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IMDbPro

He Got Game

  • 1998
  • VM14
  • 2h 16min
VALUTAZIONE IMDb
6,9/10
53.461
LA TUA VALUTAZIONE
Denzel Washington in He Got Game (1998)
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Riproduci trailer2: 11
4 video
89 foto
BasketballComing-of-AgeTeen DramaDramaSport

Il padre di un giocatore di basket deve cercare di convincerlo ad andare al college in modo che possa ottenere una condanna più breve.Il padre di un giocatore di basket deve cercare di convincerlo ad andare al college in modo che possa ottenere una condanna più breve.Il padre di un giocatore di basket deve cercare di convincerlo ad andare al college in modo che possa ottenere una condanna più breve.

  • Regia
    • Spike Lee
  • Sceneggiatura
    • Spike Lee
  • Star
    • Denzel Washington
    • Milla Jovovich
    • Ray Allen
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    53.461
    LA TUA VALUTAZIONE
    • Regia
      • Spike Lee
    • Sceneggiatura
      • Spike Lee
    • Star
      • Denzel Washington
      • Milla Jovovich
      • Ray Allen
    • 149Recensioni degli utenti
    • 56Recensioni della critica
    • 64Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 10 candidature totali

    Video4

    Trailer
    Trailer 2:11
    Trailer
    4 Basketball Classics and 3 You May Have Missed
    Clip 1:40
    4 Basketball Classics and 3 You May Have Missed
    4 Basketball Classics and 3 You May Have Missed
    Clip 1:40
    4 Basketball Classics and 3 You May Have Missed
    He Got Game
    Clip 1:20
    He Got Game
    He Got Game
    Clip 0:56
    He Got Game

    Foto89

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    Interpreti principali85

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    Denzel Washington
    Denzel Washington
    • Jake Shuttlesworth
    Milla Jovovich
    Milla Jovovich
    • Dakota Burns
    Ray Allen
    Ray Allen
    • Jesus Shuttlesworth
    Rosario Dawson
    Rosario Dawson
    • Lala Bonilla
    Hill Harper
    Hill Harper
    • Coleman 'Booger' Sykes
    Zelda Harris
    Zelda Harris
    • Mary Shuttlesworth
    Ned Beatty
    Ned Beatty
    • Warden Wyatt
    Jim Brown
    Jim Brown
    • Spivey
    Joseph Lyle Taylor
    Joseph Lyle Taylor
    • Crudup
    Bill Nunn
    Bill Nunn
    • Uncle Bubba
    Michele Shay
    • Aunt Sally
    Thomas Jefferson Byrd
    Thomas Jefferson Byrd
    • Sweetness
    Roger Guenveur Smith
    Roger Guenveur Smith
    • Big Time Willie
    John Turturro
    John Turturro
    • Coach Billy Sunday
    Lonette McKee
    Lonette McKee
    • Martha Shuttlesworth
    Arthur J. Nascarella
    Arthur J. Nascarella
    • Coach Cincotta
    Travis Best
    • Sip
    Walter McCarty
    • Mance
    • Regia
      • Spike Lee
    • Sceneggiatura
      • Spike Lee
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti149

    6,953.4K
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    Recensioni in evidenza

    bob the moo

    Flawed but always interesting

    Jesus Shuttlesworth is the number one hope for college basketball and has offers from colleges and sports agents ringing non-stop. His father is in jail for the manslaughter of his wife but is allowed out by the Governor for 4 days with a promise of further leniency if he can convince his son to go to Big State University. However Jesus has never forgiven him and this pressure, on top of everything else, is the last thing he needs.

    I'm never too sure what I'm going to take away from this film each time I watch it, as it does tend to try and cover a lot of ground. Is the film about father/son relationship? Is it about the commercialisation of school sports? Or pressure on young athletes? It's hard to be sure and I'm not sure that Lee is totally sure either. As such it often leaves me searching for an adequate way to summarise what I just watched. Regardless I do feel that the film manages to cover a lot of bases well. The stuff about the sports system is well worked without ramming down your throat – the exaggeration (or is it?) of the characters and scenarios is good and makes for good satire of sorts.

