Aggiungi una trama nella tua linguaA renegade federal agent uses a new drug to create an army of unbeatable warriors.A renegade federal agent uses a new drug to create an army of unbeatable warriors.A renegade federal agent uses a new drug to create an army of unbeatable warriors.
- Regia
- Sceneggiatura
- Star
Dana Lis Mason
- Genelle Davis
- (as Dana Lis)
Salvatore Richichi
- Tony
- (as Sal Richichi)
Rickey Pardon
- Hector Morales
- (as Ricky Pardon)
Joe Zimmerman
- 2nd Lazzada Gangster
- (as Joseph Zimmerman)
Dennis Phun
- Viet Nam Soldier
- (as Daniel Kong)
Recensioni in evidenza
If you made a genre flick in the late 80s, you basically had a 50/50 chance it would either be set underwater or in a prison (sadly, we never got an underwater prison flick). Framed for murder by mafia boss Moretti (Anthony Franciosa), Derek Keillor (Dennis Cole) ends up on death row, right alongside the mob boss' brother Frankie (Frank Sarcinello Jr.). But this is the least of Derek's problems as rogue government agent (and mob stoolie) Col. Burgess (John Saxon, who also directs) is using the prison as a testing ground for a new supervirus. This is the only flick Saxon directed during his storied career. For a guy who has worked with tons of directors, it appears the only ones he picked up any tips from were the cheap-o Italian ones. Sure, it is low budget, but that can't excuse the stilted staging, shooting gaffes, or clumsy exposition in the first 15 minutes. To his credit, Saxon did make it slightly gory and he works in a hilarious nude scene (our lead falls asleep during a prison riot only to fantasize about a female scientist). Cole, who looks like a more rugged Jan-Michael Vincent, is decent as the stoic lead and Franciosa - sporting a really bad rug - gives it his all as the cliché mob boss. The end takes place at Marty McKee's favorite location, Bronson Canyon. Retromedia released this on DVD as ZOMBIE DEATH HOUSE.
Quite honestly, this has to be one of the worst films I have ever put myself through. I didn't even make it through the halfway mark, and that's saying something, considering I have watched some pretty dreadful films. I don't think the filmmakers even knew what kind of film they wanted to make. A mobster drama, or a horror film. It plays as both. The former taking up a good third of the film. So, my advice... avoid it unless you want to give up and hour and a half of your life, that you will never get back. Granted, John Saxon is a wonderful actor. But his talent as a director leaves a lot to be desired. Oh, and one more thing, the $1000 Shock Insurance Certificate that was included with the DVD, should be used to provide the first person who dies of boredom, not shock while viewing this awful film.
John Saxon. Why else wouldn't you watch it? Not only does he star, but also directs. "Zombie Death House" was a modest horror b-grade cheapie that I wanted to like more than I actually did. Sure it was amusing and rather oddball, but the threadbare execution doesn't gel with its cartoonish ideas and mangled plot involving many genres / themes. It starts off like a systematic crime joint (interesting montage in the opening credits), finds itself turning into a prison yarn and then hell breaks loose as a genetic virus (from an experimental drug) turns inmates into unstoppable zombies while innocent people find themselves under siege in the prison.
Sounds crazy as it throws in everything but the kitchen sink, however in the end it's rather monotone in its developments and a lack of directorial flair (although Saxon enjoyed using slow-motion) really does show it up. Little atmosphere or tension arises from the repetitive situations and the editing is clunky, but still there's a certain raw, brutal edge to it and some moments of pulsating graphic make-up FX offers creatively icky surprises. It's tacky and primitive, but Saxon does a decent job making it tight even though its slow to get going and with the dreary prison surroundings a suffocating strangle hold is constructed. Where it actually surprised though was the performances; mainly those playing the bad guys; John Saxon, Tony Franciosa and Howard George as the head guard. Saxon gives a typical conniving turn as some sort of ice-cold patriotic CIA agent who likes to preach, but it's Franciosa who's the life of the party as a mafia gangster. The rest are acceptable even with Dennis Cole's wooden persona in the lead and the ravishing Tane McClure looking professional. Also appearing is Alex Courtney, Michael Pataki and Ron O'Neal.
Formable, junky low-grade entertainment.
"Don't touch my twinkies"!
