Aggiungi una trama nella tua linguaA story of justice and tyranny with the fate of Rome in the balance.A story of justice and tyranny with the fate of Rome in the balance.A story of justice and tyranny with the fate of Rome in the balance.
- Regia
- Sceneggiatura
- Star
Ugo Ballester
- Un senatore
- (non citato nei titoli originali)
Recensioni in evidenza
In the U.S., very few films have been made about Rome that were not set in the time of Julius Caesar or shortly thereafter. Hollywood's sword and sandal epics mostly have a Christian theme, which makes it difficult to get into earlier Roman history (Spartacus was probably the first exception to this rule, and encountered some resistance in Hollywood because it did not have Jesus in it).
It's interesting to see at least one picture that not only takes place before the time of Caesar and Christ, but is set when Rome was only one city among many on the Italian peninsula, and had just ousted the hated King Tarquin and formed the Republic.
However, this is not a historical film; it's peplum, and while the production values aren't rock bottom, the acting and characterizations are cardboard. I can only imagine what the dialogue was like in Italian, but with wooden English dubbing it's very campy. I got a few good laughs out of it at first.
I haven't seen many films of this genre, having missed most of the Hercules movies of the 60s. It's amusing up to a point, but as the film goes on, it gets somewhat boring.
One thing's for sure: if I'd seen this movie when I was ten years old, I would have loved it. At that age, I went for anything with Romans and swordfights in it. So at least, this flick brought back some childhood memories.
It's interesting to see at least one picture that not only takes place before the time of Caesar and Christ, but is set when Rome was only one city among many on the Italian peninsula, and had just ousted the hated King Tarquin and formed the Republic.
However, this is not a historical film; it's peplum, and while the production values aren't rock bottom, the acting and characterizations are cardboard. I can only imagine what the dialogue was like in Italian, but with wooden English dubbing it's very campy. I got a few good laughs out of it at first.
I haven't seen many films of this genre, having missed most of the Hercules movies of the 60s. It's amusing up to a point, but as the film goes on, it gets somewhat boring.
One thing's for sure: if I'd seen this movie when I was ten years old, I would have loved it. At that age, I went for anything with Romans and swordfights in it. So at least, this flick brought back some childhood memories.
As far as the story goes, it's another one of those that had the potential to be good but falls flat on it's own script. Cinematography is ordinary, choppy at times. Directing is questionable, some of the shots are really bad. Acting seems okay, I can't hear their real voices it's originally in Italian and it's dubbed it into English but as far as I can tell the acting is fine. The voice actors did okay with the dubbing.
It's just flat, drab. It's not bad at all but really needed a bit more action to "dress it up". What action there is in the film is fine.
Once again we have out of this world costumes for the men, the Roman soldiers mainly (as usual). Standard stuff on the women. There are some cool prop weapons as with all peplum films.
4/10
It's just flat, drab. It's not bad at all but really needed a bit more action to "dress it up". What action there is in the film is fine.
Once again we have out of this world costumes for the men, the Roman soldiers mainly (as usual). Standard stuff on the women. There are some cool prop weapons as with all peplum films.
4/10
This film was pretty good, for it's time it has a lot of sword fighting and action. I'm not sure what other reviewers are complaining about. Of course it won't have too much violence as it was made in the 60's and it isn't a horror film. Of course it won't have too much CGI because they didn't have the technology back then. Yes of course they won't have boobs because this isn't a porn film. The story is better than a lot of other Hollywood films made today, and more easy to follow, and makes sense. The costumes are awesome and much went into the armour, The 60's Italian film wasn't big enough to have too much lavish sets and it's fine as it is. A product of it's era. People complaining about the women's costumes are being silly now, because Roman women did used to dress this way and their hairstyles were the most gorgeous.
Among Italian peplums of the period around 1960, there were some concerned with Roman legend, including "Coriolano, eroe senza patria", which was also helmed by Giorgio Ferroni. "Il colosso di Roma" is another example.
After having overthrown their king, Tarquinius Superbus (Massimo Serato), Rome is a young republic. Tarquinius tries to regain his throne with the military assistance of the Etruscan king, Porsenna (Roldano Lupi). Film sets in with Romans suffering from hunger, and top-notch soldier Mucius first securing the arrival of a corn transport, then deciding to kill Porsenna. In the king's camp he kills the wrong man, is captured, but proves his boldness by voluntarily burning his right hand in an open flame. The tiny, but crucial story about Roman bravery, which originally has a noble youngster as the failing killer, is generously embellished and furnished with a muscular experienced military leader as Mucius instead, played by ex-Tarzan Gordon Scott.
As the story progresses, it is interwoven with another heroic character from Latin legend, Cloelia, who is presented as Mucius' fiancée. She is among the hostages produced to secure the peace with Porsenna, but organizes the escape across the River Tiber when they find themselves betrayed. Her rôle is performed by one of the countless second-rate beauties of Italian screens, Gabriella Pallotta.
Although it may be deemed interesting to illustrate a national saga of yore, the film's pathetic hero-worship seems out of date for the mid-sixties. Still, monumental adventures were fashionable, and Italy's writers happy with any adaptable material. It is almost surprising how much of the legend's original idea can be recognized.