    The central relationship between Jake and Jesus is also worked well through several key scenes throughout the film. It leaves questions open during the film and at the end, but I guess there aren't always answers for everything and that's the way it is. The dynamic between the two is good though and it makes for an interesting plot – even though it does often feel like a subplot behind the basketball stuff. Other bits of the film don't fare as well. The two romantic strands are not as good as they should be – certainly Jake's scenes with Dakota are less than inspiring.

    The cast are all pretty good. Allen does OK but occasionally looks out of his depth with the talented cast. The array of basketball players and associates all add colour whether as themselves or playing characters. Washington carries the majority of the film and shows his ability in a difficult role – he became the heart of the film for me even though I'm sure the intention was for that to be Jesus. Dawson plays well despite being eye candy for the majority, she does have better scenes near the end of the film. The support cast have a few Lee regulars including an amusing Turturro, a convincing Palagonia and a blink and you'll miss her Jennifer Esposito.

    Overall this is not a perfect film as it overstretches itself a little and doesn't manage to deal with everything as well as it could have done. Ironically the overstretching is also a plus point as, every time I watch it, it gives me something else to concentrate on. Not Lee's finest work but a good film about his other passion with plenty of other stuff thrown in behind it.
    10thekino

    A Great Movie for Anyone Who Plays Ball at Any Level

    I recently watched this movie for the first time, and as a 19 year old black male it spoke to me. However, I can see this being a film that everyone can appreciate. Especially now, with Lebron James and other upcoming HS athletes, you really see the other side of life that only they know.

    This movie detailed the life of the #1 basketball star in HS, and the issues he deals with before he announces his plans for the future, further complicated by his father's contingent release from jail.

    A GREAT movie, don't let the votes fool you, it's not a 6.5/10, more like 8.5.
    8Rigor

    A fascinating performance by Denzel Washington in a solid film.

    Denzel Washington has one of his greatest charcaters in Jake Shuttlesworth in this compelling film by Spike Lee. Jake is a man serving a life sentence for the accidental murder of his wife during a domestic dispute. The dispute centered around Jake's aggressive coaching of his young son Jesus who he is obsessed with turning into a basketball star. As the film opens we learn that Jesus (effectively played by Ray Allen) has indeed become a high school basketball star and is being now aggressively pursued by University teams and commercial agents. In a somewhat fanciful, yet unfortunately believable plot device the Governor promises Jake early release from prison if he can convince his son to go to Big State. Much of this film is amazingly well executed my only regret comes around some of the gender politics of the film (many of the female characters are underdeveloped and/or cartoonishly stereotyped). This is particularly unfortunate because the film has so much to say about the intersections of patriarchy/economic injustice/racism that I wish Spike Lee could have been a little more consistent with his development of the women characters (one notable exception is a brilliantly realized performance by Milla Javovich as a prostitute that rooms next to Jake). This said the film is still an important accomplishment and should be seen.
    tfrizzell

    Fouled Out Pretty Quickly.

    Director Spike Lee's ode to basketball is one of those frustrating experiences that appears to be a possible slam dunk, but ultimately ends up fouling out mainly because of an uneven story and a nearly invisible tone. Denzel Washington is serving a prison sentence for killing his wife in a domestic dispute. While away, his son has grown to become high school basketball stand-out Ray Allen (a real-life NBA player). Governor Ned Beatty promises to shorten Washington's sentence if he can convince Allen to attend Beatty's alma mater. He has one week to accomplish his goal. Naturally Allen is outraged by seeing his father again and creates a shell to keep Washington out of his life. At first this seems like a good thing, but what if all of Allen's so-called friends (coaches, relatives, girls, agents and fans) are the true antagonists here and Washington is the flawed hero? Lee is never sure what he wants to do here. The movie plays out like a chaotic basketball game with lots of action and memorable action, but in the end you do not want either team to win. Washington and Allen's relationship takes up some airtime, but so do others that leave almost as fast as they appear. The corruption in collegiate athletics and within sports agencies is also given an interesting glimpse, but alas those topics are not explored completely. "He Got Game" looked like it would match the brilliance of William Friedkin's "Blue Chips" (a flawed, but important movie), but just does not seem to have the coaching necessary. Washington is impressive and handles the material as well as he can. Allen is a complete revelation. Anfernee Hardaway had stolen the show from Nick Nolte in "Blue Chips" and Allen pretty much does the same thing in this one. Ray Allen seems to have unlimited potential in front of the camera and his gift could be developed more fully after his playing career ends. I have said for years that Ray Allen should be the best player in the NBA, but he has ultimately disappointed me throughout his professional career. Allen is not the problem here though. Lee's sporadic direction and a meandering script end up sending "He Got Game" to the locker room way too soon. 2.5 out of 5 stars.
    9nforgione08

    Who's wiser, the player or the father?

