La rosa di ferro

First off, I was shocked at the low rating this film got. Probably because not many people have seen it. Jean Rollin is mostly known for his violent and sexual vampire movies. That's why I've never seen any of his films till now. Maybe I'll have to see more of his movies. La Rose De Fer (the Iron Rose) is one of the most sensual and beautiful horror films I've ever seen. The plot is simple yet effective. A beautiful french women meets a guy at a wedding. He asks her out. They decide to take a romantic walk in the cemetery. The couples bright yellow and red outfits add a contrast to the dark setting. They decide to make love in a tomb, and when they get out they discover they are trapped in the cemetery. They keep walking, but end up in the same spot. The cemetery almost becomes never ending and it seems there is no way out. This leads the couple to slowly loose their sanity. The girl almost enjoys the cemetery too much. Although the movie doesn't have much nudity, it has a very surreal and sexy feel to it. There really isn't any violence in the film either, but that doesn't stop it from being creepy. The dialog flows like poetry, and the Gothic atmosphere almost paints a picture. It's definitely a film thats visually rich with compositions as breathtaking as anything done by Antonioni or Greenaway. Fans of bizarre art-house films will definitely find it worth watching. Although the film moves slow at times, it's still flawless in it's vision. A perfect horror film to watch on a date.

A surreal tale with an almost fairytale like quality to it. Rose of Iron seems very much like a cautionary tale of old as opposed to a straight forward horror film. The films drips with dark atmospheric, from the morbid poet who charms the female lead, to the foggy and creepy aesthetics of locations such as the train yard and the graveyard.

The plot navigates around a young man falling for a pretty girl, they meet at party where his poetry (need I remind you that not all poetry is rose are red) wins him the attention of an attractive girl. In keeping with the surreal they meet in a eerily quiet train yard and soon find their way to a graveyard. Our male lead lacks what you'd call respect for the dead and they're soon making love in a family crypt. When they're done night has fallen, they're locked in. Fear and madness begin to overtake them. But is there more to the graveyard than meets the eye? Perhaps, perhaps not. Rose of Iron is at the very least, a very enigmatic film.

A purely psychological horror, with few actual elements of the supernatural. It could be that they are simply lost in the graveyard, but at times they seem to be going straight but ending up where they began. It plays on conventions and stereotypes as our male lead becomes angry and violence prone. Since it is he who triggers the inciting incident, it is of course him that the obligatory scene at the climax must focus more one. But ultimately it's the female lead and her surreal serenity that leaves us with a climax you won't find in many gore encrusted horror films.

In Director Jean Rollin's THE IRON ROSE, a man and woman (Hughes Quester and Fancoise Pascal) meet at a wedding reception, go for a bike ride, and end up at a cemetery. Deciding to have sex in a crypt (!!), they manage to stay until sundown.

When they try to leave the cemetery, they're unable to find a way out. Increasing panic spirals downward into insanity. Death, the fear thereof, and superstitious dread are explored.

One of Rollin's more subtle efforts, it contains far less nudity and more philosophical discussion than his other horror films. The scene where the young lovers roll around in human bones is unsettling, and what's up with the clown, anyway? Rollin followers will enjoy this, while those expecting a typical horror movie might want to watch something else...

The beginning of the film - deserted town and railway station sequences are a delight. When the characters eventually enter the cemetery, 'The Iron Rose' gets somehwat tedious, with the heroes merely wondering amid the tombstones, uttering nonsensical lines from time to time. There's little for them to do there. The film was clearly made purely out of Rollin's love for cemetery ambiance,its decay and desolation: multiple shots of crosses and tombstones, strange characters who don't understand each other. Conversations they have lead nowhere and end abruptly. Rollin populates the cemetery with his favourite heroes: a vampire is seen entering the crypt, and a creepy clown bringing some flowers to one of the graves. The acting is rather questionable, also because the script doesn't provide the leads who actually seem to be quite capable actors, with any material to work with. Therefore their behaviour in the film seems really weird as they switch from nearly catatonic state to mad fury for no reason and then become mild and gentle again within seconds. Rollin never ever tells conventional stories with his films, instead he just films what he wants to see, and then puts it together in editing, as a result his subconscious is on display. There's no such thing as pace in his films, he doesn't try an give his films rhythm and structure via editing, he only uses it to put the scenes together (hence the frequent jarring cuts in most of his works). The director's aim is to put you in a particular mood, not to deliver some concrete message. Atmosphere is his ultimate aim, for Rollin admits his films are moving paintings. I was disappointed when I first watched the film, but I rewatch it often. Although lacking any dramatic tension, 'The Iron Rose' is a very beautiful and atmospheric film.

Iron Rose, The (1973)

*** (out of 4)

A man (Hugues Quester) and woman (Francoise Pascal) meet at a wedding reception and sneak off to talk where they agree to meet the next day for a bike ride. The two ride past a cemetery and decide to enter so that they can have sex in an underground tomb but when they come up it is now dark and they soon find themselves lost and unable to get out. This is considered by many to be the best film Rollin ever made and I might not disagree. The film has received a big cult following over the years and the strange thing is that it has been sold as a horror film but there's no horror anywhere in the film. This is certainly an art house film and a departure for Rollin as there are no vampires, zombies, lesbians, gore and even the sex is tame and there's only one sequence of nudity. The film runs 75-minutes and not too much happens in that time. The two just walk around trying to find their way out while their minds start to be filled with paranoia. The film is very slow paced like every other Rollin film but this works in the films favor. The cinematography is terrific and they used a real cemetery to shoot in, which adds great atmosphere. I think the final eight minutes could have been edited down but this is certainly a surreal little gem.