Evil Come Evil Go

Evil Come, Evil Go has the strongest opening 20 minutes of an exploitation film I've seen for quite some time, with the main character singing a hymn on the way to pick up her first lucky/unlucky victim. When they're laying in bed together the rotten sleazebag berates her for continuing to sing hymns whilst he's "tryin' to give head" to her. Amusingly this ultra prude allows him to go all the way before sticking a knife in his back, ending his reign of wanton lust.

Unfortunately the pace does eventually let up, the numerous fateful sex scenes becoming increasingly dull. Sarah Jane's meeting with a lesbian named Penny does liven things up somewhat, she meekly agrees to assist her puritan rampage which yields several rather tasty murder scenes. The ending is a bit of a let down, but overall I had a fun time with this one and if the premise appeals to you then I imagine you will too. The running time is appropriate given the lack of variety within and prevents things from getting too stagnant. 2 years earlier Walt Davis directed the utterly perverted Sex Psycho, which is a real treat for lovers of cinematic depravity and must have surely been one of the most outrageous films to ever grace a grindhouse at the time.

One of the better horrible movies I have seen from the 70's. The story line is good and could make a great movie today, but the acting and quality of the picture is poor. Regardless, I was captured by the film and was really wanting to see where it would end.

Sister Sarah is a Bible-thumping evangelist nutcase who dresses like Baby Jane Hudson.

She travels from one rural American ragdump to the next, vociferating the evils of recreational sex. Between her holy-rolling streetcorner castigations, she pacifies crowds with her mellifluous hymns(not only is she the Lord's golden-throated songbird, she also plays the accordion). By night, Sarah frequents bars, intent on luring "sinful" men to their bloody deaths. By-and-by, she takes on a wealthy, brick-ugly lesbian minion...together, these goose-stepping Christian crusaders become a holy force to be reckoned with.

Craggy little exploitation cowplop is too over-the-top to possibly be sincere...I suspect it has tongue lodged firmly in cheek when it's not lodged firmly elsewhere. EVIL COME EVIL GO is neither fish nor fowl...while nothing about it is exactly praiseworthy, it's generally more rounded than the centroid of its kindred contemporaries. And while the film's underpinnings may be of an erotic nature, it certainly won't serve to enhance xerotripsis for most fellows.

4/10

This film, a weird cross-breed of horror and soft-core porn, is one of the more original low budget flicks from the 70s. Apparently intended for the grindhouse crowd(and coming near the end of that era), this movie mixes sex with religious fanaticism and gore. Sister Sarah Jane drifts cross-country, preaching against the evils of pleasurable sex and men. And how does this fine lady do the Lord's work? By hooking up with men, having sex with them, then stabbing them to death! Sister Sarah takes her message to the streets of downtown Hollywood, where she finds a disciple in naive Penny, a wealthy lesbian who swears to renounce her tendencies and follow Sarah. Together, they conspire to enact Sarah's master plan: Penny lures the men to her house and has sex with them and Sarah kills them. As sick as it sounds, it works. Actress Cleo O'Hara handles her role as Sarah Jane skillfully, going from bible-thumping harpie to slutty pyscho believably. If you're looking for a sick time, check this one out.

Street preacher Sara Jane (Cleo O'Hara) believes God has put her on this Earth to rid the world of pleasurable sex. She receives shelter from Penny (Sandra Henderson), a lesbian who Sara Jane promises to turn to God. How does she do this? By having Penny help her in killing anything that humps. This is certainly one of the more bizarre horror morality tales out there. Clocking it at a lean 73-minutes, I would say 60% of that time is spent with the camera lens ogling nude bodies. Not that I mind, but it does tend to get a bit monotonous. Things liven up whenever O'Hara is around though. Dolled up like Baby Jane and sporting a southern accent the would fit in perfect in COAL MINER'S DAUGHTER (the first half, that is), she is a hoot as she sings Bible hymns while killing (and dreaming of having her own evangelical show). There are quite a few stabbing deaths in here with some H.G. Lewis blood on display. I have no idea who the target audience for this was - T&A fans? Horror fans? Religious freaks? All of the above?