    He got game is an exceptional story about a basketball player who quarrels with family issues and strives towards his dream. Directed by Spike Lee, this movie takes an in depth look at exactly how many variables are involved when being the MVP, and how a man can grow up and assess these circumstances.

    Ray Allen plays a character who's name is Jesus Shuttlesworth. At a young age, his father pressed him dramatically to be the best he could be. However by mistake kills Jesus's mother and is sent to prison. The troubled child eventually grows up to become one for the best players in the nation. Now the drama builds up. When the decision to go pro or join a college team is just around the corner, Jesus's father (played by Denzel Washington) is let out of jail to convert his son to a specific school or else the father is returned to jail, it leaves Jesus with a daunting task. The reconcile between the father and son is what eventually allows Jesus to become a real man and face his problems.

    The idea that a boy cannot live without his father plays a defined role in this movie. Jesus grows up with the responsibilities of taking care of his sister, who is several years younger than he is. While it appears that Jesus has all of the support in the world, Spike Lee does a terrific job of accentuating how they are really leeches. All the people want are money, fame, and fortune; which is all possible through Jesus. The reason the father plays such a key role is because although he needs Jesus's help, he isn't interested in that. He really loves his son.

    Although Spike Lee did some amazing work with this movie especially with the inner city sequences, as well as the use of colors and poetry to his advantage for getting his ideas across to the audience, several scenes were unneeded which seemed overly explicit. Although these are truly issues that can ruin a famous person, they seemed almost too graphic to be seen by a general audience. What Spike does so well is keeping the real connections with the street, and enabling the audience to see exactly what the character is going through by using several techniques.

    Colors in the movie such as red, green, and black symbolize power, pain, and respect between different characters. While Jesus hates his name, his father named him that through a basketball player that was how he put it, "the truth." This movie proves that in real life, you can benefit more by forgiving, and not forgetting.

    Overall I would recommend this film to anyone who wants to see a unique, intellectual film that will make you think about your present situation, as well as allowing you to know the difficulties that come with fame.

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    • Quiz
      Spike Lee originally wanted Kobe Bryant to play the part of Jesus Shuttlesworth. While Bryant liked the script, and the idea of working with Lee, he had just finished his rookie year in the NBA (the 1996-97 season), and had shot several air balls in a brutal playoff loss by the Lakers to the Utah Jazz. For this reason, Bryant planned a workout program that would help him maintain his strength through the longer NBA seasons (a major adjustment, as Kobe went straight from high school to the pros). After Bryant consequently turned the movie role down, noting that the summer of 1997 was too important to spend time making the film, Lee promptly sought out Ray Allen, who quickly accepted the lead role.
    • Citazioni

      Jesus Shuttlesworth: Basketball is like poetry in motion, cross the guy to the left, take him back to the right, he's fallin' back, then just J right in his face. Then you look at him and say, "What?"

    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Object of My Affection/Paulie/Nightwatch/Suicide Kings/Wild Man Blues/Chinese Box (1998)
    • Colonne sonore
      John Henry
      Performed by London Symphony Orchestra

      Aaron Copland, Conductor

      Written by Aaron Copland

      The Aaron Copland Fund for Music, Inc., Copyright Owner

      Boosey & Hawkes, Inc., Solo Publisher

      Courtesy of Sony Classical

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    Dettagli

    Modifica
    • Data di uscita
      • 21 ottobre 1998 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • No perdonarás
    • Luoghi delle riprese
      • Cabrini-Green Public Housing Projects, Near North Side, Chicago, Illinois, Stati Uniti
    • Aziende produttrici
      • Touchstone Pictures
      • 40 Acres & A Mule Filmworks
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 25.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 21.567.853 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 7.610.663 USD
      • 3 mag 1998
    • Lordo in tutto il mondo
      • 21.567.853 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 16 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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