Sarah Taylor, una psicologa criminale, intraprende una torrida relazione con uno sconosciuto seducente. Tuttavia, inizia a dubitare di potersi fidare di lui quando un misterioso molestatore ... Leggi tuttoSarah Taylor, una psicologa criminale, intraprende una torrida relazione con uno sconosciuto seducente. Tuttavia, inizia a dubitare di potersi fidare di lui quando un misterioso molestatore inizia a spaventarla.Sarah Taylor, una psicologa criminale, intraprende una torrida relazione con uno sconosciuto seducente. Tuttavia, inizia a dubitare di potersi fidare di lui quando un misterioso molestatore inizia a spaventarla.
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Recensioni in evidenza
But, I didn't think it was that bad, and (forgive my ignorance in psychiatric matters if this is wrong) that implausible either.
I think, in acting terms, it was a general disappointment in the two main star actors who have done much better work than this. But don't be too harsh.
Rebecca De Mornay is a troubled shrink who whilst dealing with the mind games of a serial killing loony (Harry Dean Stanton), meets sexually charged Latino guy (Antonio Banderas) and indulges in passions unbound. Then she starts to get very unwelcome presents in the post...
The erotic thriller has been well trodden, and will continue to be so for sure, so it feels a little churlish to decry Hall's movie for coming off as a weak willed imitator of previous purveyors of the sub-genre, but this blend of Silence of the Lambs meets Sea of Love - cum - Dressed to Kill - cum Fatal Attraction etc etc just comes across as a cheat. And that's because it is!
The makers know this and try to hide their ridiculous folly behind eroticism as the two lovely looking headlining stars get sweaty and wet, indulging in sexual play that's as powerful as the surroundings (Banderas lives in a loft apartment resplendent with metal cage and wrought iron doors). But, or should that be butt? The mystery element is weak, the suspense equally so, while the back story of De Mornay's father (a key character) is hopelessly under developed.
Then there is H.D. Stanton, stealing every scene is he is in, quid pro quo indeed, yet he's hardly in the film, which ultimately proves to be a tragedy as the plot hurtles towards its implausible and risible revelations. Red herrings come and go as quickly as Becca and Tony's underwear (the continuity editor should have been sacked along with the writers because of one scene BTW), and even though Pino Donaggio scores the music with customary swirling qualities, this just comes off as a piggyback tactic...
This is a poor thriller in spite of two very committed and visually attractive perfs from the leads - and of course Stanton's knowingly sleazy turn. Seek this out only if you think Body of Evidence is in the upper echelons of erotic thrillers. 5/10
As the plot unfolds, it appears as if De Mornay's character has nowhere to hide and nobody she can really trust. Various characters appear more or less likely to be guilty of terrorizing her. The film also very deftly portrays Sarah's need for a relationship with Tony even though she is terrified that he is hiding something from her. The acting is top notch and the plot is full of satisfying twists and turns. If you are in the mood for a strong, solid thriller then this ought to be a top choice.
I remember I put this movie on in the middle of my Banderas binge-watch, not expecting much, and - because of the rates - waiting for it to go bad any second. But to my delight, it didn't!
The plot got me involved. Sarah seemed to be surrounded with truly vicious men, so I started to suspect each one of being the bad guy. But I still didn't see the final twist coming.
While pondering on the suspects, I also enjoyed the way a sexual tension between Sarah and Tony was pictured. They click with each other! Especially it's seen while compared to "Original sin" (another erotic thriller with Antonio). Even though I find Angelina Jolie astonishingly beautiful, in that movie I didn't feel any chemistry between her and Antonio at all, but here I saw a genuine passion between him and Rebecca De Mornay.
I also really liked some power moves from Sarah - they were not that common for 90s, so they added spice to the picture.
To sum up - I recommend to watch this movie, if you are in the mood for light mysteries, blood-boiling sex scenes and esthetic of 90s. It's interesting, relaxing and pleasent for your eyes.
I don't recommend it, if you are into super-scary stuff or expect to tempt your intelligence with highly difficult riddles.
Lo sapevi?
- BlooperAfter Sarah plants the gun in Tony's right hand she goes into the bathroom to clean up. When she comes out and kneels by Tony, the gun is no longer there.
- Citazioni
Dr. Sarah Taylor: Mr. Ramirez, my mother taught me never to talk to strangers.
Tony Ramirez: If you never talk to strangers, you'll never meet anyone new.
- Versioni alternativeAn unrated version is available on laserdisc.
- Colonne sonoreHer Body Makes Vows
Performed by Exchange featuring Marc Jordan
Written by Gerald O'Brien, Steve Sexton and Marc Jordan
By Arrangement with Warner Special Products
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Dettagli
- Data di uscita
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- Lingua
- Celebre anche come
- Nunca hables con extraños
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.400.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.858.261 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.903.457 USD
- 22 ott 1995
- Lordo in tutto il mondo
- 6.858.261 USD
- Tempo di esecuzione
- 1h 26min(86 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1