed as you can see the water in one part showing right through the other part making the guy in the water look transparent.
"A ship disappears during an ocean voyage and everyone is presumed lost. When evidence points towards a survivor of the wreck, the sailor's mother organizes an expedition to locate her missing son. When the explorers find the missing man living on n island, they take him against his will in order to return him to his home. The consequences of their actions prove very costly for the explorers, when the sailor sets about their downfall for taking him away from his island paradise," according to the DVD sleeve's synopsis.
This "edited version of a ten-year-old film, 'The Sea Fiend' (1936)" is a curious choice for re-release. Perhaps, its generous footage of topless South Sea island native women was the alluring ingredient. Since they were animalistic "natives", they could be shown bare-chested. Non-native women, similarly displayed, would be considered pornographic. So, you have a big-screen movie turning the pages of the "National Geographic", while attempting to tell an adventure story. And, it's not even the original film.
* Devil Monster (1946) S. Edwin Graham ~ Barry Norton, Jack Del Rio, Terry Grey
This "edited version of a ten-year-old film, 'The Sea Fiend' (1936)" is a curious choice for re-release. Perhaps, its generous footage of topless South Sea island native women was the alluring ingredient. Since they were animalistic "natives", they could be shown bare-chested. Non-native women, similarly displayed, would be considered pornographic. So, you have a big-screen movie turning the pages of the "National Geographic", while attempting to tell an adventure story. And, it's not even the original film.
* Devil Monster (1946) S. Edwin Graham ~ Barry Norton, Jack Del Rio, Terry Grey
"Plan 9" may be the best-known bad film of all time, but "Devil Monster" is an infinitely worse film. Much of the movie is clearly stock footage taken from a much earlier film. Ludicrous narration tries to tie it all together, but much of this grade-Z shlockfest makes no sense. The big finale fight scene, in which a sailor grapples with the Devil Monster, has the cheapest special effects you have ever seen. A man splashing around in water is superimposed over footage of manta ray. This movie is not for everybody, but lovers of trashy cinema may find it amusing.
DEVIL MONSTER is a cheap and non-cheerful effort to make a giant monster movie on a non-existent budget. The whole film seems to be more of a travelogue documentary than a real movie, featuring lame actors interacting with various footage of wildlife. At first the viewer is treated to numerous sea birds such as cormorants and the like before the action moves below the waves. We get staged 'treats' such as an octopus attempting to eat a fish and plenty more besides.
The story is virtually non-existent and about the hunt for a shipwrecked man, but the thrust of the tale is in reality a bunch of people vs. a giant manta ray. The aquarium special effects are less than convincing and the film as a whole makes the likes of PLAN 9 FROM OUTER SPACE look like a carefully-construed Oscar contender.
The story is virtually non-existent and about the hunt for a shipwrecked man, but the thrust of the tale is in reality a bunch of people vs. a giant manta ray. The aquarium special effects are less than convincing and the film as a whole makes the likes of PLAN 9 FROM OUTER SPACE look like a carefully-construed Oscar contender.
When you discover that two-thirds is stock footage, and the rest re-edited from an earlier 1936 picture entitled "The Sea Fiend", you know not to expect much. And yet still "Devil Monster" manages to over-promise and under-deliver. Essentially it's the tale of a young man (Norton) begged by the mother of a lost seaman to locate her son (Del Rio) on one of his father's regular tuna voyages; the woman he now loves also keen to discover the fate of her former lover - one in the same.
There's a lot of stock footage in between of sea lions frolicking, birds feathering their nests, native girls dancing, and octopus being harangued in an aquarium by an eel and finally, a mass tuna haul. There's also a brief scene in which a manta ray is captured - apparently sufficient enough to warrant the dubious title. Check out the special effects too - the transparent manta ray struggle is my personal favourite.
Some great corny dialogue to match some egregiously bad moments ensures your time is not entirely wasted ("there was an accident, and, he lost an arm"), but even at just sixty minutes, it's still too much to bear.
There's a lot of stock footage in between of sea lions frolicking, birds feathering their nests, native girls dancing, and octopus being harangued in an aquarium by an eel and finally, a mass tuna haul. There's also a brief scene in which a manta ray is captured - apparently sufficient enough to warrant the dubious title. Check out the special effects too - the transparent manta ray struggle is my personal favourite.
Some great corny dialogue to match some egregiously bad moments ensures your time is not entirely wasted ("there was an accident, and, he lost an arm"), but even at just sixty minutes, it's still too much to bear.
Lo sapevi?
- QuizA Mexican-American co-production released originally in 1935 as "The Sea Fiend" and "The Great Manta". Eleven years later it was re-edited with more stock nude scenes of topless native women and reissued as "Devil Monster", most likely for use on the adults-only roadshow circuit.
- BlooperIn some scenes the "native" woman are black, in other scenes they're Asian, and in other scenes they're white.
- ConnessioniEdited from The Sea Fiend (1935)
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