VALUTAZIONE IMDb
7,1/10
21.219
LA TUA VALUTAZIONE
Un ex spacciatore di Los Angeles si è trasferito a Houston per farsi una nuova vita come architetto sposato. Tutto va in pezzi quando viene improvvisamente visitato da uno dei suoi ex colleg... Leggi tuttoUn ex spacciatore di Los Angeles si è trasferito a Houston per farsi una nuova vita come architetto sposato. Tutto va in pezzi quando viene improvvisamente visitato da uno dei suoi ex colleghi che arriva portando eroina.Un ex spacciatore di Los Angeles si è trasferito a Houston per farsi una nuova vita come architetto sposato. Tutto va in pezzi quando viene improvvisamente visitato da uno dei suoi ex colleghi che arriva portando eroina.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Michael D. Olmos
- Domino Player
- (as Michael Darnell)
Recensioni in evidenza
This movie almost doesn't try hard to be serious at all, but it is, and it's a pretty damn good flick. This role seems to be made for Thomas Jane. If you didn't see the beginning sequence, you could definitely believe that his character, Casey, is just a hapless and dull husband. This assumption is a tribute to Thomas Jane's range. He is utterly convincing as both a sweet and seemingly dull-witted house-husband, as well as a cold, swaggering badass with that thousand-yard stare. Throw in some crazy plot twists involving his ex-partner and a grotesquely malformed Mickey Rourke (sporting a slimy, perverted version of his once-great pompadour) and you've got yourself a good action-thriller.
OK,so this film is NOT very well known,and wasn't very well publicised.I discovered this fairly brutal gangster gone good movie by complete accident on one of Skys millions of movie channels late on some boring evening,but I'm glad i did!The opening sequence to this film is fantastically comical in a very dark way.This in fact sets what i think is the general tone for the movie.I think a lot of critics and movie fans that have actually seen this film have been a bit unfair to just write it off as a lower budget gangster movie in the Reservoir Dogs vein.OK,so there are undeniable similarities between Thursday and some other crime genre films that it has been compared to,but in all fairness,i think this film takes a much more darkly comic look at this type of film,and the end result is a engrossing,well made,funny,if not totally original film.Tom Jane is good in this,and deserves the recognition he will now hopefully get thanks to the The Punisher.His performance as the bad guy gone good is realistic,funny and just cold enough to make you believe Casey really was a bad ass before he reformed.Thats another thing that makes this film stand out for me,the characters.In Nicks gang you get the strangest trio of criminals ever assembled,a smooth,charismatic but very cold leader(Nick),a trigger happy blood loving sexually predatory bitch of a woman(Dallas)and a psychotic hill billy with brains with a penchant for torture(Billy Hill).Throw in the most bizarre police detective ever seen on screen,beautifully over played by Mickey Rourke,and you've got a recipe for...well for Thursday really.Its at times darkly comic,sometimes brutal,sometimes unoriginal,but always engrossing and worth watching.8/10
It is a damn good movie,with some surprising twists,a good cast and a great script. Only a couple of stupid bits,like the Rasta hit-man scene (This guy's a professional?) but that has been commented on already. The fact I had only heard one guy at work mention it before, and did not have many opinions or reviews to go on, made it even more entertaining. This gets a higher score than maybe some people think it deserves, but I have to factor in the low budget and the good effort from the cast. It sickens me that some movies get made whose budget equals the GDP of a small country,with a hyped up release,good reviews,an Oscar winning director and/or actors, and turn out to be so disappointing,with actors sleepwalking through their roles and uninspired directing,with predictable plot lines and a story with holes in it so big,Sandra Bullock could drive a bomb-loaded bus through it. (Examples in my opinion are The Terminal,Castaway,Matrix:Revolutions) Extra points are awarded for the wardrobe department choosing great clothes for the cast,especially Paulina Porizcova,who wears a rubber dress in one scene,and a jacket with "c*nt" on the back in large letters in another!A sex scene which shows off her tight ass and a good soundtrack are added bonuses! And PLEASE,enough with the Tarantino comparisons,this did not remind me of a Tarantino flick at all.... and Tarantino borrows virtually every idea he has ever had from other movies! Even if that is your opinion,are we saying once a certain film or book is written or directed one way,no-one can ever use the same ideas again? get real. This film has it's own style.
