Promesse e compromessi

"Miami Rhapsody" is a conversational light-hearted chick flick with Parker at the vortex of a Miami's family's many relationships. The film focuses on the Parker character's musings, contemplations, reflections, and conclusions in an easy going, unpretentious, gentle, and lively way. A must see for Sarah Jessica Parker fans and an enjoyable low cal flick for all others.

This is Sex and the City set in Miami. Sarah Jessica Parker does exactly the same thing she does when she's Carrie. Sit at a laptop, go on dates (even though she's engaged) and ponder about life whilst comparing it to friends and families.

It's like if Sex and The City and The Royal tenenbaums met each other in a more realistic way.

Antonio Banderas, Mia Farrow and Jordan Marcus are very entertaing also. However Naomi Campbell isn't. So thank god her screen time is just under 5 minutes.

It's a good entertaining movie though and funny in parts. I recommend it.

What can I say for Miami Rhapsody. First of all it is very Woody Allenesque but the thing that made those movie good is that Allen really hates himself ,and vents his frustrations on camera talking about all the things that happened in childhood and in his family life. Gwyn Marcus(Sarah Jessica Parker) character never gives any reasons for all her scarcasm she just goes on and on at a annoying pace. She has rich parents so here's my "One-Liner". My brother cheating on his wife so here's my "One-liner". Her character doesn't exist before the movie it like she's born yesterday.

She did not come from a broken home and was not abused as a child so why all the cynicism. A line did mention that she never went out much back in high school because she was so skinny "A Hat Rack" (her words not mine) If so she must have been "Invisible" because she still is skinny.

The movie wasn't so bad it had a good pace the scenes without Parker are actually great even though there are few not that's her fault. The flashbacks are well placed it would have been better if the Writer/director had taken five minutes just 5 min to build Gwyn's neurosis right in the being of the movie and then maybe a Flashback or two then I could have felt connected to her but instead the writer just hands them out to her and all the characters in the film like a lottery. Speaking of the lottery the studio must have had a raffle and the director must have won permission to make this movie in that contest. Finally I would however recommend watching this movie Miami Rhapsody" first and then W. Allen's "Husbands and Wives" second or"Manhattan" to Compare and Contrast the two.

Gwyn and Matt have finally gotten engaged and it looks like she will get what she wanted - a happy marriage just like the rest of her family. However as she looks around with clear eyes she realises that all her family are involved in bad marriages and affairs. As a result she begins to get cold feet, worried the same will happen to her.

From the style and music of the opening credits right through to the to-camera conclusion that mirrors the `need the eggs', this film is like a tropical version of Annie Hall with a female playing the Woody Allen role! Even if it is not a total mirror, it is impossible to watch this film without seeing Allen's influence all over it. So immediately large sections of the audience will want to turn off, however I love Allen so am happy to give this a shot on that basis alone. As a film, it's plot is just a collection of messy relationship through which Carrie, sorry, Gwyn learns lessons. It isn't substance rich but that's the point - instead it is quick and rather witty, never sitting still for very long but being quite fun with it.

The cast also helps as they do some very fun turns despite some weaknesses. Parker is good and her New York personae certainly seems to fit the material. Bellows is rather bland for the role but there are some great little bits from Banderas, Farrow and Mazursky. It's always good to see Pollack and Piven but Campbell demonstrates why she hasn't moved into a successful film career by reading her lines with all the emotion of iron (although she looked great in the beach-shoot scene).

Overall this is a fun little film that is quite slick if you are a fan of Woody Allen's relationship neurosis films. If you're not then you'll probably do well to avoid this film.

Sarah Jessica Parker is a young, female version of Woody Allen. That's pretty much what you get with this movie. Everyone was criticizing Kenneth Branagh (and John Cusack, to a lesser degree) when they did their Woody impersonations in Celebrity and Bullets Over Broadway. But no one seemed to mind when Parker did it in this movie, which Woody Allen had no link to even though it feels that way. Add Mia Farrow to the mix, and the clone is perfected (nevermind the fact that Mia and Woody were estranged when this was made). I found a few funny moments and lines (the business with the monkeys and Parker's reaction to them is memorable, but again totally out of the Woody school). But in the end this is a second-rate Woody Allen film, best suited for rainy days when there is nothing else to watch and you stumble upon this on cable TV.