VALUTAZIONE IMDb
5,1/10
4517
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Christian J. Meoli
- Tobo
- (as Christian Meoli)
Recensioni in evidenza
I liked it, it was really off the wall, many very funny scenes, and wonderful dialogue throughout. Maybe it's just because I used to love a red headed trouble loving woman, this was a fun movie. No one got killed, only one short scene that involved any violence. Not as good as High Fidelity, not as weird as Clerks, but way better than usual.
I read many of the other review before adding my comments, so the net result may be a review of the reviews more than commentary on the movie itself. What a twisted, postmodern web I weave, huh?
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
I saw a screening of this film in its uncut version 3 months ago... (I intern at the company that aquired it and is going to distribute it.) It has some great *realistic* caricatures of potheads and all other sorts of drug users and such... Luke Wilson is okay, but his subtlety doesn't quite work here. The story is as meandering as its subject matter, much like the finer, non-Hollywood stoner films. Amy Locane is pretty good, (why didn't her career ever fly?) Other cast are frighteningly familiar caricatures of neo-hippy-ites. Final cut will probably be better than what I saw, as I hear that many long, boring segments are being cut from the film. People in on the scene, or stoned at the time, will enjoy the film a lot. Doesn't, however, have mass-audience appeal at all.
Saw this at the Temecula Valley Film Festival last week. One of the best ones there. Luke Wilson is great, Alicia Witt is *tops*. Looking for more of her as soon as possible. I know someone exactly like the character she plays here. Very funny, very cool movie.
I have a soft spot for the Stoner genre - I can't help it. And, unlike some of the posters about this film, I really enjoyed "Half-Baked" - it was good-natured and humble. Though the cover for "Bongwater" gave me impression of those indie movies given a shamelessly misleading advertising "angle" by companies eager to earn back even a third of the money they spent on it, I took a chance because I like Jack Black and Luke Wilson and there's always room for one more stoner movie. Bad idea. Not a stoner movie (the drug sequences are uniformly embarrassing), not a comedy, and never affecting, "Bongwater" stinks; blighted with a strained script, unfocused direction, and the kind of nebulous yet righteously sadistic morality that belongs in a Joel Schumacher opus, not an indie film. Even more disturbing, this movie shook up my opinions about actors I'd always thought I liked. Luke Wilson, so laconically charming in Wes Anderson's movies, is wooden here, the usually amusing Andy Dick is boring, and comic god Jack Black appears in only one scene that even begins to make proper use of him. And then there's Alicia Witt - I liked her OK in "Cecil B. Demented," but her performance in "Bongwater" is so excruciatingly pretentious, bratty, and shrill (she must have attended the Liza Minelli school of acting) that I pledge to never again watch another movie in which she appears.
Bottom line: I'd take the most braindead of stoner comedies over this tone-deaf, small-minded, and almost utterly unfunny movie. Even if you're a Tenacious D completist, think hard before you spend money on "Bongwater."
Bottom line: I'd take the most braindead of stoner comedies over this tone-deaf, small-minded, and almost utterly unfunny movie. Even if you're a Tenacious D completist, think hard before you spend money on "Bongwater."
Lo sapevi?
- QuizWhen Tommy (Jamie Kennedy) looks at Serena's driver's license, we see that her last name is Witt. Alicia Witt, who plays Serena, wrote her last name on it exactly like in her own signature.
- BlooperThe boom mic can be blatantly seen several times in the full screen (1.33) version.
- Curiosità sui creditiThrough the closing credits, we hear people leaving coded messages on an answering machine about buying pot.
- Versioni alternative96-minute version:
- Opening credits uses the song "Sunday" by Sonic Youth.
- 65 minutes in, at the end of David's hallucination, his mom walks away and says "Now how the hell do I get out of this place?" In this cut, she fades away into nothingness after saying that line.
- ConnessioniReferences Quando eravamo re (1996)
- Colonne sonoreSunday
(uncredited)
Written by Thurston Moore, Kim Gordon, Lee Ranaldo and Steve Shelley
Performed by Sonic Youth
[Appears 1 minute in during some versions of movie]
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- Tempo di esecuzione1 ora 37 minuti
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