Expectations of a grand epic, as nurtured by the heavily orchestrated opening credits of nearly three minutes, are not at all lived up to by the following 82 (in the version I saw) minutes. Achievements are hardly average in all categories, although cinematography (Augusto Tiezzi) and score (Angelo Francesco Lavagnino) come from peplum's most experienced artists. Not even its best-hated villain, Massimo Serato, is really credible as Tarquinius. Fighting scenes are well staged, although some of the material seems to be taken from other films, too.
After having overthrown their king, Tarquinius Superbus (Massimo Serato), Rome is a young republic. Tarquinius tries to regain his throne with the military assistance of the Etruscan king, Porsenna (Roldano Lupi). Film sets in with Romans suffering from hunger, and top-notch soldier Mucius first securing the arrival of a corn transport, then deciding to kill Porsenna. In the king's camp he kills the wrong man, is captured, but proves his boldness by voluntarily burning his right hand in an open flame. The tiny, but crucial story about Roman bravery, which originally has a noble youngster as the failing killer, is generously embellished and furnished with a muscular experienced military leader as Mucius instead, played by ex-Tarzan Gordon Scott.
As the story progresses, it is interwoven with another heroic character from Latin legend, Cloelia, who is presented as Mucius' fiancée. She is among the hostages produced to secure the peace with Porsenna, but organizes the escape across the River Tiber when they find themselves betrayed. Her rôle is performed by one of the countless second-rate beauties of Italian screens, Gabriella Pallotta.
Although it may be deemed interesting to illustrate a national saga of yore, the film's pathetic hero-worship seems out of date for the mid-sixties. Still, monumental adventures were fashionable, and Italy's writers happy with any adaptable material. It is almost surprising how much of the legend's original idea can be recognized.
Expectations of a grand epic, as nurtured by the heavily orchestrated opening credits of nearly three minutes, are not at all lived up to by the following 82 (in the version I saw) minutes. Achievements are hardly average in all categories, although cinematography (Augusto Tiezzi) and score (Angelo Francesco Lavagnino) come from peplum's most experienced artists. Not even its best-hated villain, Massimo Serato, is really credible as Tarquinius. Fighting scenes are well staged, although some of the material seems to be taken from other films, too.
The king Tarquinio is banished from Roma . Mucio Scevola (Gordon Scott) married to Clelia goes to Porsena's headquarter and demonstrates his courage by burning himself a hand , for that reason is named Scevola (the left-handed) . Tarquinio (Massimo Serato) unites to Lars Porsena (Roldano Lupi) , king of Etruscos . They ask to Romans as hostages a group of young women (Gabriella Pallota , Maria Pia Conte). But Aronte(Antonini) , Porsena's son , enamored to Valena (Pia Conte) frees her and she passes the river Tiber . Meantime , Scevola hides his hand into an iron glove and begins the fighting .
This is an enjoyable sword and sandals movie with historical backstage , action , a love story , battles and spectacular scenarios . Gordon Scott is top-notch , as the historic hero who finds many dangerous situations while attempting to save Rome and his true love , Clelia , of several risks . Strong and robust Gordon Scott was a magnificent muscle-man . He was one along with Ed Fury , Brad Harris , Kirk Morris , Reg Park , Mark Forest , among others , whom to seek fame and fortune acting absurdly as muscle mythological figures , but anybody topped Steve Reeves and Gordon Scott in popularity . He played another historical character : ¨Coroliano , hero without country¨ with battle stock shots taken from this one and directed again by Giorgo Ferroni , a Peplum expert (Conquest of Micenas , Trojan war) . The motion picture is based on true events but has not prospect historical . The real deeds are the following : Tarquino(534-509, B.C.) was the seventh and last king of Roma and he governs tyrannically . The rape of Lucrecia by his son caused a riot and he was overthrown , the Roman Republic was proclaimed and he actually disappeared . Rating : Better than average Peplum fodder and better than most Sword and Sandals movies , thanks to Gordon Scott and slick direction by Giorgo Ferroni .
This is an enjoyable sword and sandals movie with historical backstage , action , a love story , battles and spectacular scenarios . Gordon Scott is top-notch , as the historic hero who finds many dangerous situations while attempting to save Rome and his true love , Clelia , of several risks . Strong and robust Gordon Scott was a magnificent muscle-man . He was one along with Ed Fury , Brad Harris , Kirk Morris , Reg Park , Mark Forest , among others , whom to seek fame and fortune acting absurdly as muscle mythological figures , but anybody topped Steve Reeves and Gordon Scott in popularity . He played another historical character : ¨Coroliano , hero without country¨ with battle stock shots taken from this one and directed again by Giorgo Ferroni , a Peplum expert (Conquest of Micenas , Trojan war) . The motion picture is based on true events but has not prospect historical . The real deeds are the following : Tarquino(534-509, B.C.) was the seventh and last king of Roma and he governs tyrannically . The rape of Lucrecia by his son caused a riot and he was overthrown , the Roman Republic was proclaimed and he actually disappeared . Rating : Better than average Peplum fodder and better than most Sword and Sandals movies , thanks to Gordon Scott and slick direction by Giorgo Ferroni .
Lo sapevi?
- QuizOur hero, Gordon Scott, who plays Mucius in the movie "Hero of Rome" also played Tarzan in five movies between 1955 and 1960.
- ConnessioniFollows Le vergini di Roma (1961)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Il colosso di Roma: Muzio Scevola
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 30 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Il colosso di Roma (1964) officially released in Canada in English?
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