Loch Ness

I caught this on the Sci-Fi channel, where it is aired from time to time. Methinks it ought to be shown on the Family Channel, as it is excellent family viewing. And no, there really isn't any sex in it. (But how else was I to get your attention?)

Ted Danson, who still seems just like Sam Malone from "Cheers" - only with a bad hair day - is quite winning in the lead role of this film. He plays a rather cantankerous, and somewhat discredited, American anthropologist who is sent to Scotland to disprove the existence of the "Loch Ness Monster".

He doesn't (at first, anyway) mix well with the local Scottish residents living near Loch Ness. Eventually he is won over by the dear sweet daughter (Isabel) of the local innkeeper. Her influence on him, along with that of the water bailiff, played by Ian Holm, profoundly change him towards the end of the film. Epiphany in the making.

If you value humanity over science, then this film is for you. It is a very enchanting movie that is worth watching. My advice: chill out, take a break from the war on terrorism and go rent this movie and give it a look. You'll be glad you did, and I highly doubt that you will be forced to run to the bathroom to be physically sick as did Aaron Fleming from N. Ireland. (While you're at it, rent another thoroughly enjoyable movie which was also filmed in Scotland, "Local Hero" (1983)).

Watch. Reflect. Reconsider your values in life. Then go pour yourself a good scotch.

I like this movie. It maybe be lukewarm and saccharine as everyone else thinks, but it is far superior to all those Fifties and Sixties lake monster pics. Ted Danson does a wonderful acting job outside of "Cheers" and the special effects are magical. the whole production has a rather Disney feel to it as it makes you believe in magic and takes a different realistic view of one of the world's biggest mysteries. This movie does the same thing "Harry And The Hendersons" did for Bigfoot.

Why would Aaron Fleming of Northern Ireland throw up at this movie? My theory is that you never had a warm childhood Aaron and nothing magical has ever happened in your life. It wasn't made for viewers such as yourself. I think TRAINSPOTTING might be more your line.

I'd go further than saying that Ted Danson was "good" in this - it is by far his best movie (with the possible exception of GETTING EVEN WITH DAD). As discredited, financially strapped and harrassed Dr Dempsey, Danson is bundled off to Loch Ness to disprove Nessie's existence. Not only does he fail in his task, but he finds something even yet more unlikely - the unconditional love of a little girl and her innkeeper mother played with feisty gusto by Joley Richardson. I would defy any true romantic to withhold a tear at the end of this movie...easily one of the most touching films of all time. Proof if such be needed that one can make a beautiful family movie with not a single swear word or offensive scene.

The very briefly glimpsed "beastie" is heart-warmingly portrayed, never more so than during the closing credits to a backdrop of Rod Stewart's "Rivers of My Heart." Veteran Ian Holm just about steals the show as the Laird and "keeper" of the secret. The scene on the bus when he opens up Dr Dempsey's envelope is worth the price of the theater ticket alone!

Saccharine? manipulative? unrealistic? Yeah? well so was ET!

the acting at first i thought seemed a little dry but really builds up character throughout the movie, now Ted Danson adds a great actor to the cast and the little girl really brightens up the movie, all in all not a bad flick for an afternoon movie.

7 out of 10.

Ted Danson stars as John Dempsey, a college professor who's hit rock bottom. His car breaks down, he's being chased for money and has zero professional credibility left. But his boss offers him a job to redeem himself "Go to Loch Ness, Scotland". Naturally, John thinks he's being asked to find the monster, but his boss says quite the contrary. "Go there and prove it's not there" he offers. Out of options and out of money, Dempsey reluctantly takes the job and heads off to Scotland.

Far from home and hating it, Dempsey reluctantly drags his feet through the nearby town, where his reputation as a monster hunter follows him. Colleagues from the scientific world approach him like adoring fans, asking how he tracked the Yeti and found Bigfoot. It's a past Dempsey would like to forget, as it's the reason no one takes him seriously anymore. And from all his past searchings of urban legends, he's never found anything, so is in complete denial that he will find the Loch Ness. After all, it's isn't real... right?

Armed with a boat he decks out with the best scientific equipment, Dempsey hits the water, with the assistant of his predecessor tagging along. Up and down, back and forth; the professor maps the massive lake with his scanners and sonar gadgets, but nothing is detected. Once again, Dempsey is the centre of jokes and ridicule, as he puts his already tarnished reputation on the line to find something not even the locals believe exists. Until he meets a young girl on the banks of the lake. Her name is Isabel; a wee lass with locks of red hair, and the strongest Scottish accent since Billy Connolly. For the age of nine, she is very cluey and switched on, and might just hold the secret behind the truth of the Loch Ness monster.

"Loch Ness" is not a film about the monster itself, but more about mans search for the monster. And it's an interesting character study, when Dempsey validates his argument that the creature does in fact not exist. He references his past, about being the optimistic monster hunter that believed in the unseen and unexplained. But when he turns up nothing yet again at Loch Ness (to start with at least), he is reminded that like every other story about Bigfoot, aliens and UFO's, they are probably just stories made up to makes us believe there is something better and far greater beyond what we just see with our own eyes. The unexplained mysteries of life allude to that, but when most of us never see such things, it's hard to believe. That is what the message of this film is all about; "Believing is seeing"