Camere e corridoi

I saw this film as part of a focus group in Riverside, CA, before any other American release. I loved it. Witty, amusing and fun. It was wonderful. A study of relationships and the troubles we all seem to have, plus a hilarious look at all the Touchy Feely New Age Mumbo Jumbo nonsense that was so prevalent in the 90's.

Sadly, the focus group was poorly chosen and almost 1/3 of the people in the audience left after the first "guy with guy" scene. If you are not disturbed by sexuality, you should be very well entertained. This mass exodus should be interpreted as saying anything about the film, but about the number of narrow minds in Riverside.

I only hope that it will be released on video in the USA...

OK, I don't kid myself that this is the typical gay love life but since when are straight romances in real life as they are on the screen? This movie is well-balanced with comedy and drama and I thoroughly enjoyed myself. It was a riot to see Hugo Weaving play a sex-obsessed gay real estate salesman who uses his clients' houses for his trysts with the flaming Darren (Tom Hollander). And having seen him in Priscilla, Queen of the Desert only the day before, he is probably one of the most secure-in-their-masculinity actors around. :) Anyway, the plot flowed smoothly and the male-bonding scenes were a hoot. Thumbs up! 8/10

I loved this movie! It was adorably touching and funny. Finally, here's a story about a group of people who meet some challenges, flounder a bit, and then decide to just be themselves and end up happy for; when was the last time you saw that in a film? Dealing with the fluidity of life, love, and sexuality, the characters are faced with real problems (albeit in often ridiculous situations like the men's group camping trip, and the explicit realatory liaisons) and manage to learn and grow without the movie getting preachy, darkly desperate, or too unrealistic. You'll love and care about the characters who, far from being hollow stereotypes, portray real people with just a touch of the truth behind their would-be labels.

A good romcom for a Saturday afternoon, and the only movie I've ever seen where sexual fluidity ends happily, and no one is forced to be anything they don't want to be. Far better than Kissing Jessica Stein, a good choice if your tired of watching gay movies that have some painful lesson and bitter lesson. Or, maybe you just like a good British romp? James Purefoy looks dashing as always, and Tom Hollander is deliciously funny. So go forth, watch, enjoy; you won't regret it!

I found this film to be immensely enjoyable and entertaining until the last 20 minutes or so. At that point, it ran out of gas. The ending reminded me of awards show speeches in which the recipient is urged to "wrap it up" as the music swells behind him/her. The sudden pairing off of all the characters feels forced and lacks credibility. I felt quite let down.

I loved that the mood was light and airy. I loved that the lead character wanted guarantees about his future, and that his roommate sets him "straight" of all people. I loved that they tackled the dynamics of how the members in the men's group dealt with each other, considering this was directed by a lesbian,the whole theme of masculinity was put out there, ridiculed, dissected and questioned. What makes a man? What makes one straight, gay, or bisexual? You aren't really sure if our lead character has decided on who he really wants; he's living in the moment and thrown caution to the wind. These, and other reasons, make me love this film.