You may have heard of this film only in the context of the noted film critic Roger Ebert's attack on it as something that "crosses the line" when it comes to violence and offensiveness. (I'm still wondering if he and I saw the same movie at the Toronto Film Festival!)
I beg to differ with Mr. Ebert's opinion that any person with basic sensibilities will be completely offended by this film. I don't believe it necessarily pushes the limits that had been previously set by such "just as over the top" offerings as PULP FICTION and RESERVOIR DOGS. This film might suffer from the fact that it is NOT a Tarantino production, but if you like cartoonish violence, obvious stereotypes and oddball chitchat on cultural themes (Star Trek, anyone?), it will not disappoint. I went into it with no preconceptions (I bought a ticket at the last minute on the day of the 2nd screening) and was surprisingly entertained.
I beg to differ with Mr. Ebert's opinion that any person with basic sensibilities will be completely offended by this film. I don't believe it necessarily pushes the limits that had been previously set by such "just as over the top" offerings as PULP FICTION and RESERVOIR DOGS. This film might suffer from the fact that it is NOT a Tarantino production, but if you like cartoonish violence, obvious stereotypes and oddball chitchat on cultural themes (Star Trek, anyone?), it will not disappoint. I went into it with no preconceptions (I bought a ticket at the last minute on the day of the 2nd screening) and was surprisingly entertained.
'Thursday' is a good movie but we recognize too much from other movies in its genre and therefor it lacks originality. If you have seen 'Goodfellas', 'Reservoir Dogs', 'Pulp Fiction' and a bunch of other movies that were inspired by that last one you have seen almost every part from 'Thursday'. There is a scene that involves torturing that has even the same dialogue as in Tarantino's 'Reservoir Dogs'.
Still, it is a good movie. Because not every part is taken from the same movie the complete thing has some new ideas and some nice touches. The opening sequence to begin with, is quite impressive. We meet Nick (Aaron Eckhart), Dallas (Paulina Porizkova) and Billy Hill (James Le Gros). They get into a fight with a clerk in a gas station over a cup of coffee and it ends with the death of that clerk and the arrival of a cop. We've already glimpsed at a suitcase with a lot of money in it.
Then we meet Casey (Thomas Jane) in Houston. He is married to Christine (Paula Marshall) but used to be working with Nick. She doesn't know a thing. Then Nick gives him a call and says that he is coming. We learn that he has screwed his friends over and the problems are about to start.
What happens exactly is not for me to reveal but we meet some other characters, all interested in the money or the drugs Nick also had with him. Casey has flushed those down the drain.
Very funny moments, a lot of blood, a very funny sub-plot involving actor Michael Jeter and some surprises (although if you really think about it you see them coming) this is a good movie with some very fine performances, nicely directed by Skip Woods.
Still, it is a good movie. Because not every part is taken from the same movie the complete thing has some new ideas and some nice touches. The opening sequence to begin with, is quite impressive. We meet Nick (Aaron Eckhart), Dallas (Paulina Porizkova) and Billy Hill (James Le Gros). They get into a fight with a clerk in a gas station over a cup of coffee and it ends with the death of that clerk and the arrival of a cop. We've already glimpsed at a suitcase with a lot of money in it.
Then we meet Casey (Thomas Jane) in Houston. He is married to Christine (Paula Marshall) but used to be working with Nick. She doesn't know a thing. Then Nick gives him a call and says that he is coming. We learn that he has screwed his friends over and the problems are about to start.
What happens exactly is not for me to reveal but we meet some other characters, all interested in the money or the drugs Nick also had with him. Casey has flushed those down the drain.
Very funny moments, a lot of blood, a very funny sub-plot involving actor Michael Jeter and some surprises (although if you really think about it you see them coming) this is a good movie with some very fine performances, nicely directed by Skip Woods.
Lo sapevi?
- QuizCasey's house where everything takes place is in the suburbs of Houston, Texas.
- Blooper51:30 into the movie, the amount of cocaine on Nick's nose changes during the end of the big drug deal scene.
- Versioni alternativeThere is an NC-17 version available on video that contains more gore/violence and sexual content.
- Colonne sonoreGuiding Star
Written by Joost Langeveld, James Pinckney and Angus McNaughton
Performed by Unitone HiFi
Courtesy of Unitone HiFi Control
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 3121 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1971 USD
- 15 nov 1998
- Lordo in tutto il mondo
- 3121 USD
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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