Sounds crazy as it throws in everything but the kitchen sink, however in the end it's rather monotone in its developments and a lack of directorial flair (although Saxon enjoyed using slow-motion) really does show it up. Little atmosphere or tension arises from the repetitive situations and the editing is clunky, but still there's a certain raw, brutal edge to it and some moments of pulsating graphic make-up FX offers creatively icky surprises. It's tacky and primitive, but Saxon does a decent job making it tight even though its slow to get going and with the dreary prison surroundings a suffocating strangle hold is constructed. Where it actually surprised though was the performances; mainly those playing the bad guys; John Saxon, Tony Franciosa and Howard George as the head guard. Saxon gives a typical conniving turn as some sort of ice-cold patriotic CIA agent who likes to preach, but it's Franciosa who's the life of the party as a mafia gangster. The rest are acceptable even with Dennis Cole's wooden persona in the lead and the ravishing Tane McClure looking professional. Also appearing is Alex Courtney, Michael Pataki and Ron O'Neal.
Formable, junky low-grade entertainment.
"Don't touch my twinkies"!
This film essentially begins with a Vietnam veteran named "Derek Keillor" (Dennis Cole) having been discharged from the Army and accepting a job working as a chauffeur to a mob boss by the name of "Vic Moretti" (Anthony Franciosa). Trouble begins, however, when Vic discovers that his mistress "Genelle Davis" (Dana Lis Mason) is having an affair with Derek. To remedy the situation, Vic kills Genelle and then frames Derek for the murder. To make matters even worse, it just so happens that Vic's brother "Franco Moretti" (Michael Pataki) is also a prisoner in the same facility and pretty much controls everything and everybody inside--and he is quite anxious to get his hands on Derek. But what he doesn't count on is the fact that a federal agent named "Colonel Gordon Burgess" (John Saxon) has decided to use some of the prisoners in that same facility as guinea pigs for a dangerous new drug which results in a contagious disease that begins to turn almost everyone inside the prison into raging zombies. Now, rather than reveal any more, I will just say that the film started out well enough but then low-budget aspects soon became much too apparent, and things went downhill from there. Admittedly, having two attractive actresses like Dana Lis Mason and Tane McClure (as "Tanya Kerrington") certainly didn't hurt matters. Even so, it just wasn't enough for me to rate this film any higher than I have. Slightly below average.
John Saxon was a wonderful actor: he brought style and class to numerous cult classics, working for such film-makers as Mario Bava, Wes Craven, Dario Argento, Sergio Martino, Robert Rodriguez, John Sturges, and Robert Clouse. However, I think it's fair to say that, judging by Death House, Saxon wasn't that great behind the camera himself: his only gig as director, this film is a forgettable piece of trash that meanders aimlessly for an hour and a half, with pedestrian action, wooden performances, and very little in the way of originality or excitement.
Saxon also stars in the film, playing shady government operative Colonel Gordon Burgess, who uses the inmates at a penitentiary as guinea pigs for an experimental virus that turns people into superhuman zombies. Vietnam vet Derek Keillor (Dennis Cole), on death row after being framed for murder by mafia boss Moretti (Anthony Franciosa), attempts to lead the uninfected out of the prison, but finds that Burgess has placed the establishment in quarantine.
With a plot that goes nowhere for much of the time, Death House is an extremely tedious zombie film. The only times that the film displays any life is when Saxon sees fit to throw in some gratuitous nudity or gore. Sadly, there just isn't enough of either to compensate for the lack of genuine suspense or decent action. Cole is passable in the hero role, and Saxon and Franciosa (co-stars in Argento's Tenebre) are as solid as ever as the villains, but what this film sorely needed was much more splatter and T&A, because nothing succeeds like excess.
Saxon also stars in the film, playing shady government operative Colonel Gordon Burgess, who uses the inmates at a penitentiary as guinea pigs for an experimental virus that turns people into superhuman zombies. Vietnam vet Derek Keillor (Dennis Cole), on death row after being framed for murder by mafia boss Moretti (Anthony Franciosa), attempts to lead the uninfected out of the prison, but finds that Burgess has placed the establishment in quarantine.
With a plot that goes nowhere for much of the time, Death House is an extremely tedious zombie film. The only times that the film displays any life is when Saxon sees fit to throw in some gratuitous nudity or gore. Sadly, there just isn't enough of either to compensate for the lack of genuine suspense or decent action. Cole is passable in the hero role, and Saxon and Franciosa (co-stars in Argento's Tenebre) are as solid as ever as the villains, but what this film sorely needed was much more splatter and T&A, because nothing succeeds like excess.
Lo sapevi?
- QuizAccording to John Saxon, he enthusiastically offered to direct the film if he agreed to also star in it after the initially hired director withdrew from the project at the last minute. Unfortunately, the producers imposed more car chases and gore than the script asked for and Saxon later admitted he did not really get the chance to make the film according to his own vision.
- ConnessioniReferenced in Dead Men Walking (2005)
- Colonne sonoreMaking Love
Written and Performed by Del Casher
Published by Leddel Music Co., ASCAP
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Dettagli
Botteghino
- Budget
- 1.500.000 USD (previsto)
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was Death House (1988) officially released in Canada in English?
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